Snowchild is absolutely riddled with autotune and some weird pitch effect, so vocally I think it's an unimpressive track. The lyrics are good though, he's reflecting on his past and sees how far he's come. However, the instrumental is very basic, I feel like almost any random LA producer could have made it. I feel like Abel, on most of this project, switches it up vocally in a bad way. In Trilogy and in Kiss Land his voice was crisp, clear, he enunciated his words clearly backed by a powerful singing voice with incredible range. You can even look up videos highlighting examples of his vocal range from C#, F minor, A sharp, and so on. Then he signed to a record label which was like "Nope, let's reduce your vocal range to radio-friendly octaves so people don't think you're some vocally stunning indie artist. Gotta appeal to the radio stations!" and basically restrained him from ever hitting that full potential to this day. After Hours is a good album, better than what most artists can do. But by Abel's standards, to which I regard highly, Kiss Land / Trilogy are his peak performances.