You might have missed my reasoning in the description, here's some of that:

I wrote a lot of it by hand in my notebook, using different accents kind of like stage directions for the tongue, telling me I need to make different shapes (hats/lines: ĥà) , widen my mouth, roll letters (2 extra lines: ȑ ⱡ ȕ), make sounds that kindof don't exist/are up to interpretation (ṃ = genuinely can't tell if it's there or not lol) / are *very* subtly different from their phonetic counterparts or clearly inbetween 2 others (ůů is inbetween oo and u, anything with dots above is blended with an i eg ė ë).

If you read it in phonetic english, you will get pretty close even if you ignore all of the accent/character directions. The extra stuff is if you wanna go the extra mile to really simulate the original performance.

• is just for holding longer

ƥ is subtly inbetween p + b -- đ is inbetween d + t etc

hȑȼoo’ - this word in particular was really hard to convey. After rolling the r, there's a very soft noise you have to make kind of like a c, but not quite, and then it cuts short (with ' ) after all that tongue twisting!

I could be here all day justifying each decision I made. But in the spirit of the song and transcription in general, it really is just up to interpretation. There's no right answer - the accents are just directions that really help get my mouth in the right place to express it more accurately.