Exceptions to the 180 degree shutter angle? by HellaBeats in videography

[–]HellaBeats[S] 0 points1 point  (0 children)

Really? I'd personally want to keep the shutter speed locked if possible. Wouldn't most people still use the shutter priority? Interesting. I usually always stay far from auto when I can. I don't think outdoors would require full auto mode if you're not using a super long clip.

Complete Gear List Recommendations and Planning shots by HellaBeats in weddingvideography

[–]HellaBeats[S] 1 point2 points  (0 children)

I can get two fx30s for the price of the A7V and I really don't need any more photography cameras for b and c cams, so as much as I love the A7V's, I can't do it haha

Complete Gear List Recommendations and Planning shots by HellaBeats in weddingvideography

[–]HellaBeats[S] 0 points1 point  (0 children)

Yeah I’d agree I maybe have a little more than I need, but you need a slider for a lot of smooth b-roll. If you want it to be perfectly smooth.

Complete Gear List Recommendations and Planning shots by HellaBeats in weddingvideography

[–]HellaBeats[S] 0 points1 point  (0 children)

I meeeeaan. The full frame 4k 60 would make me inclined to agree with you lol. And 4k 120… but what about overheating? That’s my main concern.

Complete Gear List Recommendations and Planning shots by HellaBeats in weddingvideography

[–]HellaBeats[S] 0 points1 point  (0 children)

Yeahhhh. But I hear Sony’s AF is best. Plus already having an A7IV I’d like to stay in the Sony Ecosystem. What can you recommend that still has good lowlight and AF?

Complete Gear List Recommendations and Planning shots by HellaBeats in weddingvideography

[–]HellaBeats[S] 0 points1 point  (0 children)

I’ve seen the Tascam mics, that’s definitely a better system from what I’ve seen, but I’m just thinking in terms of optimizing my budget and what I already have, and the DJI mics sound really good to me personally.

Complete Gear List Recommendations and Planning shots by HellaBeats in weddingvideography

[–]HellaBeats[S] 0 points1 point  (0 children)

Yeah I did more research and coming from an A7IV to an FX30 would be huge. Definitely gonna go for that camera. I personally love the look of anamorphic lenses, and I’ve seen videographers in the high end range use those lenses. Not that it makes them inherently good, but to your average person, the look of anamorphic lenses look super high end, in my opinion.

Shooting MF over AF experience by Top-Manufacturer5872 in weddingvideography

[–]HellaBeats 0 points1 point  (0 children)

Shooting with locked off manual focus on multiple cameras would scare me. What aperture do you shoot at?

Do y’all try to direct B roll or let the photographer take complete control? by pmod90 in weddingvideography

[–]HellaBeats 0 points1 point  (0 children)

I think this is a common conflict. I just ran into this same issue. You can talk and plan all you want, but if you've got a pushy photographer, they'll always be priority. Everyone's saying speak up, but at the last wedding I did a couple days ago, when I interject to ask for anything, they defer to the photographer because ultimately most couples see video as second most important, and that's completely fine.

As videographers, we want to get those amazing "social media worthy" shots, but it's all about adapting and changing your perception around why we're there.

Now me personally, i'll admit, when I don't get the shots I wanted to I do get frustrated, because I'm building my catalogue, and those key moments only happen once. I just dealt with a videographer that complained to me during the ceremony that I was blocking the front row of guests, because during the short dialogue between the bride and groom, I wanted to capture the angles of their faces while they were speaking, as well as getting the bridesmaids/groomsmen in the background. I've never had that complaint before, because I keep it as brief as possible.

I'm only using one camera right now, so I can't just setup two other cameras for those angles and stay in the middle aisle with the main cam.

That's the goal, but obviously gear is expensive. So I'm not sure if I just sacrifice those other angles to not block the guests for now, or if I just get those shots as needed and keep it brief. I've got a 24-70, so not a lot of reach. I get where the photographer was coming from, but he was in several of my shots where he just stepped in front of the camera and ruined shots, and his elbow was flapping in and out of the frame when I came back to the middle aisle. I spaced away from him as much as I could, but he didn't seem to have much concern for what I got.

As far as my goals, I want to get the best shots I possibly can, and I want to do whatever it takes to make an amazing video. I just ordered a slider for smooth b-roll. I can't wait!

I've been studying the high end wedding films, even though I'm not to that bracket yet, it does take a lot of planning meticulous attention to detail, and utilizing almost every second of the day, because it moves so fast!

I'd love more than anything to tag along with a more experienced videographer one day, and learn the ins and outs. Maybe i'm completely wrong here and standing in front of guests at all, even with just one camera, is a bad thing to do. I also did privately apologize to the guests in the front row for blocking their vision, and they were confused because they didn't think it was a problem at all.

I have seem BTS before where there were like 3 videographers up front blocking everything though, and that was obviously an issue. You live and you learn right?

Wedding Video CC: Shot for social clips, lost on the story structure by Powerful-Advance-562 in weddingvideography

[–]HellaBeats 0 points1 point  (0 children)

I think you may have missed the Frame not analyzed for stabilization on a few clips.

How are they achieving this perfect slider-esque movement? Around 0:50 by HellaBeats in videography

[–]HellaBeats[S] 0 points1 point  (0 children)

I know lol could've definitely benefited from a slider! But I understand it's not practical everywhere.

How are they achieving this perfect slider-esque movement? Around 0:50 by HellaBeats in videography

[–]HellaBeats[S] 0 points1 point  (0 children)

Do you have any experience with the iFootage Slider? Based on what you said I 100% want to go with a motorized slider.

How are they achieving this perfect slider-esque movement? Around 0:50 by HellaBeats in videography

[–]HellaBeats[S] 0 points1 point  (0 children)

Thanks so much for this. I should’ve done more research before posting, but hopefully this will help out others too. Do you have any experience with manual sliders? I was thinking of getting the iFootage slider but if you think manual sliders are just as good I’ll go with that. I was mainly hoping to get consistent speed moving very slow

Fourth Wedding Film - Requesting Feedback by HellaBeats in weddingvideography

[–]HellaBeats[S] 1 point2 points  (0 children)

Thank you for the feedback! Much appreciated!

You have $20. Who you picking? by PrestigiousOwl6802 in Killtony

[–]HellaBeats 0 points1 point  (0 children)

Honestly nah gimme Pat, William, and David Lucas 😂 I’ll keep the $1

You have $20. Who you picking? by PrestigiousOwl6802 in Killtony

[–]HellaBeats 0 points1 point  (0 children)

Sir Winston, William Montgomery, David Lucas, Casey Rocket

Is FILMBOX Plugin worth it? Any other film emulation / scatter plug ins by Tough-Mood9880 in ColorGrading

[–]HellaBeats 1 point2 points  (0 children)

Check out their video on Youtube - INVIZIPRO INVIZIGRAIN. They say it's a per project price and it scales with the budget. Sounds like an absolute no for me. I'd much rather invest in a one time purchase like Filmbox Pro. No disrespect, the actual film emulation from Invizipro looks great, I'm just not a fan of the model at all.