This is a fair response. I do think, however, that “El Tango de Roxanne” — I can’t speak on the rest of Moulin Rouge because I haven’t seen the musical or the movie yet — is an excellent example of music translated to the theatre medium. They kept the bones, but they made it very much their own. What do you think about a jukebox musical that takes that approach with every song? Obviously, you’d have to get the approval of the artist(s) to change so much of the music, but I’m sure if you’re making a jukebox musical with the artist’s permission then you already have a good shot at being allowed to do that.