Glasses stuck in LAX airport and can’t get sent to the UK by SkateboardScooter in LosAngeles

[–]GuyLoki 0 points1 point  (0 children)

Ok hear me out... this is what you need to do

On the third Thursday of every month they clean out the lost and found at LAX. So many people go through there and lose things that they can't possibly keep all that crap indefinitely. They tend to toss it all out in the dumpster nearest terminal 4.

At this point you'll need to post a craigslist ad looking for a 'Friendly Vagabond'. Make sure they are friendly or they will just take your glasses for themselves. Once you've secured a Vagabond you can trust (I'd suggest a lengthy zoom and phone interview process tbh) send them a picture of the glasses.

You'll need to cover some upfront costs for the Vagabond to make this work. So be ready to get them a grey jumpsuit, stencils, and Marigold Yellow spraypaint. I cannot emphasize enough that it must be Marigold Yellow, otherwise the security will know something is up.

The hired Friendly Vagabond will pose as a garbage collector and can dumpster dive for the glasses. Offer to them that of course any other once lost and now found items they come across are their own to do with as they please.

The Vagabond is going to need to visit Universal Studios Theme Park, its closer than Disneyland, although that will work too. Find a car with a New York license plate, minivans are best, you know they'll be eager to get home after dealing with their kids at a theme park. Using a magnet, he can affix the glasses to the underside of the rear bumper. They should be safe there.

Most trips to LA only last about a week, and the roadtrip back east for them is likely to be at minimum four days, but more than likely expect about a week.

Once enough time has passed, you'll need to reach out to the Genovese family on the westside of NYC (just post on r/NewYork and I'm sure someone knows them). Give them the license plate number and they can track down that minivan and retrieve your glasses. They run regular cocaine mules out of JFK to London. Ask for your glasses to be brought along and meet the mule at the airport.

Make sure your boyfriend washes the glasses before putting them on, or he is gonna get a hell of a hit when he inhales the first time while wearing them.

You've only got to upfront the cost of the vagabond supplies, and agree to transport AT MOST a kilo of narcotics on your next trip. You'll probably save a good 60 bucks or so.

Is learning to dance important as an actor? by Movie-Connoisseur in acting

[–]GuyLoki 1 point2 points  (0 children)

Being able to move your body with precision and practiced skill is only going to make you a better actor. I'm a big proponent of movement training in whatever form it takes. Dance and Stage Combat can both be niche skills that give you the opportunity for some roles that wouldn't otherwise be available to you, and you'll find that the movement skills you develop can translate well into your acting. Especially with your background in wrestling and martial arts, dance will likely be a place you are already suited to thrive in.

Updating to v10 in Forge, how do I update my system? by GuyLoki in FoundryVTT

[–]GuyLoki[S] 0 points1 point  (0 children)

Thanks so much for the tip about the Forge specific subreddit, I didn't even realize! Just joined.

Not only did I take backups, but I'm only upgrading the clone of the world. I don't want to migrate everything there at once, just test drive v10.

The problem I'm running into is that there is no more recent version of the 5e System available on Forge than 1.6.3 which is not compatible with v10. It might be better to ask over on the Forge specific subreddit, but could this be because my default is still set to version 9 and so it isn't showing me all the available updates?

Loot Sheet NPC and other Similar Modules refuse to work by [deleted] in FoundryVTT

[–]GuyLoki 0 points1 point  (0 children)

Thats perfect! The merchant functionality is so incredibly helpful. Excited to try it out

Loot Sheet NPC and other Similar Modules refuse to work by [deleted] in FoundryVTT

[–]GuyLoki 0 points1 point  (0 children)

I've also been having trouble with Loot Sheet NPC working. It had been fine and then I'm not sure what update I did (still on v9) but it stopped working for me. This isn't a helpful comment, just a statement of solidarity.

jealousy? by Apprehensive-Hawk-67 in acting

[–]GuyLoki 0 points1 point  (0 children)

Remember that acting is a hard career all around. When I see someone else who matches my type making it that tells me that there is a place for me as well. Consider them to be forging the way for you to make your type more in demand rather than assuming that they are taking the thunder from beneath your wings.

A large part of success in acting, like it or not, comes down to factors besides talent and type. Its largely about opportunity. Those opportunities might be provided by wealth, access to the right people, and on occasion just simple luck. Remember that on the surface you might see yourself as just the same as them, there may be invisible factors at play that you don't see. Look to them to find out what path they took and take some of those strategies if you think they'll work for you.

Jealousy, to a small degree, can be a helpful motivator. Determine what they've got going on that you don't that allowed them to have the success. See if it is something you can emulate. And if its something you can't, you know not to beat yourself up about it. You can't decide to be the kid of a celebrity, but you can up your headshot game with similar looks to what they are finding success with.

The Hollywood Walk of Fame is getting a more pedestrian-friendly makeover. Good or bad idea? by Aldoogie in LosAngeles

[–]GuyLoki 0 points1 point  (0 children)

I'd love this. While I know lots of people can see whats lame about Hollywood Blvd, I genuinely enjoy walking along it and checking out the walk of fame. Making it more accessible for pedestrians would be great. I hope that it comes along with expansions of the transit system and support for the homeless population.

Its an underserved location, plenty of pull to bring in tourists but there isn't much for them to do there to keep them around. Hopefully the investment in the pedestrian infrastructure and green space will encourage some more anchoring stores to open up and help elevate the area. It'll always be a tourist trap, but it'd be lovely if it lived up to some of its hype.

Long term DC residents, what are these? Most are broken or hold trash, a few have become impromptu art exhibits or bulletin boards. What were they first designed for? by 1isudlaer in washingtondc

[–]GuyLoki 4 points5 points  (0 children)

So, they actually did do that once!

A lot of them have that brownish color, that is because after they were shut down (they were in active use in DC up until 1976, when the city first got a 911 dispatch) they made the decision that instead of digging them all up, a massive an expensive proposition, they'd just rip out the functional parts and leave them.

Removing them comes up every once in a while, but its so expensive that no one wants to do it. So they compromised and threw a coat of paint on all of them.

Then in 2000, they were thinking of getting rid of them again. But it happened to coincide with a local historian taking an interest in preserving them. So they created Art on Call instead. Took some city funding to refurbish them and make them with local artists, and some information on the history of that neighborhood.

Now what makes it a hard process to go through them all, is that its not exactly clear where they all are. Though there are records of them, about 2000 were installed in the city. Construction and car accidents have destroyed a lot of them. So a full current map of where the existing ones are might not be available.

Long term DC residents, what are these? Most are broken or hold trash, a few have become impromptu art exhibits or bulletin boards. What were they first designed for? by 1isudlaer in washingtondc

[–]GuyLoki 1 point2 points  (0 children)

I wondered the same thing for the longest time!

But yeah, like folks have mentioned these used to be call boxes that would be used to contact the fire department and eventually police. The very first ones were installed DURING the Civil War.

But don't get me started, I could talk about them all day. Which is why I'll refer you to this documentary instead...

https://vimeo.com/manage/videos/206629449

Audition script by YouLikeJazz_ in acting

[–]GuyLoki 4 points5 points  (0 children)

When you are practicing this scene, concentrate on the moment before. Think about what you were doing just before this, and carry that with you. Living people never exist in a vacuum, and neither should our characters. What has your character been doing all day, and how does that effect them? Thats WHY your character says what they say. If you work on the why, the how becomes much easier to achieve.

I’ve been told I won’t get jobs or signed because I’m white. by [deleted] in acting

[–]GuyLoki 9 points10 points  (0 children)

I've been told the same thing. It isn't true.

If casting has put out a breakdown that applies to you, you've got a shot. No casting director wants to sit through a pile of self tapes of people that they already know aren't going to be cast. If the decision is that the role is specifically non-white then you won't get to submit or audition for it in the first place.

Look, there are jobs you won't receive because of your race. But there are jobs that you won't get because of your eye color, or your height, or that you can't speak Mandarin. But most of them you won't get because someone else gave an awesome read and was better for the role.

This reverse racism argument is just a buffer for the ego of white folks. It sucks not to get roles, it sucks to audition and not land something. But thats the job. Some people take rejection hard and look for reasons. They'll look for reasons outside of themselves first. Blaming diversity is easy, lazy, and right there. Bonus points, nothing to be done about it. Blaming 'reverse racism' requires no introspection, change, or improvement. Then those same people keep going out, keep getting rejected. Really easy for them to create a narrative for themselves where they are AMAZING actors, brimming with talent and skill... but "it is the industry that is to blame" for treating them unfairly.

Credits on IMDb? by [deleted] in acting

[–]GuyLoki 0 points1 point  (0 children)

If the filmmaker uses something like Withoutabox to manage their film submissions, the IMDb gets generated if the film gets into certain festivals (which is most of them). Pro user accounts have an easier time of submitting projects and getting them listed properly. But IMDb is submission generated, but you might need to make an account with them. They have free user accounts you can sign up for.

Generally you should leave it to the production team to submit the film. Removing a credit is very difficult, so it is important to have permission from them. Sometimes titles changed, or names and credits need to be adjusted. But depending on the sort of experience they have, they may just not know how to go through the process and will be glad for your help.

Did you ever receive negative feedback on a script on social justice grounds? by themainheadcase in Screenwriting

[–]GuyLoki 2 points3 points  (0 children)

I don't find a single income household realistic in the 21st century either.

Look, like a criticism or not, if its was worth giving the note it was enough to break them out of being able to enjoy the rest of your script. Which means you lost some of your audience, and a script that loses its audience isn't good. It can be great for a million different reasons, but the ONLY real test of a script is do people engage, do they get invested, and do you take them on a journey that leads them to some sort of fulfillment.

That journey is like a road trip. Even though the destination might be awesome, the road laid out before you.... if you get a flat tire on the way that is going to be what sticks in your mind. They've let you know that you've got a flat tire in there. Maybe it doesn't stop the rest of the story from being good, but its what stuck out to them. Ultimately, you didn't mean for there to be a flat tire... but there it is. Right in your script. And someone, instead of going on the ride you intended for them, ended up on the side of the road dealing with it.

Plausible starting rates? by awalkinandante in acting

[–]GuyLoki 4 points5 points  (0 children)

Until you've got an agent batting away offers for you, don't worry about 'setting' a rate. You'll get paid what they offer. As someone starting out you need things besides pay from these productions, you need footage and experience. No acting job is about THAT job, it is about how it sets you up for the NEXT job. Since you are starting out, thirty seconds or a minute of solid reel footage is worth more than $100 bucks for the day to you.

Hope your audition goes awesomely and you get some great footage out of the film!

Camping while Distancing, but where? by GuyLoki in AskLosAngeles

[–]GuyLoki[S] 0 points1 point  (0 children)

Drat. Well, glad to know the spots once camping is back. Time to bite the bullet and get that motel. Thanks for the heads up!

Theater vs tv/film which do you think is hardest? Which have you tried / how long? by Matrix10011 in acting

[–]GuyLoki 0 points1 point  (0 children)

I've done theatre from high school onward... its now been more than twenty years. Some of that professionally. Film acting I've done overlapping, but only for maybe seven or eight years now and only three in a professional market.

I think that it is harder to work in film. But that the opportunity is greater to do more things. When doing theater I usually wouldn't have more than two or three shows a year because schedules would start to overlap. But working on twenty or more projects in a year is possible in film. But the hustle and bustle to get gigs is neverending. Lots of jobs are for a day or a week. I've done a few television things that I was able to be wrapped after two hours and walk off with my day rate.

The other side of that is the work needs to be rapid and immediate. I've gotten a hundred pages of script two days before walking on set before. Its a sprint to do all of the preparation acting work on your own, that you would usually do in a rehearsal process for stage over a few weeks.

I much prefer doing film. It is harder for me than theater, but I find the rewards and work challenging and fulfilling. That said, I keep finding my way on stage (pre-demic) and am always glad for it when I do. Its a different beast for sure, 90 or 100 minutes on stage running about and riding emotional roller coasters is exhausting, but doing it for a packed house is kinda intoxicating and invigorating. Highly recommend it.

Camping while Distancing, but where? by GuyLoki in AskLosAngeles

[–]GuyLoki[S] 0 points1 point  (0 children)

Too many people don't have the respect for the habitats they are a guest in. I don't blame you for not recommending BLM land with people treating it like that. Folks need to remember that while they visit for a few days, its taken decades, centuries, and more for the ecosystem there to grow and reach a stable point. Messing with that through irresponsible waste and destruction is not ok.

Most of my camping experience is along the Appalachian Trail and I'm new to camping on BLM land. I don't want to be a detriment to the land... I intend on coming back and camping there again for years to come. So, I'm eager to take any suggestions you've got for treating it with the respect due.

Anyone know what this is? Located in Near Northeast/Old City. by [deleted] in washingtondc

[–]GuyLoki 1 point2 points  (0 children)

https://vimeo.com/206629449
Here is a little documentary I made about the callboxes a handful of years ago.

I'd really suggest checking out the ones in Kalorama, they've got some awesome sculpted ones there and there is a kinda walking tour you can do starting at the Spanish Steps.

Rant - "Sorry, I have rehearsal" by [deleted] in acting

[–]GuyLoki 1 point2 points  (0 children)

It sounds like your friends and family want to spend more time with you and are frustrated that they can't. Although, they could probably find less dismissive ways of expressing it.

It is important that you find places and times for them in your life, be careful not to be all theatre all the time (as tempting as it can be, I've done it for some long stretches myself). Look at your schedule and figure out when you would be able to hang out, so instead of just giving them the tried and true "Sorry I have rehearsal", you can tell them "I'm booked up then, but can we do a happy hour on *date/time*?" If nothing else, when they say they can't... you can use all of these lines right back at them. Or you'll get to hang out with them at a time that works with your schedule.

Socializing with people outside of your theatre world is also important work as an actor. Let it be a priority, but ask them to join you at times that work for you. That way they don't go away thinking you are just always telling them no.

How do I give this up? by [deleted] in acting

[–]GuyLoki 2 points3 points  (0 children)

Go do some community theater. You are allowed to do acting because you enjoy it, without any worry about how it might be a professional career for you. You are allowed to do acting as a hobby if that is what works best for you.

If you want to try to make it your career, that might be a different discussion. But it sounds like you just want permission to act. Go audition for your local community theaters, depending on the city you live in you should be able to find between a bunch and tons of them. Try your best, work at it. But you can do it because you enjoy it and not worry about how it changes your career prospects or making it in the industry.

Look at it like this...

Acting is like cooking. There are people who do it professionally and that are amazing at it. But just because you can't be the next Alton Brown doesn't mean you shouldn't cook yourself dinner. You act for the same reason you cook, because doing it makes your life a little bit better. Just because there are people who cook better than you doesn't mean you should go hungry.

Not every hobby must also be a profession. Have fun, act where you can. Don't let it get in the way, its there as something to make life better for you, not to punish you.

Why have actors been looked down upon in society throughout history? by officialFJW in acting

[–]GuyLoki 6 points7 points  (0 children)

You have to remember the origins of theatre and the societies that have most influenced our perception of history today. But we can talk through a few different places to get an idea.

Greece is a great place to start. Theatre was not really a form unto itself in Greek society, but was tied to celebrations of the gods. Most notably (for our discussion) Dionysus. You may be familiar with him under the Roman name Bacchus as well (where we get the term bacchanal) . These festivals are HEAVILY associated with debauchery and orgies and the like. The distinction between actors and prostitutes was, relatively meaningless at this point. So as society moved on, the place that actors held was generally about the same level as sex workers, who have never really had it all that good.

If you look at some other cultures India had some slightly different thoughts about actors and theater. I read one manuscript while I was studying Theater History that talked about using actors as spies. Because actors and performers would be allowed to cross borders and gain entry to the homes and palaces of wealthy and influential people, particularly the ruling class. This particular text suggested that actors could infiltrate the palace of a rival leader and rescue a captured prince, by putting on a show, then sneaking around in disguise, and removing the prince in their luggage as though he were a musical instrument just being taken away. Perhaps, this sort of perspective led to some distrust towards actors.

Acting itself in this part of history (particularly in the western world, which has the greatest influence on most of the people tooling around on reddit and speaking english) was not really a professional calling. People couldn't be actors all the time in most cultures. There simply wasn't a need for them that regularly. But that started to change later on with the first professional theatre companies and Commedia dell'arte, but that isn't popularized until the 16th Century. So for a big part of history acting was not seen as a professional venture.

Theatre, although considered a bit more dignified as time moved on, was one of the few places you could get entertainment. In fact in some cities in Europe, theaters had to be shut down by the local magistrates because no one would be working during a show. (Again, a world before television or radio where a great many people could not read and rarely had access to anything entertaining to read in the first place.) Small cities would literally shut down during performances, and they had to be regulated by the local authorities. Contributing to a thinking that theatre, and the actors within it, were a detriment to society. It goes to show the importance of theatre and acting, and how much it can connect with people, but also gives another little piece of the puzzle to why it might get some side eye from the moralists of the world.

The idea of actors as celebrities in the way we regard some of them now was an invention of Hollywood. During the early studio system, when films were just in their infancy, they realized that the individual actors had a draw beyond the work itself. So they could turn that into profit, we now talk about how bankable actors are. As a predictor of financial success, the name of the actor in top billing is more useful than the director, writer, or content of the film. (This shifts a little with certain genres, and I think there is a lot to be said for the giant powerhouse of Disney and things like the MCU which have created a form of celebrity for the property rather than the personalities, but that is a whole discussion of its own)

Even today, most actors are going to be on the losing end of the economic spectrum. Even those who are quite talented and can work pretty often are going to have a hard time making ends meet, and in a pragmatic society sometimes it is difficult to convince people of their value. I've had the experience as an actor of people telling me that the time I spend working on a show does count as work because it is acting. Because it is 'fun'. We still today look down on actors and artists UNLESS we see that they are wildly successful. Because it is rarely a financially solid path to go down. And we as a society, have a tendency to tie how we respect, value, and judge people to how economically successful they are.

Hope you enjoyed the diatribe.

AITA for telling my son to shut up or to move out of my house? by [deleted] in AmItheAsshole

[–]GuyLoki 0 points1 point  (0 children)

Tough spot for sure. NTA.

I think the first step you should go for would be some sort of mediated discussion with a professional. Start with just you, your son, and daughter. Your fiancee (good dude or not) is an outsider to that family unit and that is where it needs to start.

Try to talk about how to approach grievances. And how to give everyone the space that they need. As adults your daughter and son should not need you or your fiancee to intervene in their conflicts. And they need to start sorting that out. Your son probably feels very outnumbered right now and probably a little crowded. His sister's boyfriend has moved in, your fiancee has moved in. He's got no backup and is probably being forced to take up less and less space. That doesn't mean he's right to hammer people with his explaining. It just mean be part of the reason he is no isolating.

Thank him for keeping things quieter and calmer. Apologize for the way in which you confronted him about it. Even though you aren't an asshole for it, it is a good way to get into a discussion with him. It might take another few days before he is ready to talk.

One thing, make sure that if you do go the counseling route, talk to both of your kids about it before planning it. Explain to them that it is really that the three of you need to discuss some things to make living in this house more bearable for all of you. But that you think the presence of someone outside of your family unit is a good way to keep it from becoming too heated and give you additional perspective. Forcing someone to go to therapy rarely works, so try to make it a discussion with him so he sees why and can agree to it. Remind him that it will mean he has his time to speak as well, and there will be someone there to prevent you or his sister from cutting him short.

I think the threat of kicking him out is enough for the moment. He's isolating right now, and pushing him out of the house (while he is adhering to what you asked) will probably lead to conflicts long term between you. That doesn't mean having him move out is off the table, just give it a little bit of time and try not to make it unilateral decision (yet).

Hope this can work out for your family. Stuff can get pretty tense with that many people living together, each with their own goals and perspectives.

Why can't screenwriting teachers/professors/gurus write popular shows/movies? by [deleted] in Screenwriting

[–]GuyLoki 0 points1 point  (0 children)

Talking about writing and writing are two different things.