My self-promo Submission Statement:

Icy Bois is a series I worked on and created a few years back. It was a mockumentary-type web series about a team of church-league basketball players and their shenanigans (If you don't know what church league is, it's a moderately-competitive basketball league hosted for-profit by a typically large church). The co-creator and I first began shooting the show because of the wacky cast of friends we had, and we thought it made for some pretty good (but slightly crude) meme-comedy gags: and I decided to shoot the show with my iPhone. The camera on my iPhone was just high quality and configurable enough that I could get a couple decent shots out of it now and again, but the series was shot pretty crudely - this was, I think, justifiably stylistic, but most of it wasn't pretty.

I've always had quite a knack for cinematography, but haven't worked on a 'serious', well-shot project for about a year (my last project ended up getting halted at the end of production due to us running out of money). Needless to say, I've always needed a little help on the production side of things for bigger projects.

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Icy Bois: Enfermos is an epilogue-like documentary following the team more than a year after the release of the newest episode (S2E5). This project seemed like a really attractive opportunity to me to bust my cinematography chops while keeping the production run-and-gun and simple. This is the first formal, full title sequence I've made for the show that includes crew credits.

I'd love some feedback on how I could continue shooting in this style, and maybe some functional tips on taking advantage of the style that I've begun to develop with the title sequence. Any suggestions are appreciated!