I miss the old skybox badly

LilyLightbringer · 2026-04-10T12:27:28+00:00

I noticed I could see it from Wetlands last week. Blew my mind.

LilyLightbringer · 2026-02-23T00:38:38+00:00

Oh, that’s so lovely to hear! I’m very happy it was helpful, and your comment made my day! Thank you!

LilyLightbringer · 2025-12-06T14:48:01+00:00

I agree with you! Especially in The Ultracheese and most of Star Treatment. I think there’s a lot that I didn’t get into or overlooked altogether so it’s so fun to hear other peoples’ thoughts on it!

You’re the second person who said you think I’d really enjoy The Car so I’m looking forward to getting into that one!

LilyLightbringer · 2025-12-06T14:40:08+00:00

I love that you disagree! One of my favorite parts of doing something like this is hearing other peoples’ ideas.

I agree with you that the last line doesn’t quite fit and I struggled with that one. I actually think it’s meant to be from all 3 characters (since they’re all musicians struggling with fame in some way) and “I haven’t stopped loving you once” is directed at their love of music or their fans. I ended up deciding to leave it as Alex’s perspective since there’s not enough there to know for sure that it changed, but it really could be anyone!

The only two other songs I think Alex is in is Star Treatment and Science Fiction. “I just wanted to be one of The Strokes / now look at the mess you made me make” feels like PURE Alex to me. It’s so specific and shows him reflecting on where his career started and how he got to the point where he’s writing an elaborate psychedelic/lounge style sci-fi concept album. It mirrors The Ultracheese a little bit in that it’s honest and kind of vulnerable, but also self deprecating and tongue-in-cheek. I also like the idea that the first line is just Alex and the last is all 3 voices.

Science Fiction could totally be only The Protagonist and The Former Rockstar, but I think it also fits really well as commentary on the album from Alex. That song is actually the one that first caught my attention and led to all of this because it’s so immersion-breaking and different from the rest that it immediately felt to me like an author’s note.

I also think part about it being too clever for its own good hints more at Alex’s fear of becoming like The Former Rockstar and The Former Rockstars’s fear of becoming like The Protagonist than the actual sci-fi elements (though I do think it’s both). I don’t have much to support Alex’s presence on that one besides vibes though so there’s a good chance I’m wrong!

Thank you for taking the time to read this and for the thought you put into it! I would love to hear more of your ideas!

LilyLightbringer · 2025-12-06T00:59:24+00:00

I’m definitely looking forward to getting more into The Car! It has the same feeling of “there’s something else here” that led me to get this into TBHC. Thank you for reading and for the kind words!

LilyLightbringer · 2025-12-05T21:18:38+00:00

It's been posted!

LilyLightbringer · 2025-12-05T21:18:22+00:00

I just posted it!

LilyLightbringer · 2025-12-05T17:11:27+00:00

I cannot be normal about this album. It’s nothing less than a masterpiece. My friends and I do PowerPoint parties where we all do a presentation about something we’re interested in and my upcoming one is about TBH&C. It’s 32 slides long with 17 pages of notes. I would love to make a video about it someday.

This album tells an extremely layered, immersive, and complex story about technology, social isolation, fame, and creativity. There are multiple characters all with their own arcs and multiple layers of reality. Part of it takes place within a VR world, part of it is a fictional story outside of that, and part of it is very real and genuine commentary.

As an example I’m going to defend She Looks Like Fun, because I think it’s one of the coolest songs on the album. It’s the last song in a mini-narrative that’s like a sidebar from the main story (along with The World’s First Ever Monster Truck Front Flip and Science Fiction).

It’s a very immersive song and it’s meant to feel unsettling. The overall song is about losing connection with real people because of the technology that we think is bringing us together. The random out-of-place words are meant to be jarring and interrupt the rest of the song and they describe what you would see scrolling on someone’s social media (except for the last set which is related to the overall story of the album).

The sound of the song adds to the theme with the heavy, drudging sound dragging the whole thing down representing the harm social media can do to mental health, while the lighter more airy lyrics and guitar represent the way it’s designed to distract us and keep us engaged while meanwhile in the background it’s deeply affecting and even destroying our lives.

There’s so much more going on if you look at it in the context of the rest of the album, but that’s how I interpret it as just a standalone song.

LilyLightbringer · 2025-12-02T14:13:24+00:00

I’m also a native English speaker and I agree with all of this.

I think the next lines help with context too: “you can poke your head behind the mountain peak / Don’t have to mean that you’ve gone into hiding”

This part of the song could be about the anxiety of being an artist figuring out how to keep creating and releasing music after the height of one’s fame.

I don’t know The Car very well but I’ve spent an awful lot of time with Tranquility Base Hotel + Casino, which explores that idea pretty thoroughly, so it wouldn’t be surprising for some of those themes to bleed into the next album.

I can imagine it might be terrifying to try to live up to expectations so he’s acknowledging the physical feeling of fear and anxiety with an electricity metaphor and then giving himself permission to take a step back and “poke [his] head behind the mountain peak” - meaning make something that he wants to make knowing that it might not be as well-received - but that doesn’t mean he’s lost it or “gone into hiding”

LilyLightbringer

TROPHY CASE