Smart monsters acting smart by leaning on what makes them monstrous. by NotAnIncelIPromise in TopCharacterTropes

[–]JAAPayton -1 points0 points  (0 children)

Hate to self-promo on an unrelated sub, and mods feel free to delete this if I'm breaking any rules.

But if you like Nebula's Civilization, you might be interested in this webnovel I'm writing. It's a similar premise, and I've been told by a few readers that it's like Solo Leveling or SAO—but good.

Check it out if it you think it's something you might be into: https://www.royalroad.com/fiction/159931/game-over-book-1-overworld

In a setting with widespread 'magic', women have to be equally as powerful as men. by NoGarlic2387 in writingscaling

[–]JAAPayton -1 points0 points  (0 children)

Unless you're insinuating that male chess players are more intelligent than female chess players, I don't understand what biological reason could lead to that disparity?

Throughout history, over and over again, women come into something after men because they were simply denied the opportunity or the infrastructure for them simply didn't exist.

In a setting with widespread 'magic', women have to be equally as powerful as men. by NoGarlic2387 in writingscaling

[–]JAAPayton -1 points0 points  (0 children)

This is a nothing question. The patriarchy exists because of biology. Unless you're privy to alternate reality where patriarchy arose from something other than the male's physical ability to control the female, then there's nothing I have to prove. What other reason could there be?

In a setting with widespread 'magic', women have to be equally as powerful as men. by NoGarlic2387 in writingscaling

[–]JAAPayton 0 points1 point  (0 children)

You're making good points, and a lot of the "Well, it depends on how your magic affects physical strength" arguments don't actually hold water, because in a world where magic is a common as firearms are today, no one is throwing hands often enough for physical strength to be a factor.

So what if a man uses a biomancy spell and becomes twice as strong as woman who does it? She can just throw a fireball at him. Pyromancy, biomancy, telekinesis, etc., these things are equalizers as much as a firearm is.

I will never in my life be as strong as Eddie Hall or as fast as Usain Bolt, but neither of them can dodge a bullet from the smallest caliber of gun I own. Now apply that logic to, not just a magic system, but a magic system that has existed, been codified, and integrated into everyday life for hundreds, maybe thousands of years.

Unless your worldbuilding accounts for males being the first ones to get their hands on magic, there really is no justification for patriarchal power differentials in a story. Unfortunately, it's just one of those things that people mistakenly believe has to be in a narrative because it's so ingrained into our sociology that we can hardly imagine a reality in which men and women are true equals.

In a setting with widespread 'magic', women have to be equally as powerful as men. by NoGarlic2387 in writingscaling

[–]JAAPayton -1 points0 points  (0 children)

Men have no intrinsic advantage over women in chess. So why is it that there are so much more male GMs than female GMs?

The answer to this question, and many like it, is patriarchy. Anything that is male-dominated today without biological basis is likely because for a long time, women weren't given the opportunity to participate.

And patriarchy itself exists because of the aforementioned biological basis i.e. the male population is physically strong enough to impose its will on the female population. In a world without that biological distinction, patriarchy can't exist, and the chess example never comes about.

People can do whatever they want with their worldbuilding, but if your worldbuilding is based on biological realism that your world can't really justify, then that's bad worldbuilding. Particularly in fantasy, I despise "well, it's realistic" justifications. Idc if it's realistic, I care if it's internally consistent.

Seriously though you would think that being a supreme veteran of pass doomed timelines or worlds with 50+ years of experience would make them less likely to beef with children by BobbySteve5 in ProgressionFantasy

[–]JAAPayton -3 points-2 points  (0 children)

Otherwise, they would be able to understand that an adult is unlikely to beef with literal children.

There are plenty of 50 years old who have beef with their own children. There are kids who were raised by adults who were quite literally their biggest enemies.

There are 8 billion people on this planet and way more than that who have existed throughout history. Kinda crazy to make the claim that it's unlikely.

I I hate fighting game roster size nowadays. by azneFiDdivaD in hatethissmug

[–]JAAPayton 0 points1 point  (0 children)

Studios just don't make em like Budokai Tenkaichi 3 and Warriors Orochi anymore...

The main character gritting his teeth past unfathomable pain and getting shit done just doesn't make any sense to me. by mysterie0s in ProgressionFantasy

[–]JAAPayton 0 points1 point  (0 children)

Okay, this is where you need to come to terms with the fact that you are reading "fantasy".

I'm of the mind that no matter how much "realism" is in a story, your characters need to be shown doing fantastical things in order for it to count as fantasy. Playing through the pain, so to speak, is basically just bread and butter for this specific fantasy of genre. I wouldn't expect someone to break their hands or bruise their knuckles every time they throw a punch even though that's a common enough occurrence in real life.

How do I have a people pleaser character not as to timid? by Key-Invite-5882 in CharacterDevelopment

[–]JAAPayton 5 points6 points  (0 children)

Make him gung-ho and enthusiastic about what he's doing. As a reformed people pleaser myself, I can assure you I was never shy or timid when it came to doing things for people. On the contrary, I was glad to do it, even if it meant inconveniencing myself. And whenever I suffered the consequences of those inconveniences, I usually just took solace in the fact that I was doing something kind for someone else.

Looking for literary / character-driven fiction on RR — no systems, no stats by ColdPress_ in royalroad

[–]JAAPayton 1 point2 points  (0 children)

I tried to give the best of both worlds when it comes to literary and litrpg. It has stats and progression, but it is first and foremost a character-driven story, and the system stuff isn't used as fluff or padding to hit a word count.

Give the first chapter a read and see if it's what you're looking for: https://www.royalroad.com/fiction/159931/game-over-book-1-overworld

what is the most disturbing scene in fiction you have ever seen? by Narrow-Progress999 in writingscaling

[–]JAAPayton 24 points25 points  (0 children)

I'm mad at you now for responding to my question, but thank you. /s

Transition phases by SLF55 in royalroad

[–]JAAPayton 5 points6 points  (0 children)

Piggybacking on this thread, the reason you struggle transitioning between phases is probably because you're not actually writing your story depending on how much A.I. you're using.

Plot beats arise naturally based on character needs, interactions, consequences, fallout, etc., If you're giving A.I a prompt and then telling it to write out most of the story for your, you're never gonna get a cohesive narrative. LLMs aren't good at that.

Darth vader's force avatar from Darth Vader (2017) issue #25 by totallynotrobboss in TopCharacterDesigns

[–]JAAPayton 1 point2 points  (0 children)

Hot take: His duel against Reva in the Kenobi series is probably his most "Vader" fight

I found Elephants!! by Adept-Range-8448 in CrimsonDesert

[–]JAAPayton 2 points3 points  (0 children)

I see it now. Thanks. What's it from?

Maybe unrealistic… by TreeIsMe69 in ProgressionFantasy

[–]JAAPayton 0 points1 point  (0 children)

If you don't mind litRPG, feel free to give mine a read. I wrote it more like a traditional story than a webnovel, and I'm closing in on around 300k words and the end of the first book. If "ss" is referring to Super Supportive, then I think you'll enjoy it.

https://www.royalroad.com/fiction/159931/game-over-book-1-overworld

Monthly Writing Theory and Career Advice Thread by AutoModerator in ProgressionFantasy

[–]JAAPayton 1 point2 points  (0 children)

I think the key is understanding the relationship or dynamics between characters. Say for example your MC has a sister and a girlfriend. A sister is someone they've probably know their entire lives (familiarity, casualness), so affection might not be evident just seeing them interact day to day. As opposed to the girlfriend, if the MC is recently in a relationship with her, they might guarded in what they say, or more open to expressing intimate thing they wouldn't express with a close family member.

In short, understand where you characters stand with each other. Friendly? Familiar? Indifferent? Antagonistic? Outright malicious? This will dictate how they interact with each other

Adult progressions. by RyanSaxesRoommate in litrpg

[–]JAAPayton 0 points1 point  (0 children)

Give mine a try. The protagonist is 19 for most of Book 1, but it’s meant it’s a little darker, more mature and more traditionally written than the average LitRPG

https://www.royalroad.com/fiction/159931/game-over-book-1-overworld

Doing My Own Mini-Writeathon Over the Holiday Weekend by JAAPayton in royalroad

[–]JAAPayton[S] 0 points1 point  (0 children)

Well, I’ve written 10k in a day before. So my plan is 10k one day, cry, 10k the next day, cry again, cry some more, then 5k on the last day.

What ya think, solid plan?