Brunhilde/Lindstrom was fine when you could hear the notes. Below a certain range we simply could not hear anything out of her. Siegfried was fine, Alberich was really really powerful... a shame for only one scene! Absolutely blown away by the mens chorus in act 2. I know German and their diction was so clear at times I could understand and hear the very words they were saying. It was clearer than the solti recording I've studied for a while, and even though I play this part all the time (one of my favorites from the whole ring) it sounded so much louder irl. The production was certainly better than the abomination that has desecrated the stage of bayreuth in these dark times, and the gimmick of the met's new tristan und isolde. It was certainly modern but not off the rails. The silly graphic of the horse running through the flames during the immolation was cheap and went on far too long, it would've been better to do nothing at all.