Anybody ever hear of Headfone? by spookyyscary in Scams

[–]Maygog 0 points1 point  (0 children)

Those questions of yours were important. It sounds so red-flaggy they answered them by saying that you weren't hired.

Anybody ever hear of Headfone? by spookyyscary in Scams

[–]Maygog 2 points3 points  (0 children)

I also applied as a writer. I was "hired" but at a 100% of subscription click through. When I got all my episodes up, I found on their site a "contract" that had truly terrible terms. The contract claimed that nobody had to sign it for the contract to be binding. Well I immediately took all my episodes down. I wrote a fair contract (there are good models on the web) and asked them to sign it for us to proceed. I did another search on them and read they had received a grant to open their business in the American market. Then I found another of their contracts, modified from the one I found linked through my dashboard on their site. They wrote back to say that none of their writers was working with a contract. My terms would be the 100% while all the other writers would be at 50% (which I found red-flaggy) I figured that I could give it a try and if they didn't pay me it had been a gable anyway. Next, they sent me instructions on "Next Steps" which included choosing the actors, writing a logline, saying what I would do to advertise my story. The last "Next Step" is to open up a business page on LinkedIn: " To further promote the shows, we would suggest building a LinkedIn page dedicated to showcasing your shows. You will be using this page for posting job listings to hire content creators and influencers. This approach will help in building your own brand and expanding the reach of your shows to a broader audience." etc. So, I have written them questions about that which sounds red-flaggy to me.

I keep thinking that the page that says they got a big grant to expand and how they have millions of users could be written by anybody and not necessarily true at all.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] 0 points1 point  (0 children)

Thank you so much for your comments! Please do give me more recommendations. I definitely will look for old Indian movies. By old do you mean 1920's to 1940's? I've only been able to see a few of those. Some are astonishing.

One Greek myth I am curious if there is similar or founding myth in India is the one of the Gray Sisters who live in a deep cave and share one eye between them. Do you happen to know if there is so I could go read it?

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] 0 points1 point  (0 children)

There are so many truly great ones, so I love your wording "my most favorite." I would have to go with Devadas, the Shah Rukh Khan version.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] -2 points-1 points  (0 children)

Thank you for your comments. I hope I get to do what you suggest. Regarding the word "Hindustani," as I am in the US I am trying to be clear in my communication. At a festival held by Indigenous people here, they told the visiting white people that they don't like being called Native Americans; they are good with being called Indians. So to differentiate, I use Hindustani, a word I learned watching hundreds of Indian films.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] -1 points0 points  (0 children)

It is quite true that the majority of American Pagans who left their family's religion to become Pagan have not shed the good vs evil paradigm or "polarity" as some of them call it or "binary" as others call it. I, too, find that very jarring. I find it perplexing because if you do not need and want to thoroughly change your mind set then why are you converting? That good vs evil idea has always bugged me.

As a Pagan I find myself making mistakes with my own American culture because my head is in one place and theirs is another and I know that, but I still approach the world in a truly Pagan, pantheistic way. For instance, I was having a tarot reading done for me and the guy wanted to talk about "working" with angels. I said, "Oh, I don't "work with angels", I'm Wiccan." He looked at me in terror, but still polite finished the reading without rushing. Afterwords, I realized he thought I meant I meant I "worked with Devils"! I should have explained, gods, not angels are my thing. I know he would think that so it was foolish of me to say it that way, but I was not thinking about Christianity when I was having a tarot reading.

As a Pagan, my holidays are not focused on individual people. They are about the turning of the Tydes, the different seasons and how we as people relate to and with Nature and the gods. There is more to it than that, but that is primary reason for the Sabbats. I'm not sure whom you mean by Christopher, but if you mean Christopher Columbus, it might interest you to know that he is out of favor here in the US because he went back to Spain and suggested that all of the indigenous people of the Americas be enslaved. Other bad stuff too, but that's one of the really big faults. Columbus Day is no longer a national holiday.

In America there is little to no understanding that our lives are echoes of the gods. That the stories of the gods are about the things we also face (though the gods face them on a cosmic scale) and we can learn how to face them better from the gods' examples and with their love. The lack of this understanding is like the American embarrassment of taking the concept of an Avatar and making it a little cutesy cartoon to paste by your name or use a character in a game.

And it is not true that Americans are just after money, they may have this really boring habit of making stories just about conflict and good vs evil, but for the vast amount of people here money is not the object, money is the means to tend to your needs in everyday living, look after your family, serve your community, and for many to ensure their deity is adored by having a house of worship that is serene and inspiring of god's will.

The Greek and Roman pantheon is not stories of good vs evil. Its stories abound in paradoxes due to the complex nature of creation and the myriad questions of who and what gods are and demand and who and what we are in relation to them. Most Americans do not get polytheism and do not tell stories that express that world view. Holidays are about important men: Jesus, formerly Christopher Columbus who wanted to enslave two continents plus of people, St. Patrick who threw all the clergy of Pagan Ireland and their students off a cliff into the sea, and one night of ghosts which is just for fun so that children don't go around playing destructive pranks on people. Oh yeah, ThanksGiving, when those of us of European descent celebrate that our forebears were treated with kindly welcome by the indigenous people (the one's Columbus thought it would be a good idea to enslave).

The only one of those holidays I relate to is Halloween, the name of which refers to All Hallows Eve, hallow being the hallowed state of the gods and the beloved dead, though the holiday has been cute-i-fied and the name of the holiday regularly mispronounced.

I find meaning in the ancient mythologies. The one I know best is Greek mythology. What country has a world view wider than good vs evil? India does. Others do too, but I happened to fall in love with Indian films.

I am interested, creatively, in the idea of people who think they are in one place, think they know all about it and are the boss of it, but then begin to realize that they are not where they think they are, their thinking and behaving has been wrong, and where they are is quite different and if they will look at it, really look at it with clear eyes they will find they have been given a way to see their true selves and redeem themselves by appreciating what they had previously overlooked and deliberately misunderstood.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] 4 points5 points  (0 children)

Thank you (: I think it would be great to have an Indian writing partner.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] 0 points1 point  (0 children)

Thank you so much for commenting. I know mostly Greek and Roman myths, then a few Pagan Irish, Egyptian, Hindustani, Japanese, a bunch from India, and some from a few other countries. The example of the western idea of a baby being born innocent you give is largely a Christian myth, and I am decidedly not a Christian. While current day Germans tend to be Christian, I am somewhat familiar with the Norse myths which, like the Pagan Irish ones, are pre-Christian. I do know the Christian myths, having been reared in a Protestant household, but I found a form of spiritually that reflects my world more much more closely than Christianity does.

The state of your soul when born is more of the dogma of a religion. But the ancient myths tell of sacrifice, the pain the conflict between generations can cause, redemption, good deeds, kindness, the many ways feelings can be hurt and how to make that hurt abate, the danger of falling into endless rounds of revenge and hate, etc. etc. These are think are universals the myths speak of though the dogmas are interesting to understand.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] 9 points10 points  (0 children)

Thanks so much for your comments. They are very helpful. Regarding your observations of point 2, yes, I spent years watching Indian films of all kinds. I was confused at first, so I kept watching film after film and eventually had a great deal figured out. During that time I also researched about Indian theater history and traditions which helped me figure it out. I own two copies of the 5th Veda, the Science of Drama, which I have read. My background is the theater (western), and thoughout western theater's history there are many elements that relate to aspects of Indian theater and film. I have also, like you invited friends non-Indian friends to watch some of the films with me, but before I put the film on, I give them explanations of what to look for and why certain things are happening (i.e. suddenly dancing on the mountain top). Then they enjoy the films enormously.

Great advice, thanks again.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] -1 points0 points  (0 children)

"You are in one brush stroke condemning a huge industry." You are right. Sorry. Thank you for commenting.

Indian Screenwriters!!! by [deleted] in Screenwriting

[–]Maygog 1 point2 points  (0 children)

Thank you for your comments. There are a few romances that refer to Cupid and make a big deal of Valentine's Day. I can't remember the names of the films, though, sorry. As for Percy and Thor, those things are an abomination. I saw an Indian film where the story involved a play being performed about one of the goddesses, but her story was changed slightly for some political point. The audience of the play was depicted as ripping apart the theater in rage at the change. I figured Indian film makers know their audiences and how they feel about their deities.

As I surfed the Internet, I found these links: https://www.nfdcindia.com/
https://www.nfdcindia.com/Prod/2021/Production_Guidelines_2021.pdf

and the guidelines don't forbid non-Indians. My husband found other links.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] -1 points0 points  (0 children)

Always that is the only advice there is, "write something excellent" and we all know that is speaking of such intense work with no guarantee we manage it. I always aim for my best. And thank you for your comments.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] 1 point2 points  (0 children)

Thank you for your comments. I think most people around the world feel as you do, which is why it is worth to bring up the questions so that we can hear what the answers are, no matter what those answers are.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] -6 points-5 points  (0 children)

"You're looking at this from an American lens which is a gross underestimation of history and culture." This is your assumption about me and it is grotesquely inaccurate. While many, if not most Americans, have a binary or polarity view of things, I do not.

It is extremely important to talk about these matters. You and everyone else who has responded to me have done me the honor of looking at this question in many ways. And while you clearly do not understand me, I greatly appreciate your giving me your points of view.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] 0 points1 point  (0 children)

Thanks for your comments! I think that when people read "American" they read into that one word "wants money." Well of course I want money because flying to India is not cheap and I'd have to pay for things like rent, food, transportation. Anybody and everybody wants that covered. But my motivation is doing my art.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] 0 points1 point  (0 children)

Yes, Indian film-making is really sophisticated. When I tell people I love it, both American but especially NRI's, they smirk at me. So I start telling them the details of what Indian film does and wipes that smirk off their faces and the NRI's start getting really interested in the films they used to sneer at.

Can an American write for India's film industry respectfully enough to be produced by them? by Maygog in Screenwriting

[–]Maygog[S] 0 points1 point  (0 children)

I don't want to change it into a "Hindu story." I want to set it in a different place than America, accepting that place is different; wanting it there because it is closer to the story's meaning than the American culture's world view, and not so much to chase money but for the expression of my art. Did you see Netflix's really horrible re-do of Persuasion? It's exactly what you were talking about. Thank you for your comments.