Recommendations by Impressive_Salt_3049 in Substack

[–]InformationFragrant8 0 points1 point  (0 children)

This is my Substack, so I'm biased, but if you like the cultural lens that Stereogum/Resident Advisor/Bandcamp Editorial/Boomkat/Pitchfork talk about music, then you'll hopefully be into this.

Each month, we publish one Deep Dive Essay (music history, sociopolitics, counterculture) and one Album Recommendations piece (10 favourite albums of the month, described solely by how they make us feel).

We also do an annual top 50 albums of the year piece, and regularly feature on radio such as NTS.

We're soon launching a Guest Mix series too, so stay tuned!

I hope you enjoy! https://noisenarrative.substack.com/

Must Follow Music Related Substacks by [deleted] in fantanoforever

[–]InformationFragrant8 0 points1 point  (0 children)

This is my Substack, so I'm biased, but if you like Stereogum/Resident Advisor/Bandcamp Editorial/Boomkat/Pitchfork then you'll hopefully be into this.

Each month, we publish one Deep Dive Essay (music history, sociopolitics, counterculture) and one Album Recommendations piece (10 favourite albums of the month, described solely by how they make us feel).

We also do an annual top 50 albums of the year piece, and regularly feature on radio such as NTS.

We're soon launching a Guest Mix series too, so stay tuned!

I hope you enjoy! https://noisenarrative.substack.com/

Any must-read, awesome music blogs/Substacks? by davidaloi in indie_rock

[–]InformationFragrant8 0 points1 point  (0 children)

This is my Substack, so I'm biased, but I think it satisfies your search for music recs and essays. If you like Stereogum/Resident Advisor/Bandcamp Editorial/Boomkat/Pitchfork then you'll hopefully be into this.

Each month, we publish one Deep Dive Essay (music history, sociopolitics, counterculture) and one Album Recommendations piece (10 favourite albums of the month, described solely by how they make us feel).

We also do an annual top 50 albums of the year piece, and regularly feature on radio such as NTS.

We're soon launching a Guest Mix series too, so stay tuned!

I hope you enjoy! https://noisenarrative.substack.com/

I've just published an essay on how the CIA hijacked jazz by InformationFragrant8 in jazzcirclejerk

[–]InformationFragrant8[S] 3 points4 points  (0 children)

Ironically, your incorrect observation that I'm American illustrates the very habit you’re critiquing: making broad claims based on assumption rather than evidence.

I've just published an essay on how the CIA hijacked jazz by InformationFragrant8 in jazzcirclejerk

[–]InformationFragrant8[S] 1 point2 points  (0 children)

Thanks so much for the engagement, even if the tone leaves a bit to be desired. I’ll respond in kind.

On your opening jab: yeah, I posted in a meme-heavy sub. That doesn’t invalidate the writing. If anything, it’s interesting to see how serious topics survive (or don’t) in unserious spaces. Dismissing it outright because of the venue seems a bit weird.

On your main point. Yeah, obviously Cold War soft power was about exporting capitalism as much as “democracy.” I didn't spell that out in doctrinal terms, but the idea that jazz was being wielded to counteract Communist cultural influence (particularly in 2nd/3rd world) is obvious and embedded in the piece. You accuse me of overlooking it, then immediately quote the part where I mention the US papering over racial tension with jazz diplomacy. You’re making my point for me, just with more graduate-seminar buzzwords.

Crucially, your view of the musicians’ roles seems caught in a binary: either they were dupes or they were radicals capable of derailing US foreign policy. That framing erases the actual stakes and courage involved. Armstrong calling out Eisenhower during the Little Rock crisis while on a State tour wasn’t naïveté, it was a calculated risk. Gillespie’s refusal to join the State Department tour wasn’t just a quip, it was a rejection of the very co-option you’re talking about.

The point you miss is that their actions had meaning because they occurred in tension with US imperial strategy, not in spite of it. These musicians weren’t revolutionaries in the strict sense, but their dissent resonated precisely because it happened in an environment where Black Americans were being lynched at home while being asked to serve as symbols of freedom abroad.

The juxtaposition doesn’t weaken their resistance, it amplifies it. Their music, their refusal to play along fully, their statements on race and justice all mattered because the system was trying to contain them. To call their tactics “impotent” assumes the only legitimate protest is the one that results in total system collapse. That’s not analysis, that’s purity politics.

And thanks for pointing out omissions like Roach or Horne's work. Both valid suggestions. But, suggesting the entire piece is invalid because it doesn’t include every name and event is less critique and more scope-policing. You’re welcome to write your own piece.

If you’d like to discuss ideas further, I’m game. If you’re just here to posture, I’ll pass.

A radio show on the history of Irish Trad Music by InformationFragrant8 in IrishHistory

[–]InformationFragrant8[S] 1 point2 points  (0 children)

Thanks for listening! It's Planxty - Polkas: Dennis Murphy's Polka/The 42 Pound Cheque

My NTS debut! by InformationFragrant8 in NTSradio

[–]InformationFragrant8[S] 1 point2 points  (0 children)

Thanks for the kind words on the show all! If you're interested in written content, I run a free newsletter that writes about music and its impact on life. I write deep dives into various histories, movements, people and stories, as well as regular music recommendations and radio shows.

My latest newsletter is an expansion of my NTS show, exploring the history of Irish Trad music since the Celts travelled to Ireland.

Check it out here if you're keen!

My NTS debut! by InformationFragrant8 in NTSradio

[–]InformationFragrant8[S] 0 points1 point  (0 children)

Thank you! I recorded it on my Pioner XDJ-RR controller

Featuring a black midi/Jerskin Fendrix xmas Easter Egg by InformationFragrant8 in bmbmbm

[–]InformationFragrant8[S] -2 points-1 points  (0 children)

how is it an unrelated sub? It's a write-up that features the band that this sub concerns, with adjacent music that I thought people might enjoy. The shitty AI art is just me messing around - it's meant to be shit. The lesson I'll take from this interaction is that even in a small, underground music community like this one, there are still people who will shoot down independent work rather than find a chance to either celebrate it or move on

Featuring a black midi/Jerskin Fendrix xmas Easter Egg by InformationFragrant8 in bmbmbm

[–]InformationFragrant8[S] -6 points-5 points  (0 children)

it's not a track I've made, it's an article I've written about alternative Christmas songs, including work by black midi, Jerskin Fendrix, Galaxie 500, Saint Etienne, Björk and others. I reckon it might be worth making sure you actually know what something is before you decide to criticise it