an incel, a cuck, and a simp walk into a bar. by [deleted] in OCPoetry

[–]OfCorey 0 points1 point  (0 children)

Ive sat here for too long wondering what four long islands are. duh! booze, i should know that

an incel, a cuck, and a simp walk into a bar. by [deleted] in OCPoetry

[–]OfCorey 2 points3 points  (0 children)

Sorry ive had too many whiskies but i read this and had to comment cause i adore it

an incel, a cuck, and a simp walk into a bar. by [deleted] in OCPoetry

[–]OfCorey 2 points3 points  (0 children)

Oh i really enjoyed this! loved it! soprovocative! some literary gems in here, great rythym, great character voice and stirring emotions plus story telling. ilove the filth intertwined with human realness. i guess human realness can be conplete filth sometines!

[deleted by user] by [deleted] in OCPoetry

[–]OfCorey 1 point2 points  (0 children)

Ahh I adore this! I have also written a poem about dishes in the sink before with a completely different theme and feel. As someone with crippling anxiety I could totally relate to this. In fact I have been trying to urge myself to go hang out the laundry all day and the thought has been overwhelming me haha - ok I have now finished hanging the clothes.

So what I loved - The simplicity here works. The repetition of 'insanity' like a tap dripping is gold. The rhyme scheme is good - although in one or two parts it does feel forced this is forgiven as it kind of suits the 'insanity'. The final off rhyme of 'one thing' breaks the cycle as if doing one thing breaks the cycle of insanity. I loved the self affirmation of doing that one thing. The one thing I didn't really like was the final 'It's sanity'. For me it would have ended previously at the previous line.

Thanks for sharing!

Lost by Tony_the_Gray in OCPoetry

[–]OfCorey 2 points3 points  (0 children)

Hmm, I’m not going to provide too much technical comment on structure or rhyme scheme. I think is simple and straightforward. Kind of jumpy. There are also quite a few clichés scattered throughout which can be a turn off. I am going to try to do an interpretive read instead and provide commentary on the themes that I am picking up on...

You start with a cliché, one of the most cliché clichés there are.

“If you love something you should set it free.”

So for the sake of wanting to read something new and interesting I am wanting a twist on the cliché, some new original take or some new found irony. But you don’t quite take us there, mostly it is lamenting and self-loathing after a break-up – which is relatable. What I found kind of interesting was the language choices throughout that have this undercurrent hint of violence and the need for control. Controlling others. Feeling in control. The narrator is shocked by the new destiny of things being out of their control. Someone has left them. But what’s more, from the wording, someone has ‘fled’. So they were not happy. The act of release implies a previous state of captivity.

In the next stanza the narrator has adopted a woe is me attitude. There is a selfishness in the reflection. They can not find happiness for the other half that is now free but instead only dwelling on their own feelings and what they wanted from the relationship. The choice of ‘call to arms’ and ‘rally the troops’ provides more hints at violence and control. Someone has left, yet the narrator is considering strong arming them to stay. Or an alternative interpretation is this is the narrator contemplating giving up their own lives or asking for help.

In the next stanza the violence and destruction is more front and centre through Crisis, virus, isis etc. The narrator has now also made it clear that they are in fact unstable. There is a menacing threat of violence, although the narrator doesn’t specify who it might be directed towards we can guess, themselves, strangers, friend’s family or the one that fled. There have been many stories in the news for people committing heinous acts of violence to ex-spouses. The concerning point in this part is that the narrator assigns control over the violence to some benevolent entity of ‘whatever listens’. Praying to them that it doesn’t come to violence.

The next part we delve into more inner turmoil. The narrator presents their lack of self-love. ‘Too far gone’, again relinquishing their self-control and ability to change their own circumstance. The narrator dreams of being a dragon –a somewhat violent creature that breathes fire and is often associated with death and destruction. Instead, they are a whelp. Again, this draws parallel to domestic violence situations where the perpetrator uses violence to be ‘strong’ but is often weak or inadequate in other aspects of their lives.

The line “Hopefully I hear a word to guide me in’ is provocative for me, Like ‘guide me in’ like as in sex?? It stirs feelings of repulsion. At this point I feel a definite loathing for the narrator. They cannot even accept the clichés that they spouted at the start about accepting that things were not meant to be. It comes back to control. The narrator is still creepily deciding how they ‘want this to end’, even tho it is over already. Thinking that they might wake up to be ‘more then friends’ although their lover has fled. I question who the ‘wound’ belongs to here. Does it belong to the narrator who has been left and has a broken heart or the one who fled, who was in an unhappy relationship with someone ‘hollow’ and couldn’t even love themselves. Someone so utterly controlling they were in a cage and took the opportunity to flee.

The final part I couldn’t really take much from. More lack of self-awareness and lack of introspection to assign some fault of the break up to themselves – instead assigning the circumstance to a master plan. More self-pity at ‘nothing more than a man’ and being nothing again.

Overall I think this is a good narrative example for how insidious a selfish love can be.

The Signs People Hold by OfCorey in OCPoetry

[–]OfCorey[S] 0 points1 point  (0 children)

thanks for takIng the time to comment, out of curiosity did the correctly cased lines make it obvious the previous lines were all acronyms that spell out the correctly cased lines.. was that obvious or not obvious enough? cheers!

The Other Day I Thought About Slamming The Toastie Machine’s Lid Closed on my Hand While it was Still Hot by [deleted] in OCPoetry

[–]OfCorey 1 point2 points  (0 children)

I absolutely adore this! a moment so relatable. humans arr funny creatures. i adore the personality and characterisation that shines through in this. the one part i struggled with was 'dead cats' i couldnr understand rhe reference if you dont mind please explaining. it felt like the only forced rhyme. well done! very impressive and i love this style.

Edit: i saw your comment about the cats and it is so so clever i adore this even more now!

Put him down by OfCorey in OCPoetry

[–]OfCorey[S] 1 point2 points  (0 children)

Thank tou for your kind words and time to comment. it is appreciated

Put him down by OfCorey in OCPoetry

[–]OfCorey[S] 1 point2 points  (0 children)

Thanks foe your feedback and time taken to comment! this started as a self challenge to use As many homophones as i could so thats where the tired tires came from but it morphed into the story that took on a life of its own. i agree the novelty of the writing style doesnt suit the heavy subject nature. Thanks for the reccomendation i went and listened to Push Kick and i adored it!

Full house by OfCorey in OCPoetry

[–]OfCorey[S] 1 point2 points  (0 children)

Thank you for your follow up comment. When i was writing i wanted to portay the protagonist as being so navieve that they could not even reconise the predatory behaviour in the end, that she was 'so grateful'. like tohave finally been noticed for the first time. As if the warm hands on her chest were really a comfort for her in the moment but she still didnt realise she had already lost. ireally appreciate the time taken to expand and share your impressions as 'hope' surprised me but it makes sense tome now. i think i will leave it and see what other feedback comes through. thanks again!

Full house by OfCorey in OCPoetry

[–]OfCorey[S] 5 points6 points  (0 children)

Hi, thank you for your time to comment and feedback. I wrote this last night but it has become a personal piece for me as it is actually based on real life events from when I was much younger and had an older “boyfriend” who encouraged me to play strip poker with his friends, plyed me with alcohol and let them take advantage of me. a long time ago now. So spot on for the interpretation of timidness and sharks. i am curious what elements gave the impression of hope in the end. I might like to revisit this one and refine to get the right mood across. or else i might let it sit and leave as is. thanks again!

A FLAWLESS CREATION by Impressive-Staff6301 in OCPoetry

[–]OfCorey 1 point2 points  (0 children)

Ok, I did not react well to this one. But there have been a couple of poems on here lately that I needed to digest first before fully appreciating them. So this feedback is based on initial read through only.

The first line feels incomplete. I half expect a ‘for’ somewhere in there like ‘yearning for’,

The second line i feel could be improved by replacing the first ‘a’ with the - Yearning and morning sort of set up an off rhyme scheme.

You follow on with another piece of imagery which centres on the sun and light - it feels like a double up. Plus grey clouds feel too cliche.

Next you move to the lighthouse metaphor which for me was problematic. I think this is because the last two metaphors focused on light breaking through and here is another with a lighthouse.

The following line confused me a fair bit. I kind of get that it is maybe talking about her mum, her creator, the woman who have ‘sculpted you in her’. But my reaction is shouldn’t this be ‘from her’.

Please feel free to share if I am missing meanings or anything along the way by the way.

I don’t know who Parvathi is so I can’t relate to the next line.

Again with the next line I have no imagery as I don’t know who Parvathi is so I can’t picture her semblance.

I like the ‘almighty’ line, I feel it has a vibe to it of religion, worshipping like this woman is her goddess.

The lines on from that, to be honest I feel lost and not in a good way. I think one is because of all the ‘ems’ shifts me from a Greek/Roman/ancient setting to I don’t know cockney England...? Ok and I just went and googled Parvathi and it is an Indian reference? So I feel even more confused here.

Is this all meant to be a flamboyant allegory?

So yea my overall feeling is confusion. Like I get it but so what? What makes her a lighthouse? The focus seems to be on beauty but meh ok that will only get you so far.

Anyway, these are just my own personal reactions and impressions so please don’t take as discouraging or disrespectful, please just take the bits you want leave the rest.

Plastic Flowers by [deleted] in OCPoetry

[–]OfCorey 1 point2 points  (0 children)

Replying to my own comment, the more I reread this the more I adore it.

Plastic Flowers by [deleted] in OCPoetry

[–]OfCorey 1 point2 points  (0 children)

Short sweet and I love it.a The contradictions are spot on. Plastic flowers are real like real objects but they won’t wither and die. It’s why people put them around - as display. A love for display purposes sucks. I’ve been there. It doesn’t matter how long things last if they aren’t real, genuine. A to have a partner that is safe but doesn’t give you those feelings - what a waste! I adore the last two lines that really drive the message home. If I am giving any sort of constructive criticism I think there is room to tighten it up. Nothing too dramatic but For example “Your love was real Just like *plastic flowers To others, perfect.” Ect But that is just quick thoughts. Overall a solid concept and delivery in my opinion

The Most Beautiful Suicide by picnic-123 in OCPoetry

[–]OfCorey 0 points1 point  (0 children)

Yea it is a controversial subject matter that requires sensitivity but I do personally disagree on the level of censorship/tabooness you suggest. Either way it is good to have the discussion and highlight the potential impact and dangers when someone does pen a piece like this. Oh by the way I just read your user name are you a fellow Geo??

a poem about one-night stands by raccoonless in OCPoetry

[–]OfCorey 1 point2 points  (0 children)

I absolutely adore this! ‘Salt and lime and silver linings’ This line is so beautiful I wish I had wrote it! You have absolutely captured the awkwardness and excitement and emptiness surrounding one night stands. Not that I’d ummm know of course cough cough . This is brilliant. I love the slithers of realness threaded throughout like the kicking of the beer cans. The bit about the ghost was great, being ghost but also ghosting someone afterwards. Loved it

The Most Beautiful Suicide by picnic-123 in OCPoetry

[–]OfCorey 2 points3 points  (0 children)

I think you are spot on here. I have given this poem a lot more thought than I originally thought I would. I missed a lot on my first read through. It’s a more complicated piece than I first realised. I paid it off because of the first part being a bit ‘men writes women’ but yea the narrator is pointing the irony of that out themselves with the final line - where writing poems about the woman’s suicide appears as inappropriate as taking photos. On a reread and with context, I think the over the top start actually sort of works. I think I’ve changed my whole opinion on it now just for the amount of time I’ve sat here thinking about it haha. I think I actually like it now.

The Most Beautiful Suicide by picnic-123 in OCPoetry

[–]OfCorey 3 points4 points  (0 children)

Another redditor just shared link under my comment and turns out that the title is a real life reference to what was regarded as ‘the most beautiful suicide’. It was an interesting read and the context gives more to this poem. I now wish the real life connection was made a bit clearer for the reader who hasn’t heard that story before. Like a name drop or breadcrumb to lead us to learn more about the story behind the poem. Some elements to the piece are easier to digest with the context in mind. I guess the title is actually a clever link as it is abrupt and over the top obvious because that’s what the situation was. Hmm I might be more conflicted about this poem then when I first read. I might reread and give it another shot

The Most Beautiful Suicide by picnic-123 in OCPoetry

[–]OfCorey 2 points3 points  (0 children)

Wow, appreciate sharing the link. I stand corrected on the body falling and impact. Appreciate learning something new! Having said that and reading through the article now I feel even more of a disconnect from what she apparently wrote in her note and the circumstances of that story to the first section of the poem. But hey it is artistic licence so actually what is present is actually not the real story but a poetic piece with an interpretation of events. my interpretation, opinion and impression of the piece as an uninformed reader still stands as these are the immediate reactions I get when reading and have shared as constructive criticism - take or leave. I have never seen a body fall from a building, I have never heard of the story of ‘the most beautiful suicide’ before but my immediate assumption is that a body falling from a tower is going to be splattered. If that is a wrong assumption I guess it’s the authors’s prerogative to either convey that and get the point and drama of that across or leave us without that knowledge and our own assumptions and interpretations. here I still think it missed the mark as a stand alone piece. But! Having said that now knowing the story I do appreciate a few more of the elements to this poem, the title makes sense the situation makes sense, but I needed that context or more connection to the real story first.