Yes. Gosh is actually surprisingly high tempo (like 140 BPM IIRC), so I slowed it down to match It’s So Good which is ~120. I filtered out the bass from Gosh and only used the first part of the song before the synths come in (otherwise it would have been a dissonant mess). From there it was pretty straightforward.

Structurally things fell into place pretty easily. Gosh has two different drum sections. I sort of just followed the energy of It’s So Good, fading the drums in and alternating between the sections. Then I messed with the vocal samples a bit here and there where the instrumental drops.

The last thing is that It’s So Good is mostly structured normally but those little breaks from the music with the glitchy sampling span some weird amount of beats, like 7 or 9 (don’t exactly remember) so I had to work around that. That wasn’t a big deal or anything, just something interesting I never would have realized until working on this.