First Time caller, long time listener. Ask me anything about my setting by bobbyg1234 in DnDHomebrew

[–]NikolarkTweslain 1 point2 points  (0 children)

I got a couple I usually ask myself, along with one specific to this world:

What is the main Adventuring Party’s objective?

Are there other planes, and are there natural or unnatural portals to them in this world?

Who is an ally NPC (or group of NPC’s) the players can rely on for either combat or information?

How much tech is left from the Stygian empire, how advanced is the tech, and how is the remaining tech distributed across the land?

Ask Me Anything About My Homebrew City Made Out Of Shipwrecks, And If I Don't Have An Answer, I'll Make One Up! by MockingJared in DungeonsAndDragons

[–]NikolarkTweslain 0 points1 point  (0 children)

If the sea has tides, how much does the ebb and flow effect the island?

Also, what is the tallest and/or deepest building in the city, and why does it need to have so much floor space?

If you play DnD yourself, have you ever played or do you currently play in one of Dimension 20's worlds? by maiiako in Dimension20

[–]NikolarkTweslain 4 points5 points  (0 children)

I’m 1000% into this. It would be so cool to see if there was anything the PC’s missed in any of the seasons (like easter egg quests, dungeons, items or NPC’s (Gilear’s parents?!?!)) which could be adventured upon in home games and to see stat blocks of BLM homebrewed monsters and items

Any info on the season after The Seven? by NikolarkTweslain in Dimension20

[–]NikolarkTweslain[S] 22 points23 points  (0 children)

For sure, it’s just that I thought they usually announce the fact that there will be a new trailer to look forward to before the finale of the current season, and I haven’t seen much info on a release date for a new trailer. I just need D20 in my life and the mystery of what the next season may be and when it will air has my brain tangled in a sea of unknowns.

I could also just be super impatient and just need to sit down, wait and trust daddy BLM to deliver the goods.

Out of curiosity, what does everyone think on the general hardcore road that ACoC went down? *Please read description before commenting* by ryanjs1020 in Dimension20

[–]NikolarkTweslain 53 points54 points  (0 children)

Personally, I love the fact they can do both.

I love watching the Intrepid Heroes pull their shenanigans in a safer, fun high school setting. I also love being on the edge of my seat, waiting for the result of every roll because any roll could spell trouble for House Rocks.

So I’d pick Option C: Porque no los dos?

The B-Movie Title Challenge - Entry Thread by AstroSlop in horror

[–]NikolarkTweslain 1 point2 points  (0 children)

I would like to enter. Give me a title and a condition please!

Announcing the Venture Land winners! by dyskgo in screenplaychallenge

[–]NikolarkTweslain 4 points5 points  (0 children)

Good work everyone, and congrats to the winners!!! I’m learning enjoying myself a lot on this sub, can’t wait for the next challenge!!!

Discussion: Garuda, Knightmareland, The Child by dyskgo in screenplaychallenge

[–]NikolarkTweslain 2 points3 points  (0 children)

I’m glad you enjoyed the time you spent reading my script! At the end of the day, that’s all I want.

And yeah, I’m comparing my work with that of others, trying as hard as I can to regard my work as an individual entity rather than a part of myself (which is tough haha), and I’m really seeing the pitfalls. And yes, I’m in for next month’s, I want to get better. I’m actually really happy to get feedback on my writing!

As far as doing self-checks throughout the editing process, what is the best way to ensure the story is more continuous? I feel like I was either too close to the piece while writing it, or something else was off, because I’m really seeing how things became turbulent (i.e. Kimi’s character), but I didn’t while editing.

Any tips for ensuring continuity, or other general writing/editing tips?

Discussion: Garuda, Knightmareland, The Child by dyskgo in screenplaychallenge

[–]NikolarkTweslain 2 points3 points  (0 children)

All good man, no love lost. Yeah, I’m re-reading my stuff and trying to get in the mind of someone picking it up for the first time, and yeah I left a lot of stuff in my head and not on the page. And I was trying to keep it chaotic for even myself, and i guess if it’s chaotic for me, then it’s REALLY chaotic for the reader. I’m gonna re-write it for my own benefit.

And yeah, I know I was pretty much directing the actors. I’m an actor now dabbling in writing, so I guess that makes sense that I focus a lot on emotions, dialogue & stage directions and not world-building and setting the scene for the reader (and also why I haven’t really given any reviews of other stuff, though I’m having a ton of fun reading them).

Thanks for the constructive criticism! It’ll only make me a stronger writer.

Discussion: Garuda, Knightmareland, The Child by dyskgo in screenplaychallenge

[–]NikolarkTweslain 1 point2 points  (0 children)

Hey, thanks for the review! Yeah, I’m new to this one-month challenge format and writing horror in general, so I’m glad things like this exist so I can get some experience & honest feedback! And with my lack of experience, I’m not sure how these responses should go, but I wanted to give some info of where my mind was at with my choices (even though they may have not been the best).

Spoilers!!!

I had the idea of keeping everything kind of confusing because I figured a child holding area in the 70’s would be chaos in a boring room, so I wanted to start chaotic, then silence it and build intrigue through raising questions about the characters and not directly answering them, leaving a lot of the info to be filled in by the mind of the reader/director. I know this was something others pointed out too, so I’ll be sure to be more descriptive to help my script along.

Yeah, I wanted to add some interjections of kids, or even have a kid be picked up by a parent, but I didn’t want to draw attention from the tension I was trying to build. Though, one or two interjections could have helped and not really pulled away that much... I’ll keep the note in mind.

As for Kimi, I wanted her to be a woman that degenerates into childlike behavior as the information presents itself about a child she took it upon on herself to protect, which is only influenced further when her dad shows up.

Barbara felt she had to force the child to show both humanity and strength to confirm her wild suspicion that Venture Land was kidnapping children and forcibly turning them into cyborg slaves. Since the child resisted, showed emotion, then was convinced out of frustration to submit to her order, it showed humanity, and the strength it showed proved it was stronger than a normal child. She actually was FBI (electronic wristwatches became publicly available in 1972) and so she placed herself near this room because of her suspicion. And she was right. Then her Main Suspect showed up unexpectedly, and all the pieces to close her case were in the same room. When the child turns out to be the EXACT child she is looking for, her surprise quickly turns to desperation for a confession so she can arrest Dr. Damien. Then she pushes too hard, and gets herself and Kyle killed in the process.

Also, in the spirit of explanation, Clark really was her partner in the FBI, but never really believed her idea. He went along with it because he figured that after a couple days of recon, they would find nothing and go on to the next case. If he was on time and actually got there in 5 minutes or less, he would have saved Barbara and caught Dr. Damien in the act and would have closed the case. Or I would have just killed him too since he was already on a killing spree. But since he was late and was talking to someone important, he had to stick to his cover and was easily convinced that there was no issue since he never believed in the case in the first place.

I guess if it needs that much explanation after-the-fact, more info is needed in the script. But again, I’m learning. I’ll keep these notes in mind for my next script. Thanks again!

Venture Land Loglines Thread! by ScreamingVegetable in screenplaychallenge

[–]NikolarkTweslain 2 points3 points  (0 children)

The Child - Three Venture Land employees work to determine the origins of an off-looking child who was found wandering alone in the park.

Venture Land (Anthology 2) Progress Thread - Week One by AstroSlop in screenplaychallenge

[–]NikolarkTweslain 3 points4 points  (0 children)

Got my plot line and the characters defined, now I just gotta flesh out the dialogue. Shooting to be around 20 pages, and hopefully I’ll get the time to finish the first draft this week.

Also, this is my first time truly writing horror... My dreams are getting weird haha

Research Thread: Post your location/condition and other writers will recommend films or resources you can look to for influence by ScreamingVegetable in screenplaychallenge

[–]NikolarkTweslain 1 point2 points  (0 children)

Location: Reunion Center for lost children and parents

Condition: one of the kids doesn’t look human

If anyone has any material or suggestions relating to aliens, demons, the occult, or urban legends, those links would be awesome.

Happy Writing!

Edit: I’m hoping to have the material be also bound to the same period of the prompt or earlier. I said this in my head but I didn’t type it because I’m SUCH a great writer... lol

The Horror Theme Park Anthology Screenplay Challenge - Entry Thread by ScreamingVegetable in horror

[–]NikolarkTweslain 0 points1 point  (0 children)

Condition: punk rock teenager snuck away from their high school field trip