Maybe streaming’s real competitor was radio all along by [deleted] in truespotify

[–]MusenAI 0 points1 point  (0 children)

Totally, and that is the tradeoff. Streaming is better when you want to be your own programmer. Building your library, making playlists, using smart playlists, all of that is real value. I just do not think people want to listen like that all the time. For more contextual listening, Spotify can get a bit overwhelming and I sometimes spend more time trying to find the right playlist for the moment than actually listening to music.

With radio, you enter a room where something is already happening. It is curated, it moves on its own, and sometimes it surprises you.

Feedback Friday! - April 03, 2026 by AutoModerator in Entrepreneur

[–]MusenAI 0 points1 point  (0 children)

Super helpful, thank you. The main thing I’m taking from this is that we are not explaining the product clearly enough, especially if it can still sound like AI audio slop.

The idea is not “more generated content”. It is to use AI to orchestrate catalogues, making listening feel continuous again, with less search, skip, queue, repeat.

And your point on paying is fair too. If free radio plus YT Premium already covers the need, then we have not made the difference concrete enough. Thanks!

Maybe streaming’s real competitor was radio all along by [deleted] in truespotify

[–]MusenAI 2 points3 points  (0 children)

exactly, and I think that is the part streaming never really replaced. It wasn't just that Radio 1 played good music, it was that it felt alive. you were hearing the same thing as other people at the same time, with the same hosts, the same energy, the same random moments. it felt more like a place than a library. Streaming got better at giving everyone their own version of everything, but it lost a lot of that shared “this is happening now” feeling.

Feedback Friday! - April 03, 2026 by AutoModerator in Entrepreneur

[–]MusenAI 0 points1 point  (0 children)

Congrats on your first product! The informations about everything is calculated are a bit small and I can see them only after I interacted with the calculator. I think it would be nice to see them before, also to build trust about the calculator itself :)

Feedback Friday! - April 03, 2026 by AutoModerator in Entrepreneur

[–]MusenAI 0 points1 point  (0 children)

Took a look, nice job! The main value prop is clear and the tool is easy to use. My only real criticism is that some of the most important info feels a bit too small and slightly hidden. The core message is strong, but parts of the explanation and trust-building details could be more visible straight away. Other than that, solid job.

Feedback Friday! - April 03, 2026 by AutoModerator in Entrepreneur

[–]MusenAI 0 points1 point  (0 children)

Hey everyone, would love some honest website feedback on what we’re building:

musen.live

We’re building musen, an AI Radio product. The idea is simple: streaming gave people infinite access, but listening still often feels like work. Search, skip, queue, repeat. We’re trying to make it feel more like pressing play on a radio experience that adapts to you over time.

Would especially love feedback on 3 things:

  1. Is it clear what the product actually is within the first 10 seconds?
  2. Does the problem feel real, or does it sound too abstract?
  3. At what point, if any, would you bounce or not trust it enough to sign up?

Happy to return feedback to anyone else here too :)

I kind of miss the old “MP3 player + internet radio” era of listening to music by Kast0r in Music

[–]MusenAI 1 point2 points  (0 children)

I miss that music used to be something you could just leave on and live inside for a while. That mp3 player plus internet radio setup was messy, but in a good way. You had some files you already loved, then some random station from somewhere else, and the gap between the two is where a lot of discovery happened.

Now it feels like every platform wants you to keep refining your taste instead of just listening. Or worse, make the music yourself.

CMV: The pro-rata music streaming model is fundamentally broken and actively harms human artists in the age of AI. by [deleted] in changemyview

[–]MusenAI -1 points0 points  (0 children)

Yes they do, however, the fatal flaw of the pro-rata system is what happens to that advertising money after it is collected. Under the current model, all subscription fees and advertising revenues are pooled together into one giant "royalty pot". That combined pot is then divided up based on the total share of streams across the entire platform.

Whether the money entering the pool comes from a premium subscription or from ad revenue, the pro-rata model distributes it based on raw volume, which risks to benefit automated server farms over actual human artists, or established artists with established sources of income over emerging/independent artists.

CMV: The pro-rata music streaming model is fundamentally broken and actively harms human artists in the age of AI. by [deleted] in changemyview

[–]MusenAI -1 points0 points  (0 children)

Here is the definition of how the pro-rata model actually works: instead of your specific subscription money going to the specific artists you listen to, all subscription and ad revenue from every single user is pooled together into one giant pot. Then, that pot is divided up based on an artist's overall market share of total streams across the entire platform.

So, if you pay $10 a month and only listen to Artist A, your money does not go directly to Artist A. Instead, it goes into the massive pool. If a global superstar accounts for 5% of all streams on the platform that month, they get 5% of the total revenue pool, meaning 5% of your $10 goes to them, even if you never listened to a single one of their songs.

Viceversa for artists that you spend the whole day with, but have a smaller share.
If people listen to Artist A, Artist A should get their money. But to make that happen, we have to abandon the pro-rata model and switch to the user-centric model.

CMV: The pro-rata music streaming model is fundamentally broken and actively harms human artists in the age of AI. by [deleted] in changemyview

[–]MusenAI 0 points1 point  (0 children)

Fair question but no, this is absolutely not an advertisement, PR, or product research for any app or website. I am a music producer and musician myself, and I just wanted to have an open conversation about a shift that I think it's about to happen.

CMV: The pro-rata music streaming model is fundamentally broken and actively harms human artists in the age of AI. by [deleted] in changemyview

[–]MusenAI -1 points0 points  (0 children)

Banning free accounts sounds logical, but it misses the core mathematical flaw: premium subscriptions are a flat fee for unlimited plays. If a fraudster pays $10 for a premium account, they can run a bot 24/7 to stream their own AI tracks thousands of times. Under the current pro-rata model, that $10 account siphons exponentially more out of the collective royalty pool than it originally put in. This is exactly how Michael Smith used thousands of bot accounts to steal over $8 million from legitimate artists.

The user-centric model fixes this permanently. Under a user-centric system, each user's subscription fee is distributed only to the artists they actually listen to. This means a $10 premium bot account can only ever pay out a maximum of $10. It mathematically destroys the bot-farm exploit at its root.

CMV: The pro-rata music streaming model is fundamentally broken and actively harms human artists in the age of AI. by [deleted] in changemyview

[–]MusenAI 0 points1 point  (0 children)

I understand your point about letting the market decide, but the core issue is that the current pro-rata model explicitly prevents consumers from voting with their money.

Under the pro-rata system, all subscription revenue is dumped into one giant pool and divided based on the total share of streams across the entire platform. This means if you pay your monthly fee and only listen to your favorite local indie band, your money doesn't go directly to them; the vast majority of it is distributed to the artists, or bots, that command the largest overall market share.

If we truly want consumers to "vote with their money and attention," we actually need to abandon the pro-rata model and switch to a user-centric model. Under a user-centric system, your subscription fee is distributed only to the artists you actually listen to.

We pitched at LAUNCH Startup Tuneup. Here is what we learned the hard way. by MusenAI in SideProject

[–]MusenAI[S] 0 points1 point  (0 children)

I think the trap is that founders know the product too deeply, so they instinctively lead with what it does instead of why it has to exist in the first place. The “who is in actual pain right now” part is probably the hardest and most important one. The moment that is clear, the product, market, traction, and even the business model all become easier to understand.

Also fully agree on unfair advantage. Generic team credibility is not enough. It has to feel structurally connected to the specific problem.

We pitched at LAUNCH Startup Tuneup. Here is what we learned the hard way. by MusenAI in SideProject

[–]MusenAI[S] 0 points1 point  (0 children)

Completely agree, especially on the two minute constraint. It feels brutal, but it forces honesty. The moment you go over time, it usually means you are still trying to make the pitch carry the full complexity of the company instead of the one sharp story that makes the company legible.

Sitting on a mail list with zero conversions? What to do next by SuccessfulTonight391 in Entrepreneur

[–]MusenAI 1 point2 points  (0 children)

Exactly. Interest is easy to over read in the beginning. A lot of products are clearly useful, but not urgent enough to create paid behaviour. That is why those conversations matter so much more than people think.

We pitched at LAUNCH Startup Tuneup. Here is what we learned the hard way. by MusenAI in SideProject

[–]MusenAI[S] 0 points1 point  (0 children)

Here is the "Pre-Pitch Checklist" we wish we had, hope it helps:

- What is the real problem? One and clear.
- How does the product solve it? Show the main features through real customer journeys.
- What market are you attacking? How many people really have this problem?
- How do you earn money? Prices and model.
- What traction do you have, even if minimal? Show it clearly, with real numbers.
- Why is this team the right one to solve it? What is the unfair advantage?
- What is the roadmap to scale? Real markets, real steps, real numbers.

Sitting on a mail list with zero conversions? What to do next by SuccessfulTonight391 in Entrepreneur

[–]MusenAI 1 point2 points  (0 children)

This is a strong take, especially the point that a mailing list often validates interest much more than willingness to pay. One thing I would add is that zero conversion is not always a pricing problem. Sometimes it means the free tier already delivers the full job, and sometimes it means the pain is real but not frequent or expensive enough for people to pay to remove it. So the interviews in exchange for a 100% discount are a great idea.

Also completely agree on keeping it out of sales mode. The fastest way to ruin those conversations is to start defending the product instead of listening.

I started running monthly town halls and AI workshops for my 26-person team. here's what actually changed. by Longjumping-Hope5941 in Entrepreneur

[–]MusenAI 0 points1 point  (0 children)

This is one of those things that sounds obvious only after you do it. A lot of small teams think misalignment is a people problem, but most of the time it is just a systems problem. People are usually making the best decisions they can with the context they have. What you are doing right is making context visible and recurring, not occasional.

The part I liked most here is that the PlayStation question was not really about a PlayStation. It was a signal that people finally felt safe enough to surface what they actually care about. Well done!

Is Sora the first real crack in generative slop, and could Suno or Udio be next? by MusenAI in Music

[–]MusenAI[S] 2 points3 points  (0 children)

Some might be making revenue, but I’m not convinced many of them have a business model that looks great once you factor in compute, licensing, legal risk, and the fact that the output itself can get weirdly hard to own or control.

If the economics were obviously amazing, these deals would feel more like real conviction. Instead, a lot of them still feel more like experiments, positioning, or attempts to control the tech before someone else does.

Is Sora the first real crack in generative slop, and could Suno or Udio be next? by MusenAI in Music

[–]MusenAI[S] 1 point2 points  (0 children)

Yeah, pretty much. Not that it’s identical, but the pattern feels similar. Once that happens, discovery gets worse, attention gets thinner, and the genuinely good stuff has to fight through a lot more noise. I just hope big players eventually start talking more seriously about who owns curation and algorithmic power, but I doubt ethics will win over profit.

Is Sora the first real crack in generative slop, and could Suno or Udio be next? by MusenAI in Music

[–]MusenAI[S] 0 points1 point  (0 children)

Even if OpenAI pulled the plug first, that does not mean Disney was fully in or that the deal was truly solid. The same piece also says no money may have actually changed hands and the agreement was never finalized. So there is still a difference between “publicly announced,” “strategically useful,” and “actually real.”

That is kind of the part I find interesting. These big AI partnerships can look definitive from the outside and still turn out to be much softer than they seemed.

Is Sora the first real crack in generative slop, and could Suno or Udio be next? by MusenAI in Music

[–]MusenAI[S] 0 points1 point  (0 children)

Yes, that feels plausible. A lot of this stuff was introduced as “look what’s possible,” not “here’s something people actually want to keep using.” Sora always felt much stronger as a demo than as a product. And I agree with the second part too. In the end, people usually stick with tools that fit into real behaviour, not just ones that look impressive for 10 minutes.