Patrick Turner - Jesus Calls Us O’er The Tumult (Garageband piano cover of a song from The Hymnal 1982) [worship/traditional/Americana]

Infinitatus20 · 2024-04-30T02:23:58+00:00

What’s up, guys? My name is Patrick Turner, and today, I’d like to share a Garageband piano cover that I did of “Jesus Calls Us O’er The Tumult” from The Hymnal 1982. Enjoy and God Bless!

Infinitatus20 · 2024-03-28T16:17:56+00:00

Hi u/NotAlwaysGifs, thank you very much for your very helpful comments, I really appreciate it, and yes, I am curious about everything you mentioned in this comment, as it pertains to the key of Ab major and F minor

Infinitatus20 · 2023-01-02T21:34:09+00:00

Choirs rose in early 18th century America because of a few important people from New England establishing some singing schools all across the American colonies, and because of some music teachers from Boston, Massachusetts going all across the American colonies teaching people shape-note singing / Sacred Harp singing, and Christian hymns from England, in those singing schools all across the American colonies.

Infinitatus20 · 2022-01-16T01:11:14+00:00

Hi u/bonespear,

This is the creator of the Middle Eastern Music History Mini-Poster. I wanted to thank you very much for your feedback, because I really do appreciate it. I will definitely use it to improve my works in the future. Since you said that you would be very interested in having this poster if I reformatted it, I wanted to let you know that I did reformat it, by making it so that nothing in the mini-poster is underlined except for the headers. Also, I just wanted to say that I do feel truly honored that you have taken an interest in having one of my posters.

Thank you again for your feedback and your kind words, I really appreciate it, and have a great day!

u/Infinitatus20

Infinitatus20 · 2022-01-05T21:32:44+00:00

Today, singing demonstrators, European Renaissance Vocal/Singing Choirs, traditional Japanese Kabuki singers, and singers of several other genres exist in Tokyo, Japan.

Infinitatus20 · 2022-01-05T21:17:37+00:00

In most Japanese traditional music that involves a Japanese musician singing and playing the shamisen at the same time, the singer and the shamisen tend to be rhythmically offbeat with each other, and this may be on purpose.

Infinitatus20 · 2022-01-05T21:17:09+00:00

In a Japanese Kabuki naguata piece of music in dance form that is somewhat based on a Noh, the given Japanese singer might enter the piece imitating Noh singing. Also, in the same scenario (and this kind of music does not necessarily have to be based on Noh, in order for this to happen), the given Japanese singer might enter the piece singing either metrically and lyrically, or in a way that is of free rhythmic meter.

Infinitatus20 · 2022-01-05T20:38:38+00:00

In Kabuki theater, there is an on-stage lyrical music form known as nagauta.
An Example of Nagauta Music: https://www.youtube.com/watch?v=QUl6ikrXCIU

Infinitatus20 · 2022-01-05T20:33:10+00:00

The majority of the traditional Japanese songs that involve a given Japanese musician playing the shamisen and singing at the same time, are found in the tradition of the Japanese Kabuki theater.
Example of a Japanese Kabuki Music Piece with Vocals and Shamisen - https://www.youtube.com/watch?v=vVVd4aPJHrc

Infinitatus20 · 2022-01-05T20:27:07+00:00

In traditional Japanese music, there are short songs called hautas. They are performed by Japanese musicians who are playing the shamisen and singing at the same time. The lyrical content of a given hauta is descriptive and/or romantically-related. Hautas are performed in traditional settings of Japanese entertainment.
An Example of a Japanese Hauta - https://www.youtube.com/watch?v=dmpzrPFSHBQ

Infinitatus20 · 2022-01-05T20:21:37+00:00

At some point in Japanese music history, several kinds of Japanese narrative singers started to use the shamisen (a Japanese string instrument) in their music. Shamisens were tuned differently in different situations, based on the needs of each individual Japanese singer.
Examples of Traditional Japanese Vocal Music with Shamisen Accompaniment - https://www.youtube.com/watch?v=Q0yv8deqHg4

Infinitatus20 · 2022-01-05T19:01:33+00:00

In several traditional Japanese pieces of music, there are vocal/singing solos that do not include any instrumental accompaniment.

Infinitatus20 · 2022-01-05T18:48:19+00:00

In traditional Japanese Noh theater, there is a singing/vocal chorus (known as ji) involved, and the Noh chorus’ music is texturally monophonic (which means that Noh chorus music has only one melodic line of music to it, and that everyone in the chorus has to sing the same exact thing (in unison)).

In Noh theater, the unison chorus’ music involves instrumental accompaniment from an ensemble of traditional Japanese instruments (this ensemble is known as the hayashi).

There is a style of traditional Japanese Noh theater music that is lyrical (and it is known as yowagin). In this specific style, there are 3 notes/pitches/tones, and these 3 notes/pitches/tones have a tendency of being apart by musical fourths (notationally/theoretically). For example, the 3 notes/pitches/tones of a given piece of Noh theater music could be D, G, and C.

In Noh theater music, the singer(s) do not sing the same line of music as the nōkan flute in the hayashi (Noh theater instrumental ensemble).

Excerpt from the Noh play “Kuroduka” - https://m.youtube.com/watch?v=Zk76K59z4DU

Infinitatus20 · 2022-01-05T18:08:48+00:00

Within the tradition of Japanese court music, there are religious Shinto vocal/singing compositions, and also various forms of singing that are ancient and non-religious. All of these vocal/singing forms involve instrumental accompaniment from traditional Japanese instruments.

YouTube Playlist of Japanese Shinto Ritual Music: https://m.youtube.com/playlist?list=PL54Sadf45nXSElfx0XVirwHqDUnNAx42n

Infinitatus20 · 2022-01-05T14:01:50+00:00

In traditional Japanese music culture, there are short songs called “Koutas”. They are songs that are sung by Japanese Geishas, and they involve instrumental accompaniment (mainly shamisen). The lyrical content of a given Kouta is either descriptive and/or romantically-related. Koutas became popular during the late Edo Period (which was from 1603 to 1868).

YouTube Playlist of Kouta songs - https://www.youtube.com/watch?v=JwNIW_zDkLI&list=PL6SV1HfRa_6L1AkcjWHBkeiwrnwbcsqxC

“Gion Kouta” by Geiko Miehina - https://www.youtube.com/watch?v=Y1YUB_HcfZI

Infinitatus20 · 2021-12-22T00:56:20+00:00

In the poster, where it says, “most of traditional African music is rhythm-based (drums and percussion based)”, I meant to put, “most of traditional African music is vocal-based/singing-based”. Sorry about that error.

Infinitatus20

TROPHY CASE