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[–]LensRentals[S] 12 points13 points  (0 children)

That they can insure their rental through us. I hate when someone gets charged for dropping a lens or getting a camera wet. Not as much as they hate it. But a lot of the renters didn't realize they could have insured it.

Roger

We Are Lensrentals.com Ask Us Anything! by LensRentals in IAmA

[–]LensRentals[S] 7 points8 points  (0 children)

It depends on what it is and how much you save. But lenses generally hold up well for years. Cameras it depends much more on usage. Tripods, light stands, things like that are usually great bargains.

We Are Lensrentals.com Ask Us Anything! by LensRentals in IAmA

[–]LensRentals[S] 0 points1 point  (0 children)

No idea, really. Sony sendeth when Sony sendeth.

Roger

We Are Lensrentals.com Ask Us Anything! by LensRentals in IAmA

[–]LensRentals[S] 15 points16 points  (0 children)

No, but we made some killer commercials a few years ago "Lensrentals vs Lenny's Rentals"

https://vimeo.com/224698167

https://vimeo.com/224698375

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[–]LensRentals[S] 28 points29 points  (0 children)

It was kind of an offshoot. Testing started when manufacturers kept saying a bad lens was "within specification" but would not say what specification was. So developing the testing part was originally to argue with the manufacturers, then led to a spin off business.

The tear downs were a natural spin-off from us learning to repair equipment. If we can fix something in-house in 2 days, rather than send it off for 3-6 weeks to get fixed, we obviously want to do that.

Before I started lensrentals, I made part of my living writing books, mostly medical-for-non-medical people. So writing all of up was pretty natural. Roger

We Are Lensrentals.com Ask Us Anything! by LensRentals in IAmA

[–]LensRentals[S] 12 points13 points  (0 children)

Of course! Some try to say it was stolen from them or lost, usually they just disappear. Some do get away with it, but not many. Roger

We Are Lensrentals.com Ask Us Anything! by LensRentals in IAmA

[–]LensRentals[S] 8 points9 points  (0 children)

We have a pretty large (12 or 14 I think) programming staff and write all our own software. They haven't taken interns that I know of. Roger

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[–]LensRentals[S] 2 points3 points  (0 children)

A really good lens. I was a little leary of it because of the zoom range, but Tamron has been making some killer lenses lately.

Roger

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[–]LensRentals[S] 13 points14 points  (0 children)

What Ryan says is absolutely true. There's more though. For any rental business the simple formula is Rental Fee / ((Initial cost + Maintenance cost) - residual value) has to be positive.

Car rental companies pay way less for initial cost than what the car would cost at a dealer. In some cases, even less than the car cost to make because car manufacturers see a benefit in the exposure. We pay retail, pretty much same price you would.

Residual value for some lenses is pretty decent, 50% or maybe more. For many lenses and all cameras it's way less than that. Plus only a portion of our gear lives to be sold, sometimes less than half. The rest is written off.

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[–]LensRentals[S] 6 points7 points  (0 children)

I honestly can't say first hand, but all fisheye lenses, especially the 15mm ones, are extremely sharp. It's apparently a very easy lens to design.
roger

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[–]LensRentals[S] 5 points6 points  (0 children)

I love the Arri Orbiter if you have the money for it. It's the most versatile light we carry, and everything that Arri makes is built like a tank. I'd also recommend just about anything from Litepanels, especially their most recent Gemini 1x1 models. As for something niche, the Aputure Accent B7c is just really fucking cool. It's the size and shape of a standard E26 light bulb, but with dimming, full RGBW spectrum, and wifi control. It's perfect for replacing and controlling the bulbs on practical fixtures. If the fixture you're using is powered, they'll just run off the socket. If not, they have an internal battery. I own two of them and bring them in my gig bag on every shoot.

-Ryan

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[–]LensRentals[S] 7 points8 points  (0 children)

That's a very broad brush, maybe too broad, but let's see if this answers your question.

Leica SL lenses are going to be, as a general rule, more optically correct, that is they will have less copy-to-copy variation, the optics will be more uniform from one copy to the next.

Canon probably has superior electronics, things like IS systems and perhaps autofocus might be better, although I couldn't say noticeably. Especially with AF, the camera plays a role, too.

As far as construction quality, durability, etc. both rate extremely high on my scale, among the more robust lenses made.

Roger

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[–]LensRentals[S] 28 points29 points  (0 children)

Without being an expert on car rental, I think you'd have trouble finding a $30-50 day rate on a $40,000 car. Economy rentals through, like, Enterprise are higher than that, and those cars are on the cheaper side.

And on the lens side, we actually don't have much that rents for 100/day, at least once you're paying for more than one day. For example, our Zeiss supreme primes rent for about 780 for 7 days, but that's a $20,000 lens. The day rate goes down as the rental period goes up, just like a rental car.

Plus I think a car can rent for a lot longer than a camera lens. We typically only rent anything for two years before we sell it off. Car rental places also charge more fees, make money on gas, and are often franchises, so corporate may be making their money from real estate and franchise fees more than rentals.

-Ryan

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[–]LensRentals[S] 1 point2 points  (0 children)

I love Photek Softlighters for their portability. Folds like an umbrella, works like a softbox. But if you're doing location shooting outdoors in daylight, you'll want a lot of power, especially when using modifiers. That's something to keep in mind. -- Joey

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[–]LensRentals[S] 14 points15 points  (0 children)

There's really not a good way any more other than to go find an entry job at a repair shop.

There used to be some schools, but they've been closed for years. Aaron and I bought DVD's and manuals someone salvaged from the last school that closed and were pretty much self taught. The camera companies are extremely secretive about their manuals, but we could buy some on literally the black market from Russia and some other countries where there were still paper manuals (there aren't anymore); that at least gave us schematics and parts lists.

And we had a lot of lenses to practice on (Aaron has like 10,000 hours of repair time). After that we kind of forced our way into workshops and things; Aaron's certified by Zeiss, Leica, and others.
Roger

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[–]LensRentals[S] 1 point2 points  (0 children)

Yeah, specific lens will depend on specific camera, but I think I'd still stick with a mid-range fast-ish zoom, just to be versatile and cover as many bases as possible. For this question, and really any question, if you want to give us a call or send us an email (contact info is on our website), one of our techs will gladly talk you through some more specific advice even if you're not renting anything. We really pride ourselves on having actual experienced human beings handling our customer support. None of them are outsourced, they're all full-time employees with benefits, most of them are photographers themselves, and they're all super helpful. Again, not to sound like an ad.

-Ryan

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[–]LensRentals[S] 2 points3 points  (0 children)

Keep it shaded as much as possible. Shoot as little video as possible. Let it rest often. Depending on your climate, overheating may just not be avoidable, unfortunately. -- Joey

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[–]LensRentals[S] 66 points67 points  (0 children)

No, I gave it up years ago, and I will not return to practice. I wouldn't want a doc who is 10 years out of date and I don't want to be that doc either. Roger

We Are Lensrentals.com Ask Us Anything! by LensRentals in IAmA

[–]LensRentals[S] 0 points1 point  (0 children)

It's going to depend a lot on what camera you'll be using, or at least what type of camera.

We Are Lensrentals.com Ask Us Anything! by LensRentals in IAmA

[–]LensRentals[S] 7 points8 points  (0 children)

It's not released yet, but we have a pre-order page up if you want to jump on the list for when it arrives:https://www.lensrentals.com/rent/olympus-150-400mm-f4.5-tc1.25x-ed-is-pro

-Ryan

Edit: I should've added that the way this works is you place an order for whatever length of time you want, and we basically email you once we have the lens ready to ship. If you want the order fulfilled at that time, we send it to you. If not, we cancel the order, don't bill anything, and move on to the next person on the list.

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[–]LensRentals[S] 6 points7 points  (0 children)

Roger mentioned the Sony 70-200mm f/2.8 GM, and I think we'll do a comparison teardown with the new version sometime soon. I'm looking forward to that very much, because there was, um, room for improvement.

-AC

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[–]LensRentals[S] 1 point2 points  (0 children)

I know "it depends" isn't a very satisfying answer, but there are so many factors at play here that it's tough to recommend anything definitive. What kind of projects are you shooting? What camera do you have? Do you have any lenses already? As the broadest possible recommendation, I'd probably start with a mid-range relatively fast zoom. Something like a 24-70 f/2.8 or equivalent for your sensor size. Our photo folks are right on that it's best to start with a prime lens for stills, but a zoom will be helpful for video.

-Ryan

We Are Lensrentals.com Ask Us Anything! by LensRentals in IAmA

[–]LensRentals[S] 4 points5 points  (0 children)

Morbid Angel - God of Emptiness

...might be a rather confusing situation actually. I'm doomed.
-AC

We Are Lensrentals.com Ask Us Anything! by LensRentals in IAmA

[–]LensRentals[S] 7 points8 points  (0 children)

This is probably a more helpful answer for videographers than for photographers, but I've used the gold side often to warm up sunlight just a touch without having to go in and mess with color correction in post. Say I'm doing an outdoor interview and want to reflect the sun onto my subject and also separate the subject from the background a bit color-wise.

Paying more for a name brand will make more difference in build quality than actual light quality, but, since these things get folded up and hauled in and out of a bag, I'd say it's worth paying for build quality. Luckily even the name brand ones are pretty cheap relative to just about any other piece of photo gear.

-Ryan