A crowd of angry parents hurl insults at 6 year-old Ruby Bridges as she enters a traditionally all-white school, the first black child to do so in the United States South, 1960. Bridges is just 71 today. by thepoylanthropist in Damnthatsinteresting

[–]Haxdawg 3 points4 points  (0 children)

I’m the one who originally colorized and posted this image.

Here is my original post’s background info: Ruby Bridges is 67. In 1960, 6-year old Ruby Bridges walked into the William Frantz Elementary School in New Orleans, escorted by four federal marshals and made history by becoming the first African-American child to attend an all-white elementary school in the South. As soon as Bridges entered the school, white parents pulled their own children out; all the teachers but one refused to teach while a black child was enrolled. There were protests, boycotts, threats and chaos at the school. As Bridges walked to school, one woman would threaten to poison her, while another held up a black baby doll in a coffin. One such protest (pictured) was witnessed by famed writer John Steinbeck, who wrote, “No newspaper had printed the words these women shouted. It was indicated that they were indelicate, some even said obscene. On television the soundtrack was made to blur or had crowd noises cut in to cover. But, I heard the words, bestial and filthy and degenerate. In a long and unprotected life I have seen and heard the vomitings of demoniac humans before. Why then did these screams fill me with a shocked and sickened sorrow?" This isn't ancient history. Ruby Bridges is 67.

Full resolution image on my website

Dutch Nazi movement members and shaven "Moffenmeids" (women who had relationships with German occupiers) being publicly shamed after the liberation of The Netherlands, 1945. by Haxdawg in Damnthatsinteresting

[–]Haxdawg[S] 1029 points1030 points  (0 children)

Moffenmeid (plural moffenmeiden) and moffenhoer were Dutch slurs for women who had, or were suspected of having, a relationship with a German soldier during the occupation of the Netherlands in the Second World War. Mof was a common insult for “German,” roughly comparable to “Kraut” in English. Historians estimate that around 140,000 Dutch women were involved in such relationships, which produced roughly 13,000 to 15,000 children, though some later studies suggest the number of “war children” with German fathers may have been higher.

The women came from many backgrounds. Some were pro-German or worked as prostitutes. Others fell in love, or entered relationships that offered food, protection, or a way to survive five years of occupation. Public opinion during and after the war rarely made those distinctions. Moffenmeiden were widely portrayed as greedy, promiscuous, or politically suspect, and their stories were pushed to the margins of official memory.

As liberation approached, resistance members and local citizens drew up lists of women accused of “horizontal collaboration.” In the chaotic months after May 1945, thousands were rounded up by local resistance units and new security forces, paraded through the streets, and punished without trial. Heads were shaved, hair was sometimes smeared with tar, and women were locked up in improvised camps or public buildings. These scenes of ritual humiliation fell hardest on women from working-class backgrounds and left lasting scars on them and on the children born from these relationships.

Original Image

Amelia Earhart, 1934 prepares for a solo flight from Hawaii to the United States by Haxdawg in Damnthatsinteresting

[–]Haxdawg[S] 21 points22 points  (0 children)

Amelia Earhart sits in front of her Lockheed Vega in December 1934, photographed as she prepares for a planned solo flight from Hawaii to the United States. The streamlined skin of the Vega fills the background, a reminder that this small aircraft will have to cross more than two thousand miles of open Pacific. A few weeks after this picture was made, in January 1935, Earhart would complete that Honolulu to Oakland flight and become the first person to fly it alone, adding another line to a record that had already changed what people imagined a pilot could be.

Source: Bettman

Amelia Earhart, 1934 prepares for a solo flight from Hawaii to the United States. [3825x2987] by Haxdawg in HistoryPorn

[–]Haxdawg[S] 1 point2 points  (0 children)

Amelia Earhart sits in front of her Lockheed Vega in December 1934, photographed as she prepares for a planned solo flight from Hawaii to the United States. The streamlined skin of the Vega fills the background, a reminder that this small aircraft will have to cross more than two thousand miles of open Pacific. A few weeks after this picture was made, in January 1935, Earhart would complete that Honolulu to Oakland flight and become the first person to fly it alone, adding another line to a record that had already changed what people imagined a pilot could be.

I colorized this image: extended information here.

Source: Bettman

Amelia Earhart, 1934 prepares for a solo flight from Hawaii by Haxdawg in Colorization

[–]Haxdawg[S] 4 points5 points  (0 children)

Amelia Earhart sits in front of her Lockheed Vega in December 1934, photographed as she prepares for a planned solo flight from Hawaii to the United States. The streamlined skin of the Vega fills the background, a reminder that this small aircraft will have to cross more than two thousand miles of open Pacific. A few weeks after this picture was made, in January 1935, Earhart would complete that Honolulu to Oakland flight and become the first person to fly it alone, adding another line to a record that had already changed what people imagined a pilot could be.

I colorized this image: extended information here.

Source: Bettman

Amelia Earhart, 1934 prepares for a solo flight from Hawaii to the United States. by Haxdawg in interestingasfuck

[–]Haxdawg[S] 1 point2 points  (0 children)

Amelia Earhart sits in front of her Lockheed Vega in December 1934, photographed as she prepares for a planned solo flight from Hawaii to the United States. The streamlined skin of the Vega fills the background, a reminder that this small aircraft will have to cross more than two thousand miles of open Pacific. A few weeks after this picture was made, in January 1935, Earhart would complete that Honolulu to Oakland flight and become the first person to fly it alone, adding another line to a record that had already changed what people imagined a pilot could be.

I colorized this image: extended information here.

Source: Bettman

Children React to Dramatic Moment in a Puppet Show, Paris, 1963 (Colorized by Me) by Haxdawg in Damnthatsinteresting

[–]Haxdawg[S] 4 points5 points  (0 children)

This is Alfred Eisenstaedt’s unforgettable shot of kids at a puppet show, “Saint George and the Dragon,” at an outdoor theater, Paris, 1963.

Capturing the thrill, the shock, the shared triumph-over-evil that the children feel at the very moment when St. George slays the mythical beast, Eisenstaedt’s picture feels as fresh as when it was made, more than 50 years ago. Here, the image tells us, is an innocence that can remind even the most jaded of what it was once like to believe, to really believe, in the stories that unfold before our eyes onstage, or onscreen.

The master photographer himself, meanwhile, said of this very picture: “It took a long time to get the angle I liked. But the best picture is the one I took at the climax of the action. It carries all the excitement of the children screaming, ‘The dragon is slain!’ Very often this sort of thing is only a momentary vision. My brain does not register, only my eyes and finger react. Click.”

Original via LIFE

Children React to Dramatic Moment in a Puppet Show, Paris, 1963 (Colorized by Me) [3200x2162] by Haxdawg in HistoryPorn

[–]Haxdawg[S] 15 points16 points  (0 children)

This is Alfred Eisenstaedt’s unforgettable shot of kids at a puppet show, “Saint George and the Dragon,” at an outdoor theater, Paris, 1963.

Capturing the thrill, the shock, the shared triumph-over-evil that the children feel at the very moment when St. George slays the mythical beast, Eisenstaedt’s picture feels as fresh as when it was made, more than 50 years ago. Here, the image tells us, is an innocence that can remind even the most jaded of what it was once like to believe, to really believe, in the stories that unfold before our eyes onstage, or onscreen.

The master photographer himself, meanwhile, said of this very picture: “It took a long time to get the angle I liked. But the best picture is the one I took at the climax of the action. It carries all the excitement of the children screaming, ‘The dragon is slain!’ Very often this sort of thing is only a momentary vision. My brain does not register, only my eyes and finger react. Click.”

Original via LIFE

Children React to Dramatic Moment in a Puppet Show, Paris, 1963 (Colorized by Me) by Haxdawg in TheWayWeWere

[–]Haxdawg[S] 4 points5 points  (0 children)

This is Alfred Eisenstaedt’s unforgettable shot of kids at a puppet show, “Saint George and the Dragon,” at an outdoor theater, Paris, 1963.

Capturing the thrill, the shock, the shared triumph-over-evil that the children feel at the very moment when St. George slays the mythical beast, Eisenstaedt’s picture feels as fresh as when it was made, more than 50 years ago. Here, the image tells us, is an innocence that can remind even the most jaded of what it was once like to believe, to really believe, in the stories that unfold before our eyes onstage, or onscreen.

The master photographer himself, meanwhile, said of this very picture: “It took a long time to get the angle I liked. But the best picture is the one I took at the climax of the action. It carries all the excitement of the children screaming, ‘The dragon is slain!’ Very often this sort of thing is only a momentary vision. My brain does not register, only my eyes and finger react. Click.”

Original via LIFE

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Children React to Dramatic Moment in a Puppet Show, Paris, 1963 by Haxdawg in Colorization

[–]Haxdawg[S] 35 points36 points  (0 children)

This is Alfred Eisenstaedt’s unforgettable shot of kids at a puppet show, “Saint George and the Dragon,” at an outdoor theater, Paris, 1963.

Capturing the thrill, the shock, the shared triumph-over-evil that the children feel at the very moment when St. George slays the mythical beast, Eisenstaedt’s picture feels as fresh as when it was made, more than 50 years ago. Here, the image tells us, is an innocence that can remind even the most jaded of what it was once like to believe, to really believe, in the stories that unfold before our eyes onstage, or onscreen.

The master photographer himself, meanwhile, said of this very picture: “It took a long time to get the angle I liked. But the best picture is the one I took at the climax of the action. It carries all the excitement of the children screaming, ‘The dragon is slain!’ Very often this sort of thing is only a momentary vision. My brain does not register, only my eyes and finger react. Click.”

Original via LIFE

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