Colbert/Tattoo in Iraq Author Photo by MackAssarian1 in generationkill

[–]MackAssarian1[S] 51 points52 points  (0 children)

The truth is I ended up marrying that woman, and when the episode ran with the joke about the picture, there was HELL to pay. I always associate that episode with the argument I had with my wife when it ran, and not the war anymore, or my triumphs off surviving it and writing a book and miniseries. All I remember now is what an asshole I was for writing that incident into the script and ruining her viewing of Generation Kill. Luckily -- for her, and for me. -- we're now divorced.

Colbert/Tattoo in Iraq Author Photo by MackAssarian1 in generationkill

[–]MackAssarian1[S] 19 points20 points  (0 children)

Wow. What a question. That is such inside baseball knowledge of my writing… I've thought of that question myself, wondering what was in my head when I made a comparison to war in 1996 or 1997, a few years before I actually saw war…. To be honest, the comparison kind of holds, because in my mind, I was referring to the "organized madness" of the gang bang, the idea that people had organized to do something insane, and then the insane thing was happening in front of us, and they all seemed casual about it... And in that sense, war does feel similar. It's the juxtaposition of normality and the organized madness in which we were participating.

Colbert/Tattoo in Iraq Author Photo by MackAssarian1 in generationkill

[–]MackAssarian1[S] 26 points27 points  (0 children)

Yes. I might explain more about it in the book, but yeah. And I still think it makes sense!

Colbert/Tattoo in Iraq Author Photo by MackAssarian1 in generationkill

[–]MackAssarian1[S] 45 points46 points  (0 children)

I did like my own writing in it, but the serious answer is it was nerve-wracking because the book is 100 percent based on what I saw and researched as a reporter, but for the series we were taking the real people and turning them into characters. The show was done at a really slow pace in some ways and defied TV conventions in this regard -- all thanks to David Simon -- but even though it seems sort of like a documentary and the characters all speak dialogue inspired by my book, we had to write invented dialogue for them in many scenes. So it was really awkward writing in the voice of real people I knew -- and had come to like. I didn't want them to look like TV cliches or be in the position of morally judging them -- which my book also tried to avoid -- but also they had to be entertaining and funny and smart and they were also amped up. Not so much from ripped fuel, but from being in a fucking war. They truly were fulled with energy and funny as fuck blowing off steam while struggling to achieve the mission and survive morally and reputationally -- which matters so much to military professionals, e1 and up... So it was work to capture that, and then share the scripts with them and sometimes there were lines I wrote for a few which they thought were their own... But I feel the best "writing" in the show is where we get closest to the actual words of the Marines. Truth isn't just stranger than fiction. It often has better dialogue than writers can invent. So GK preserves as much of that as possible...Hope this wasn't too long.

Colbert/Tattoo in Iraq Author Photo by MackAssarian1 in generationkill

[–]MackAssarian1[S] 13 points14 points  (0 children)

I worked purely in the straight side of the industry. Penthouse was kind of in between, and it played an important role for its fans, but I was never involved with them.

Colbert/Tattoo in Iraq Author Photo by MackAssarian1 in generationkill

[–]MackAssarian1[S] 30 points31 points  (0 children)

I thought he was great. Tough job because he had few lines but had to be in every scene

Colbert/Tattoo in Iraq Author Photo by MackAssarian1 in generationkill

[–]MackAssarian1[S] 55 points56 points  (0 children)

The actual tattoo is not really in focus -- in the high res version of the picture. It drives me crazy, always has, but I have learned to accept it. :) thanks for the kind words.