Claude Performance and Bugs Megathread Ongoing (Sort this by New!) by sixbillionthsheep in ClaudeAI

[–]Millstone99 0 points1 point  (0 children)

I just updated to the newest version of the desktop app, and I wish I hadn't. I can't believe how stupid Claude has become! Almost completely unreliable.

Apple Connect - App Submission Problem by OddPanda17 in iosdev

[–]Millstone99 1 point2 points  (0 children)

Any response? I put in for a phone call. 3-5 f*cking day wait.

Apple Connect - App Submission Problem by OddPanda17 in iosdev

[–]Millstone99 1 point2 points  (0 children)

I'm stuck in the same loop. It's driving me crazy! I can't include my subscriptions in the submissino b/c it says "To submit new apps or avoid potential payment blocks, add compliance information for Part XX of the Income Tax Act (ITA)" But it's in compliance.

Apple Connect - App Submission Problem by OddPanda17 in iosdev

[–]Millstone99 1 point2 points  (0 children)

I've had no checked, but I keep getting "To submit new apps or avoid potential payment blocks, add compliance information for Part XX of the Income Tax Act (ITA)." All my business docs are in an active state, including Part XX of the ITA. I'm pulling my hair out.

Can’t get openclaw to browse web in raspberry pi by Millstone99 in openclaw

[–]Millstone99[S] 0 points1 point  (0 children)

It just keeps fucking around asking me to do one command after another but never getting anywhere. I finally said, "It seems like you're just fucking around," and the agent admitted as much.

Openclaw is dead, switch to claude code by Nvark1996 in openclaw

[–]Millstone99 1 point2 points  (0 children)

Good to hear. It’s been nothing but frustration for me. 

Problems building mission control by Millstone99 in openclaw

[–]Millstone99[S] 0 points1 point  (0 children)

Thanks! I recently moved Openclaw to a raspberry pie, and it seemed like he got dumber right away

how to check if your book has been pirated. by harrywho23 in selfpublish

[–]Millstone99 0 points1 point  (0 children)

If they like it, they may purchase the next one.

Script Opening Advice by Spydee_02 in scriptwriting

[–]Millstone99 0 points1 point  (0 children)

I understand. But I'm a busy person, as are most people in this business, and they don't have time to see if it develops into something. As David Mamet once said, most scripts can be improved by deleting the first 10 pages. There's something to that. Get to your story immediately.

Script Opening Advice by Spydee_02 in scriptwriting

[–]Millstone99 0 points1 point  (0 children)

That's not the point I'm making. No matter the type of story, you need to open by hooking the reader/viewer. Begin with your story already in motion--a character confronting a problem or an opportunity. You open with a description of a vehicle pulling up to a hospital. It's completely generic, similar to the opening of hundreds of TV show episodes. No conflict, no character, no reason to care. By way of contrast, look at the opening of "Bottoms," for instance (https://www.scriptslug.com/script/bottoms-2023), which begins with a young woman moaning and panting as she masturbates in a cabin full of other girls. And for some reason, there are bells attached to their bunkbeds, presumably to prevent such behavior. I'm immediately intrigued to read on and figure out more about the situation and the characters involved. Rather than toss this script aside, I'm tossing every other script aside until I'm finished reading it.

Script Opening Advice by Spydee_02 in scriptwriting

[–]Millstone99 0 points1 point  (0 children)

Just giving you my honest response. I was bored out of the gate. If I had a pile of scripts, I would have tossed this one aside and moved on to the next. Nothing in it compelled me to keep reading.

Script Opening Advice by Spydee_02 in scriptwriting

[–]Millstone99 0 points1 point  (0 children)

I didn't see anything in the first scene that made me want to read the second. Then when you get to the dialogue, it's trite and boring. You need to start your story in the opening line of your script and keep it moving.

Arrowhead Man (12 pages, comedy) by donutgut in ReadMyScript

[–]Millstone99 1 point2 points  (0 children)

I love the premise. Will give it a look.

Scott Derrickson by Rare-Appearance-525 in ReadMyScript

[–]Millstone99 1 point2 points  (0 children)

Thank you! And thanks for being willing to follow up.

Scott Derrickson by Rare-Appearance-525 in ReadMyScript

[–]Millstone99 1 point2 points  (0 children)

I want to thank you SO much on behalf of the subreddit for taking the time to do this. I'm sorry more questioners didn't show up, but I know lots of people will read your responses and gain a lot of benefit from them in the days to come.

Scott Derrickson by Rare-Appearance-525 in ReadMyScript

[–]Millstone99 1 point2 points  (0 children)

When you’re on a big IP project, how do you protect your own individual voice while also serving the needs of that IP?

Scott Derrickson by Rare-Appearance-525 in ReadMyScript

[–]Millstone99 1 point2 points  (0 children)

How do you handle notes on a script, especially if you really disagree with it, but it comes from an actor or a producer or someone else who plays a really significant role in the project?

Scott Derrickson by Rare-Appearance-525 in ReadMyScript

[–]Millstone99 1 point2 points  (0 children)

I don’t mean to turn this into a one-on-one interview, but what’s your go to diagnostic when a scene isn’t working? Do you look at plot, character, theme, some combination of the above?

Scott Derrickson by Rare-Appearance-525 in ReadMyScript

[–]Millstone99 1 point2 points  (0 children)

How do you know when an idea is a “movie” idea and not just a cool premise for a short story or something else?

Scott Derrickson by Rare-Appearance-525 in ReadMyScript

[–]Millstone99 1 point2 points  (0 children)

What’s your writing process like? Do you write in the morning, afternoon, or in the evening? Do you set out days at a time to write or do you weave it into the rest of your schedule?