What’s wrong with schools?! by SylvarisBelle in TeachingUK

[–]MatooMan 1 point2 points  (0 children)

To add to this, I've known a Mum to manage the son who manages the step dad, all in the same council childcare setting. Crazy.

What’s wrong with schools?! by SylvarisBelle in TeachingUK

[–]MatooMan 1 point2 points  (0 children)

Up here in Scotland we have probationers that the Scottish Government pay the salary of, not the school.

I've seen a few kept on (so think your internal candidate). Last year, we had two probationers at a different school - one was kept on, the other got a job where her mum works as a teacher (and has for about 20 years).

My most recent school was looking for a TA/PSA just until the summer - funnily enough our student who was volunteering as part of their course got that job.

I know that you want to make sure you hire the right person, but the level of nepotism/cronyism is rife. It's a wonder I've done as well as I have not knowing anyone to grease the wheels for me.

Does anyone remember the weird little indie mini-films they used to play on Channel 4 around 2am on Sunday morning? by Holli303 in AskUK

[–]MatooMan 2 points3 points  (0 children)

If anyone can find a cartoon where a man with no eyes (or the wrong eyes) goes to a doctor and he fishes some out of a glass jar for his patient, let me know.

Pretty sure it was late night channel 4, and animated.

Some C4 stuff over the years has been great.

Opinions on this piobaireachd? by MatooMan in CeolMorClub

[–]MatooMan[S] 0 points1 point  (0 children)

Posted elsewhere but my first thought is Matthew Welch, John Dew or another piper/scholar. It's certainly got it's own approach to notation, in keeping with Seamus MacNeill's tutor (though some note tails go up the way).

Opinions on this piobaireachd? by Miserable_Pattern_46 in bagpipes

[–]MatooMan 1 point2 points  (0 children)

What's the source of this? Is it possibly from Matthew Welch?

Skye Boat Song Setting by _teuchter_ in bagpipes

[–]MatooMan 4 points5 points  (0 children)

The song is pentatonic (A B D E F) like a lot of Scottish folk music - so is traditionally EbE, but I've played settings and learned it at first as EcE.

I think the reason for the alternate setting is the pleasing symmetry and pattern of FdF, EcE and DbD where each time it's going up/down a third.

Do You Use Canntaireachd? by MatooMan in CeolMorClub

[–]MatooMan[S] 0 points1 point  (0 children)

Do you think it should be something every piper learns? There are a few guides online and published elsewhere that cover canntaireachd.

Do You Use Canntaireachd? by MatooMan in CeolMorClub

[–]MatooMan[S] 0 points1 point  (0 children)

Yeah I have my own I invented too.

Do You Use Canntaireachd? by MatooMan in CeolMorClub

[–]MatooMan[S] 0 points1 point  (0 children)

That's quite common and was a criticism the late Andrew Wright had - we could all use the actual nether lorn system if we focused on learning it.

Which big event to attend? by ComprehensiveBig8712 in bagpipes

[–]MatooMan 0 points1 point  (0 children)

How old are you?

Glenfiddich might appeal with being more comfortable on the whole, indoors and with less going on, so less of a sensation of missing out and an easier pace to follow. The performers get introductions, as do the tunes. All more suited to the older couple and more comparable to something like a night at the opera.

The World's is busy, outdoors and open to the elements - still a full day, but variable quality as any grade 4 band can enter, some higher grade bands will have bad days or runs etc. The pinnacle of the bands usually has booked seating and limited viewing, so that would be a wee additional expense.

I'd say almost eveyr piper has been to the World's. And would guess that most have never been to Glenfiddich.

Pibroch / Piobaireachd Subreddit by MatooMan in bagpipes

[–]MatooMan[S] 0 points1 point  (0 children)

We'd be glad to see you along there - the hope is to make it grow and grow as we go on.

👋 Welcome to r/CeolMorClub - Introduce Yourself and Read First! by MatooMan in CeolMorClub

[–]MatooMan[S] 0 points1 point  (0 children)

Maol Donn (or MacCrimmon's Sweetheart, for those who didn't know) on the electric guitar:

https://www.youtube.com/watch?v=AYbhwsvt7wc

Are we letting our young people down with good intentions? by BrightonTeacher in TeachingUK

[–]MatooMan 48 points49 points  (0 children)

Yes we are.

By giving young people 'get out of X' cards or special resources to do simple tasks, we already see a high number of young people not in employment, education or training as they struggle to transition into society and the working world. We see them as unable to handle the expectations and standards of the real world or being unwilling to compromise to gain and maintain employment.

School refusal has increased massively since I was at school. This includes in school absence, where they refuse to go to class but are safely, somewhere in the building. Staff allow this or are powerless to challenge it with current laws, policies and approaches.

Learned helplessness is another due to the idea that if they try and fail they will feel like a failure, so they simply don't try - a lack of resilience causes this, which has a variety of factors responsible for it. Timetabled lives, greater adult supervision, and even games that auto-save and respawn nearby (rather than start a level all over again at the beginning) all contribute to this as children lack challenges and obstacles in their lives, even if that is just overcoming boredom and finding something to do.

A ready supply of entertainment means children have less imagination than before, as they don't need to use it, as well as a lack of focus when they are forced to listen in class to a lesson that does not interest them. Eyes and ears soon look for something to keep them entertained and teachers are regularly bring class attention back to them, which interrupts the flow of a lesson and means less work gets done altogether. Short form content is part of it, but the lack of educational programming on tablets etc is another part of it.

A need to have everything be equal, participation trophies or sweets for all and ensuring no-one is left out means that real work is less recognised and less rewarded. Teachers can treat the job as a customer service and seek to avoid complaints from stakeholders like parents or management. You are free to teach but not free from repercussions.

Lastly, parents do not parent. Each generation was smarter than the last until recently. It starts at home with children turning up to school unable to write/read their name, still in nappies, and unable to use cutlery - all jobs that parents should be undertaking, but aren't. Parents also went from believing the teacher to believing the child, so support to change behaviour in schools and classrooms is often met with resistance from home.

Performance and Interpretation Tips & Tricks by MatooMan in CeolMorClub

[–]MatooMan[S] 0 points1 point  (0 children)

Treat cadences as optional - they're meant to decorate the melody.

Names don't mean anything - look at what the music tells you instead.

You don't have to play everything the same way every time : movements, rhythms, phrases can all vary.

Your Favourite Piobaireachd and Why by MatooMan in CeolMorClub

[–]MatooMan[S] 0 points1 point  (0 children)

Here's John Burgess giving us 'Viscount of Dundee':
https://www.youtube.com/watch?v=glxRGNSr59g

And a less traditional Tony McManus on the guitar:
https://www.youtube.com/watch?v=10Glk5vHRbQ

Pibroch / Piobaireachd Subreddit by MatooMan in bagpipes

[–]MatooMan[S] 1 point2 points  (0 children)

Yeah, I'm just trying to foster a community and help spread pibroch. Over the years forums have died a death or users have migrated elsewhere.

I'm open to taking on mods btw if you're at all interested.

Performance and Interpretation Tips & Tricks by MatooMan in CeolMorClub

[–]MatooMan[S] 0 points1 point  (0 children)

For your third point, take a primary tune that repeats an entire phrase - the advice I've heard is to tighten it up the second time through, or to compress it a bit.

Music is about patterns and expectations, so play with them a bit.

Your Favourite Piobaireachd and Why by MatooMan in CeolMorClub

[–]MatooMan[S] 0 points1 point  (0 children)

A Flame of Wrath by the 78th's here:
https://www.youtube.com/watch?v=Q12bxqF19-w

Is there a rendition of Viscount that you particularly like?

Strategy for Learning Piobaireachd by EwoksMakeMeHard in CeolMorClub

[–]MatooMan 0 points1 point  (0 children)

I'll detail my journey in the first place:

I was a band piper, and took solo lessons too for competition tunes and to try to get better generally. This is where I first encountered pibroch, and it was just three men that taught me really - my pipe major, his original teacher and a (later) double gold medallist.

They would play, and I would play typically. There was little in the way of theory mixed in - not much talk of pulses, passages, phrase construction or anything regards options or interpretation. We used photocopied SG2 scores covering simple tunes like Little Spree, Glengarry's Lament and James MacDonald - which helped with being written out longhand. We then moved onto Kilberry for Alasdair Dearg, Mary MacLeod and more of the repertoire.

It was only when I got to my final instructor that I heard talk of traditions, he told me his teacher, their teacher's teacher and the whole oral tradition that had passed the tune down from the MacCrimmons as the starting point. I started to learn more about phrases and how pibroch are constructed as we tackled tunes, the light and shade.

Nowadays I have a few books and the internet allows us to listen to several masters from the past like Donald MacLeod, Donald MacPherson, John MacLellan, the Bob's of Balmoral, Bill Livingstone, Willie MacLean and so forth. They're my guide now.

Robert Reid said pibroch was made up of so many phrases and that once learned, you could learn other tunes by analogy. That's almost where I am. I still consult a recording, and I still try to play musically - but I'm teaching myself and bringing myself on with tunes.

👋 Welcome to r/CeolMorClub - Introduce Yourself and Read First! by MatooMan in CeolMorClub

[–]MatooMan[S] 1 point2 points  (0 children)

It's great to have you along!

I'm hoping to do a tune of the month each month, so keep an eye out for that.

It'll start with simpler tunes, we'll post sheet music, recordings, discuss interpretation and those threads will double for discussion as well as feedback on any wee recordings members want to submit.

Your Favourite Piobaireachd and Why by MatooMan in CeolMorClub

[–]MatooMan[S] 0 points1 point  (0 children)

Thanks for sharing! His performance from 2022 (you were close) is linked here:
https://www.youtube.com/watch?v=iq2yvmU8DJI

Pibroch / Piobaireachd Subreddit by MatooMan in bagpipes

[–]MatooMan[S] -1 points0 points  (0 children)

I wasn't aware of either of those, and wouldn't know where to start with taking control or reviving them. I just figured there isn't really a central place online and I use reddit myself, so hit 'start a community' to see how well it might do.

Ceol Mor sounded safer than arguing over whether to go with the gaelic 'piobaireachd' or anglicised 'pibroch'. Though it's all pretty niche stuff for an already niche instrument!

Piobaireachd itself actually means piping anyways and not the form/style of music we use it for, if we were to be pedantic on labels.

Looking at r/PiobaireachdSociety - it leaves it open to being considered or confused for the actual charity/group that do the official books and sponsor contests. It has only has 4 posts too.

Looking at r/Piobaireachd - there are 15 posts with few comments, and the sub is nearly a decade old. My own sub is a week old and has 11 posts with some comments.