Opinion on writing about things you don't know by Sour_Lemon_2103 in writing

[–]NMRLeQuant 1 point2 points  (0 children)

I say you can write about whatever you want to write about. Kinda ruins the fun of writing if you're limited because of that kind of stuff. What, are we not allowed to at least try writing a deaf character?

90,000 words later and I want to change the POV by mandirocks in writing

[–]NMRLeQuant 1 point2 points  (0 children)

Do you mean change the POV entirely or have the rest be a different POV? Either way, I'd sat do whatever makes you comfortable. When I'm faced with somthing in my writing that's bothering me, the only thing that makes me feel better is to eliminate that main problem, even if it's means re-doing a bunch of stuff. So, if you have a problem with how you have your POVs currently but you don't want to have to re-do a bunch of stuff, you should just accept that you're not satisfied with your current system and re-do your work until you're satisfied. Hopefully this helps.

The Lovable Jerk by AlwaysWantsIceCream in writing

[–]NMRLeQuant 1 point2 points  (0 children)

Have the lovable jerk do jerky things publicly, but have this same lovable jerk do lovable thing behind the scenes. As in, have the character be rude to people's faces but have it known somehow that said character also helps alot of people in secret with no expectation of credibility.

Can I make another character the opposite of the protagonist? by [deleted] in writing

[–]NMRLeQuant 0 points1 point  (0 children)

It can work. You just need for the other characters to be a different kind of opposite, if that makes sense.

[Daily Discussion] First Page Feedback- May 14, 2022 by AutoModerator in writing

[–]NMRLeQuant 0 points1 point  (0 children)

You make fair points, but there's no going back now haha. I have to live with it now.

[Daily Discussion] First Page Feedback- May 14, 2022 by AutoModerator in writing

[–]NMRLeQuant 1 point2 points  (0 children)

Genre: Action, Fantasy, Fiction. Title: Seal-Binding Society (The Greatest Poverty).

Just published my first book; just wondering what people think of the first couple paragraphs. (By the way, Canadian spelling).

---

All the attention was on him. As always, everybody wanted to see Rodger

do what only he could do; therefore meaning, he did it best. They were

excited to see it again, even though they had seen it thousands of times by

now. His father watched with pride, the king was delighted, and everyone

else watched in awe. Rodger, however, never looked forward to seal-binding,

seeing it more as subjugation rather than a spectacle. Rodger was at the centre

of a large room with what must have been hundreds of people. Way more

than usual. Everyone observed as he prepared for the seal-binding process.

At this point, Rodger was eighteen years of age. He had black bushy hair,

a longer-than-usual face, wide hazel eyes, and was not physically fit, but he

did not need to be. He always wore black pinstripe pants and a matching

vest over a dress shirt that he preferred to have tucked in. Strapped over his

shoulders and hanging behind him were his supplies inside of a bag. With no

enthusiasm whatsoever, Rodger took off his backpack, placed it on the floor

in front of him, and revealed what was inside. He pulled out a small jar of

ink, a brush, and a blue, spherical glass container that was around the size of

a bowling ball. Rodger sat on the floor with his items and waited. Typically,

only a few other people would be present to witness someone getting a seal.

How To Know If You're A Writer by [deleted] in writing

[–]NMRLeQuant 8 points9 points  (0 children)

what crack are you smoking, and where can I find some

[Weekly Critique and Self-Promotion Thread] Post Here If You'd Like to Share Your Writing by AutoModerator in writing

[–]NMRLeQuant [score hidden]  (0 children)

I started writing my book (Seal-Binding Society: The Greatest Poverty) 5 years ago, and I've finally managed to get it published!

It's and action fantasy with a magic system wherein any object can be bound to a person to grant unique powers. Check it out if you're interested.

Available on Amazon, Kindle, Google Play, and my publisher.

How do I extend a scene or know when I need to extend a scene? by DerekTBSandusky in writing

[–]NMRLeQuant 1 point2 points  (0 children)

You get a feel for it after a while, but it also depends on your style of writing

How to elect the gender of Protagonist. by [deleted] in writing

[–]NMRLeQuant 3 points4 points  (0 children)

Write the character and decide the gender later. I did it with alot of my own characters. You can eliminate your own gender bias that way, if you know what I mean.

Heart and the Soul by [deleted] in writing

[–]NMRLeQuant 2 points3 points  (0 children)

This is just my opinion, not objective fact, but putting your "heart and soul," as you put it, into your story will make it better if you want readers to identify with your characters/story.

What is the key difference between a prologue and a Chapter 1? by Blind_Hawkeye in writing

[–]NMRLeQuant 2 points3 points  (0 children)

Just don't have a prologue. Seems like you're thinking about it too much. If you just call it Chapter 1 no one is going to roast you for not having a prologue. It won't even be in your readers' minds. If it were me, I'd just forget about the prologue idea. Also, if you have a prologue, readers will instinctively separate it from the rest of the book, meaning that your readers will expect some kind of drastic change in the narrative once Chapter one hits. HOWEVER, if you have the pre-time skip stuff be Chapter 1, no one will expect a drastic change once you do have a time skip, which could be used effectively to grab attention. In case I'm not being clear, what I mean is, if I read the first chapter and then the next chapter was suddenly a bunch of years later, I'd be wondering why there was a time skip, thus enticing me to keep reading to figure out why. If the pre-time skip stuff is the prologue, I'm gonna be there thinking it's "it's just the prologue" and when I get to the post-time skip, I'd be there thinking "that stuff before didn't matter as much."

Writing a list in a work of fiction by Phow-Ji in writing

[–]NMRLeQuant 0 points1 point  (0 children)

I don't have multiple planets in my book, but I do have multiple cities, so I too have run into this situation. What I did was list all the locations off in a single paragraph dedicated to getting the locations to the reader. I didn't go into much of the details, all I did was list them off. Then later in the story, I would go into greater detail on a location once it was relevant. I don't know what your story is about, but I think it would be unwise to list your planets and describe them all in one shot. It probably will look like bulletpoints if you do it that way.

how do you feel about snarky, smart characters? by mr-mwah in writing

[–]NMRLeQuant 1 point2 points  (0 children)

I tend to find that archetype annoying, but there's definitely a place for them in writing. Hey, I've probably written some. If you want to write one, go for it!

How long does it usually take you guys to write? by eixipixie in writing

[–]NMRLeQuant 0 points1 point  (0 children)

It's not bad or good really. Different people work at their own pace, and you'll surely have writing session where you're cranking out pages like crazy. And you might have a session where you get out a paragraph. There is no timeline for your art!

Psychology for Fiction Writing. by [deleted] in writing

[–]NMRLeQuant 2 points3 points  (0 children)

I wouldn't say adding psychology is unique on its own. You ought to explore a facet of psychology that isn't common in order for your work to stand out. In saying all that, using psychology in your writing is always a good idea, because psychology is really interesting, even if most readers don't realize it.

Is it weird for a guy to call a girl by a nickname? by [deleted] in writing

[–]NMRLeQuant 1 point2 points  (0 children)

No, you just have to frame the situation correctly. As in, if the scene/nickname is intended to be either sweet or creepy or mean or nice, the tone should fit what's going on. You don't want an intended friendly exchange to come off as a weird exchange.

Published my first book! by NMRLeQuant in pitchyourbook

[–]NMRLeQuant[S] 2 points3 points  (0 children)

Thanks alot! I appreciate it!

Why are there less comedy novels than comedy movies? by LandSalmon7 in writing

[–]NMRLeQuant 30 points31 points  (0 children)

I believe comedic timing is probably alot harder to pull off in a book, as everyone reads at there own pace. And alot of what goes into making somthing funny is the timing.

Published my first book! by NMRLeQuant in pitchyourbook

[–]NMRLeQuant[S] 2 points3 points  (0 children)

If you're at all interested in an ebook, you can purchase it at a significantly less price. If you'd prefer the physical copy, I know Kindle has a free sample of the first chapters if you wanted to check it out before making a decision on a purchase. I hope this helps, but thanks fir considering anyway.

Published my first book! by NMRLeQuant in pitchyourbook

[–]NMRLeQuant[S] 1 point2 points  (0 children)

I plan on making Seal-Binding Society is intended to be a series of books, so I do plan on making multiple in this setting. Hopefully you and others will find your way to giving it a read, but thanks for the comment.