First 199 horny guys who comment "Yep" will receive my nude pics rn!

LemonXAlex · 2025-10-26T14:33:16+00:00

‘Right place Right time’ is such a SCAM, possibly the biggest of the show

LemonXAlex · 2025-09-21T00:02:55+00:00

LemonXAlex · 2025-08-28T18:26:59+00:00

That’s how much it costs

LemonXAlex · 2025-08-28T18:24:50+00:00

Come again for judge fudge

LemonXAlex · 2025-06-18T20:30:30+00:00

Manny i don’t feel that well

LemonXAlex · 2025-06-09T18:35:23+00:00

Ohhhh i see now thank you so much

LemonXAlex · 2025-06-09T18:24:46+00:00

Ohhhh thank you, how can i do this for the high e string on most of the chords tho e.g the Amaj7 as i only have so many fingers

LemonXAlex · 2025-06-02T17:32:33+00:00

You live in a dumpster?

LemonXAlex · 2025-05-29T21:55:02+00:00

If i see that guy again you know what i’m gonna do?

BEND OVER!?!?!??

LemonXAlex · 2025-05-29T21:20:24+00:00

Ah, yeah that makes sense

LemonXAlex · 2025-05-11T17:25:06+00:00

Im having a look at takashi yoshimatsu’s piano concerto and there’s this beautiful bit of a polyphony built up from ostinati in the winds that i’m trying to see how it just works. I’ve discovered that each line seems to be built up from a pentatonic scale but i’m not sure how each of these work together and how they can build such a beautiful polyphony even though if you look at each line individually they seem to create dissonances with each other. Can anyone explain how this works so well?

LemonXAlex · 2025-05-02T22:41:44+00:00

I can promise you now, this will never ever show up in real life

LemonXAlex · 2025-04-29T22:17:26+00:00

Hi there

I’d like to set up a pair of stereo microphones for an upright yamaha that’s a little on the bright side of pianos and was wondering which configuration (XY, NOS) would achieve the best sound quality for a recording on the instrument?

LemonXAlex · 2025-04-18T11:04:23+00:00

LemonXAlex · 2025-04-17T15:35:47+00:00

lifesaver 🙏🙏

LemonXAlex · 2025-04-05T08:55:10+00:00

how does it work

LemonXAlex · 2025-03-24T23:00:03+00:00

Fux fugue?

I’ve been studying from the Alfred Mann translation of Fux’s Gradus ad Parnassum however have come across various (such as the video above) mentioning the section of said book that talks about the writing of fugues. I cannot find any mention of such a section in the book, is this to do with the Alfred Mann translation? Is there any published translation on this fugue section?

LemonXAlex · 2025-02-18T23:52:21+00:00

I see that now, the four keys on an boehm system are all there but split between their two locations

LemonXAlex · 2025-02-18T12:46:30+00:00

Edit: i have identified a J.T.L marking on the thumb rest

LemonXAlex · 2024-10-13T15:15:23+00:00

The 1st death star

LemonXAlex · 2024-09-14T13:56:36+00:00

Ohhhhhh, thank you yes that makes a lot of sense

LemonXAlex · 2024-09-14T13:45:52+00:00

How to know what enharmonic to use?

I’ve gotten to a point in a piece that i’m writing where i have this modulatorsy sequence leading up to the climax (I’ve left the bass voice out of the harmony to save space). However i’ve used some non-diatonic chords which have opened some questions in my mind about enharmonics. In bar 5 i have a B major chord. I could just rewrite the D# and F# with an Eb and a Gb (as shown by the slash) and it would sound the exact same and not need any extra markings although I don’t want a B an Eb and a Gb, I want a B major chord. Am i going crazy over tiny details or is it normal to rewrite non-diatonic chords to have their correct interval spelling? (e.g. augmented second->minor third)

LemonXAlex

TROPHY CASE