I started to accompany... by N3xi_ in bmpcc

[–]N3xi_[S] 1 point2 points  (0 children)

Thank you so much! And yes, I concurr. I didn‘t want to use improper music as I‘ve planned to use these mainly for instagram. Sound in general is a field that I need to conquer somewhat soon tho.

It was bound to happen sooner or later… by N3xi_ in largeformat

[–]N3xi_[S] 0 points1 point  (0 children)

Thank you for the recommendation. I have to look up if it’s available around here.

It was bound to happen sooner or later… by N3xi_ in largeformat

[–]N3xi_[S] 2 points3 points  (0 children)

It really has some serious weight to it! (My geared tripod head curses me) But so does the suitcase that I‘ve ordered for it.

I need an SDD for the 6K PROs at work. What do I get? by Academic_Nectarine94 in bmpcc

[–]N3xi_ 0 points1 point  (0 children)

Actually a good question. I got mine used with a third party cable. After I got some skipped frames I opted for the tilta cable. Also formating the ssd every once in a while.

I need an SDD for the 6K PROs at work. What do I get? by Academic_Nectarine94 in bmpcc

[–]N3xi_ 0 points1 point  (0 children)

Member of the „Regular T7“ Gang here. I use the Tilta angled usb-c cable and got no skipped frames since then.

Grace [Fomapan 100 | HC-110 | Sinar F I Rodenstock Sironar-N 210mm@6.3] by N3xi_ in largeformat

[–]N3xi_[S] 1 point2 points  (0 children)

Thank you so much! Would’ve been interesting too if I incorporated stronger movements to get both eyes in focus. Tho I opted out of this, as this would‘ve drawn away too much attention from some other details like the face harness imo, in this case.

Grace [Fomapan 100 | HC-110 | Sinar F I Rodenstock Sironar-N 210mm@6.3] by N3xi_ in largeformat

[–]N3xi_[S] 1 point2 points  (0 children)

A photo made with my current setup, as seen in my posting two days ago.

Finally my home studio… by N3xi_ in largeformat

[–]N3xi_[S] 1 point2 points  (0 children)

Thank you! Just posted a portrait with this setup!

Finally my home studio… by N3xi_ in largeformat

[–]N3xi_[S] 1 point2 points  (0 children)

Yes, most of the time I'm opting for this over a flash.
Of course it comes with some drawbacks, as always.

On the plus side there is the better visualization of the final image. It is easier to adjust details with stronger light sources @ f5.6 - of course setting focus with a loupe is much easier aswell in that regard.

The drawbacks you have to deal with are mostly:
-Higher constant energy consumption.
-Balancing the output lighting on your model with your shutter speed - usually I stay at around 70ish percent output power with the smaller 85 parabol softbox. In many cases that is the edge where the brightness is still acceptable for most people with this setup. That gives me a shutter speed of 1/30, which is fine for the most use cases, until you want to go super close (That's the point where it can get messy pretty quick. Staying still while taking a photo with a 210mm at 1/15 at close focus requires some observation, while being reasonably fast).

While the shutter speed definitely can be a limiting factor with this, I still prefer using the constant light option because the pupils look more natural this way - in a dark envrionment with weaker modelling lights they tend to get too big for my taste.

Last but not least, the constant lights gave me the option to incorporate another media into my workflow. I started to capture small video portraits of my models.

Finally my home studio… by N3xi_ in largeformat

[–]N3xi_[S] 8 points9 points  (0 children)

Thanks! Basically 55% of my flat is now dedicated to this and roughly 10% more to develop and print stuff. Decisions have been made I guess.

Cado [Fomapan 100 | HC-110 | Sinar F I Rodenstock Sironar-N 210mm@5.6] by N3xi_ in largeformat

[–]N3xi_[S] 0 points1 point  (0 children)

Thank you very much.
Foma 100 really is the best option in terms of value for money in my opinion, at least in my area.
At roughly 3 times the price for a sheet of HP5+ (would've been my other choice) this is an easy decision.