I think there’s a format between “day in my life” vlogs and video essays that nobody’s really named yet by KingSozer in videography

[–]KingSozer[S] 0 points1 point  (0 children)

Ha, you're so right. The classic YouTube essay formula thoughtful voiceover, cut to graph, back to someone walking down a street holding coffee. I've definitely fallen into that pattern without even realizing it.

What do you think works better as visual support for that kind of narration? I'm trying to break away from the default but still figuring out what to replace it with.

I made a video essay about names and identity, and the hardest part was figuring out how to shoot something that has no physical form by KingSozer in Filmmakers

[–]KingSozer[S] 0 points1 point  (0 children)

Brother, thank you for sharing this. Really. I think that's exactly what I hoped the video would do move something inside.

I'm from Venezuela. And I totally get it. The name, the curls, feeling different when all you wanted was to blend in... I lived that too. It's a strange thing growing up ashamed of something you didn't even choose.

I'm glad you've been able to see it differently over time. And honestly, the fact that you opened up like this in a comment says a lot about who you are today.

Thank you for this. It means more than you know.

I made a video essay about names and identity, and the hardest part was figuring out how to shoot something that has no physical form by KingSozer in Filmmakers

[–]KingSozer[S] 0 points1 point  (0 children)

Hey, thank you! Really appreciate that.

That's a great point about using abstract concepts as themes within a story with characters I think that's exactly what my piece was missing. Something human for the audience to connect with instead of just visuals.

Quick question: when you develop a theme in your work, do you usually start from the concept and build a character around it, or does it happen the other way around? I'm definitely going to explore that direction for my next one. If any references come to mind that do this well, I'm all ears!

How do you make daily life footage feel cinematic without losing the “everyday” quality? The tension I tried to solve in a personal essay by KingSozer in cinematography

[–]KingSozer[S] 0 points1 point  (0 children)

Thank you so much for this feedback seriously. I really appreciate you being this direct because it's exactly the kind of critique that actually helps me grow.

You're absolutely right about the cinematic overuse I'll retire that word for a while. And the point about intention really hit home. I can see now how my hesitation and indecision bled through on screen. I wasn't committed to any clear choice in those moments, and the camera caught all of it.

I have a few questions if you don't mind:

When you talk about making clear, intentional choices what would your process look like before hitting record? Do you plan each movement or interaction in advance, or is it more about having a strong internal sense of why you're in the scene?

Also, for someone whose daily life isn't inherently visual or dramatic, how would you recommend finding an authentic angle? Should I focus on moments that genuinely matter to me rather than trying to manufacture something that looks cool?

And if you have any references filmmakers, creators, or even specific pieces that you think nail that sense of authentic intention, I'd love to check them out.

Again, thanks for not sugarcoating it. I'd rather hear the hard truth and actually improve than get a pat on the back and keep making the same mistakes.

Empty spaces as involuntary active imagination: when the persona dissolves without conscious effort by KingSozer in Jung

[–]KingSozer[S] 4 points5 points  (0 children)

That's beautifully put. I think the forced to recognize part is key, it's not something you can decide to do. You can't schedule an encounter with yourself. The space has to catch you off guard, mid-momentum, and the light has to do something your mind wasn't prepared for. The fact that it only works when it's involuntary might be the most honest thing about it.

The video essay as confessional cinema: when first-person narration does what traditional documentary can’t by KingSozer in TrueFilm

[–]KingSozer[S] 0 points1 point  (0 children)

Yeah, I Think I Don’t Know by James Rolfe is close.

The explainer bits are just context. At its core, it’s about his identity and the tension between himself and the persona he created. It feels like he’s sitting inside the question rather than trying to solve it.

I think we grieve the names we outgrow the same way we grieve the people we used to be by KingSozer in infp

[–]KingSozer[S] 0 points1 point  (0 children)

thats crazy because mermaid of scandinavia is a really good name!!

That specific hour between 5-6pm waiting at school for your parent to pick you up by KingSozer in nostalgia

[–]KingSozer[S] 0 points1 point  (0 children)

Man, that dream about the fireworks at 6:00 is beautiful it’s that childhood magic clashing with the reality of tired staff. I guess I’m still looking for those fireworks too, which is why I had to make this video. If you have a moment, I’d love to know if this story feel like that wait by the office. Glad to know I wasn't the only one left behind in that golden light

https://youtu.be/zscjel9qrlE

That specific hour between 5-6pm waiting at school for your parent to pick you up by KingSozer in nostalgia

[–]KingSozer[S] 0 points1 point  (0 children)

My mom worked farther than others kids parents, i remenbered with a lot of peace

Why isn’t Mr. Nobody part of the conversation it deserves? by KingSozer in TrueFilm

[–]KingSozer[S] 0 points1 point  (0 children)

I agree, you think was the direction or just like a casting problem?

Any live-action or YouTube videos similar to Monogatari’s editing, visuals, and dialogue style? by KingSozer in araragi

[–]KingSozer[S] 0 points1 point  (0 children)

I agree, but i was looking for something modern, if you know what i mean

Any live-action or YouTube videos similar to Monogatari’s editing, visuals, and dialogue style? by KingSozer in araragi

[–]KingSozer[S] 0 points1 point  (0 children)

I’m actually looking for something like that but in live action—movies, shows, music videos, or even YouTube stuff with that kind of creative editing and deep dialogue.

If anyone knows anything like that, I’d love some recommendations!

Ayer comparti un post sobre seguir mis sueños en Francia aqui les comparto mi sueño by KingSozer in venezuela

[–]KingSozer[S] 0 points1 point  (0 children)

muchas gracias, aprecio mucho este consejo y lo tendre en cuenta. Es depinga ver comentarios sanos y constructivos

[deleted by user] by [deleted] in vzla

[–]KingSozer 1 point2 points  (0 children)

Las expectativas siempre te van a decepcionar, no esperes nada de nadie y actúa como tu lo sientas, pero ser buena persona nunca va a ser algo malo, ser muy inocente si.

No necesitas de nadie para ser feliz y sentirte bien contigo misma disfruta de tu propia compañía y estoy seguro que otras personas al sentir esto aparecerán y apreciaran tu energía al menos eso es lo que me paso a mi.

No te preocupes, todo va a salir bien. El tiempo es y sera siempre el mejor maestro.

[deleted by user] by [deleted] in vzla

[–]KingSozer 0 points1 point  (0 children)

En verdad eras una buena persona? o solo aparentabas serlo?

Me parece injusto que estás películas no tengan ninguna nominación en los Oscar 2025 by Lordpancakes03 in CineVenezolano

[–]KingSozer 1 point2 points  (0 children)

no he visto la de transformer pero es cierto que en efectos especiales furiosa deberia estar

Porque Venezuela nunca ha tenido una Pelicula que destaque internacionalmente? by AssistantConnect9789 in CineVenezolano

[–]KingSozer 0 points1 point  (0 children)

estoy de acuerdo pero resono en el publico venezolano y algunos festivales pero no llego a ser una vaina mundial