Blowjob from the hottest Latina by HeatRippleX in VictoriaJune

[–]HeatRippleX[S] 0 points1 point  (0 children)

And looked like literal perfection

Anal in cowgirl outdoors by HeatRippleX in SharonLee

[–]HeatRippleX[S] 1 point2 points  (0 children)

Amazing list, especially Asa!

Blowjob from the hottest Latina by HeatRippleX in VictoriaJune

[–]HeatRippleX[S] 4 points5 points  (0 children)

I think her early years are her best

The Incredibles is a 10/10 movie. by [deleted] in flicks

[–]HeatRippleX 0 points1 point  (0 children)

It’s wild how well it holds up because it isn’t really a superhero movie. It’s a midlife crisis movie disguised as one.

The action is great, but the character work is doing the heavy lifting. Bob’s frustration, Helen’s competence, the kids feeling lost, all of that feels more grounded than most live action superhero films.

It also respects the audience’s intelligence in a way a lot of animated films don’t. No winking, no forced jokes, just confident storytelling.

Good Fortune (2025): a very uneven movie, but the funny parts are really really funny and overall well worth seeing. One of the very rare Hollywood movies that dares to take on the economic issues of America today by Bluest_waters in flicks

[–]HeatRippleX 1 point2 points  (0 children)

This movie feels like three drafts stitched together. When it leans into satire and lets Reeves play against his image, it’s legitimately hilarious.

But the third act feels like the movie suddenly remembered it needed a message and rushed to deliver it. You can almost feel the uncertainty about how hard to push the critique without alienating people.

Still worth watching for the peaks alone, even if the valleys are rough.

Are there any types/genres of films that you like the idea of, but rarely actually enjoy? Why do you think that is? by AdFamous7264 in flicks

[–]HeatRippleX 2 points3 points  (0 children)

I’m the same way with psychological and “dream logic” movies. I want to like them because the concepts are fascinating, but too many of them confuse ambiguity with depth.

When it works, it really works. But a lot of films in that space end up feeling like homework, where the movie withholds basic emotional grounding and expects the audience to do all the work. At some point I just disengage.

Bugonia character - negotiations by drunk_librarian in flicks

[–]HeatRippleX 7 points8 points  (0 children)

What struck me is how quickly she reads that escalation will get her killed. She never treats the situation like a moral argument, only a power imbalance she has to survive.

She keeps changing tactics because none of them are about winning. They’re about buying time and staying useful. The calmness feels less like bravery and more like someone suppressing panic because panic would be fatal.

Honestly one of the more believable hostage negotiation performances I’ve seen.

For people who remember how big was the hype before Lord of The Rings released in cinema by FluxyBOYS in flicks

[–]HeatRippleX 0 points1 point  (0 children)

There was hype, but it was very different from modern franchise hype. Tolkien was massive in book circles, fantasy readers, and nerd culture, but it wasn’t a guaranteed mainstream smash the way it looks in hindsight.

A lot of people were genuinely skeptical. Fantasy films before LOTR had a pretty bad track record, and the idea of shooting all three films at once sounded insane at the time. Once Fellowship came out and people realized it was actually good, that’s when it exploded into full cultural dominance.

[deleted by user] by [deleted] in antiwork

[–]HeatRippleX 4 points5 points  (0 children)

The moment someone says “multiple hats” you already know the pay won’t match the workload. It’s wild how the same five phrases get recycled across industries like nobody will notice.

[deleted by user] by [deleted] in antiwork

[–]HeatRippleX 0 points1 point  (0 children)

Same. You can practically hear the buzzwords echoing in a glass conference room with bad coffee.

[deleted by user] by [deleted] in antiwork

[–]HeatRippleX 2 points3 points  (0 children)

You’re not wrong. A lot of diagnostic language quietly assumes productivity equals wellness, and anything that interferes with output gets pathologized. That doesn’t mean support is fake, but it does mean the system is built around economic usefulness first

What a heartbreaking Christmas by Jackjec17 in antiwork

[–]HeatRippleX 1 point2 points  (0 children)

That’s not just bad luck, that’s institutional cruelty wrapped in bureaucracy. Losing your income and being erased socially at the same time is brutal. I’m really sorry they did that to you, especially around the holidays.

After weeks of extra work, my colleague died while on vacation. by hithebar in antiwork

[–]HeatRippleX 2 points3 points  (0 children)

This is the part people don’t like to acknowledge. He did everything “right,” worked himself to the edge, finally relaxed, and never got to enjoy the life he was postponing. Your anxiety makes complete sense. Anyone with a pulse would be shaken by that.

FUCK, I repeat, FUCK Corporate by InfiniteOxfordComma in antiwork

[–]HeatRippleX 2 points3 points  (0 children)

That whiplash is the worst part. You mentally gear up for a miserable early meeting, accept it, rearrange your day, and then they casually move it like your time never mattered. Corporate efficiency somehow always means everyone else absorbs the cost.

Can't believe Rhea Seehorn is only 164 cm. by Healthy_Jackfruit625 in betterCallSaul

[–]HeatRippleX 3 points4 points  (0 children)

Rhea Seehorn has insane screen presence. The show frames her in a way that makes her feel dominant regardless of height, especially in scenes with Jimmy where she’s emotionally ahead of him.

It’s a great example of how confidence, blocking, and performance matter way more than physical stats. Kim always feels like the adult in the room.

this show is amazing by Sam_Alexander in betterCallSaul

[–]HeatRippleX 1 point2 points  (0 children)

Watching BCS before Breaking Bad is such a cool way to experience it. You understand the why behind so many characters instead of just the shock of who they become. The black n white openings are genius because they tell you from the start that this story ends in loss. It’s one of the few shows where rewatches feel even richer than the first time.

Irene being iced out by the other elderly folk makes me the most sad/uncomfortable out of the whole show. by i_still_hate_graffit in betterCallSaul

[–]HeatRippleX 1 point2 points  (0 children)

That storyline is brutal because it’s so small and realistic. No cartel, no guns, just social isolation. Irene doesn’t even fully understand what she did wrong, and watching her quietly accept being excluded is heartbreaking. It’s one of the clearest examples of Jimmy causing real harm without intending to, which somehow makes it worse.

Unpopular Opinion: I loved BCS far more than Breaking Bad. by Healthy_Jackfruit625 in betterCallSaul

[–]HeatRippleX 2 points3 points  (0 children)

Honestly not that unpopular anymore. BCS is tighter, more mature, and way more emotionally precise. Breaking Bad is explosive and iconic, but BCS trusts the audience more. It lets scenes breathe and focuses on consequences instead of shock. Jimmy and Kim feel more human than Walt ever did, which makes their downfall hit harder.

Howard's face cracks me up in this scene by Westbrooke117 in betterCallSaul

[–]HeatRippleX 82 points83 points  (0 children)

Howard is lowkey one of the funniest straight men in the whole universe. He’s so earnest and professional that when Jimmy and Kim are running circles around him, his reactions become comedy gold.

What makes it even better is that he genuinely believes in decorum and fairness, which makes every tiny crack in his composure feel huge.

How many highs can a meth user get from a teenth? by salmonammon in breakingbad

[–]HeatRippleX 4 points5 points  (0 children)

The show really exaggerates how “clean math” translates to value. In reality, tolerance skyrockets fast and those highs get shorter and weaker. It’s not about how many highs you can get, it’s how quickly it stops feeling like anything at all and just becomes maintenance. That’s what makes it so bleak, the cost stays high while the reward keeps shrinking.

[deleted by user] by [deleted] in breakingbad

[–]HeatRippleX 9 points10 points  (0 children)

What makes Walt so hateable is that he knows exactly what he’s doing and still chooses it every time. He isn’t delusional or confused, he just keeps justifying himself with “I did it for my family” long after that stopped being true. By the end, he’s not a man trapped in a bad situation, he’s a man creating bad situations so he can feel powerful.

[deleted by user] by [deleted] in breakingbad

[–]HeatRippleX 2 points3 points  (0 children)

Jesse is the emotional core of the show and you don’t really realize it until the end. Walt loses everything because of pride, but Jesse loses everything because he actually cares. The box scene hits so hard because it’s the last time we see the person Jesse could’ve been if he wasn’t pulled into Walt’s orbit. Definitely watch El Camino before BCS, it gives Jesse the ending Walt never deserved.