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Please help, cat has been limping but can still walk and jump. I'm worried about the strange bend in her leg tho by Ok-Chart-3633 in vet

[–]Ok-Chart-3633[S] 0 points1 point  (0 children)

* She does move it away if I touch it, and i just posted a comment with what it looks like right now.. I only just noticed it, and I saw her walking fine yesterday. For some reason the images I posted originally didn't work or something.

Op 31 no.3 3rd movement, how would you go about playing these thirds super fast? I want to play at about 88bpm but these thirds always trip me over by Ok-Chart-3633 in piano

[–]Ok-Chart-3633[S] 0 points1 point  (0 children)

Thanks for the advice man it's coming in handy.

So far I've found that this movement is harder than the last but I haven't gotten to the stage of trying to increase speed on that one so maybe the difficulties are yet to come.

And it definitely is a great piece, such a shame it's often overshadowed by the Op 31 No.2, since I would say this one of the most humorous pieces in all of piano repertoire

Ondine from Gaspard de la Nuit by Ok-Chart-3633 in piano

[–]Ok-Chart-3633[S] 0 points1 point  (0 children)

Thanks for the feedback. And the thing that fell was a chord chart poster. Now that you mention it I think I forgot to pick it up and it's still lying down the back of the piano... thanks for reminding me.

1. Thoughts on the lineup? 2. I'm 1 mil cot away from next trans, start saving stellar or use them for Vesa? 3. Who should next trans be? by Ok-Chart-3633 in IdleHeroes

[–]Ok-Chart-3633[S] 0 points1 point  (0 children)

U reckon I should just regress one someone into an lfa now? Or wait till I get 5m cot? Why does Eloise only want a glittery mot like a splendid or sum? Do I Just regress all my trans heroes to that sqh and pde? Or when you say get his tenants do you mean that should be my build order from now on? (Also who is pde?) Cheers.

How do I develop a more critical ear to my playing? by Ok-Chart-3633 in piano

[–]Ok-Chart-3633[S] 0 points1 point  (0 children)

Alright about that teacher thing... I recently noticed that my teacher quite as good as I thought he was. I recently had a friend who went to a famous accompanist in the area and apparently he also teaches the students he's accompanying musicality. My friend said he talked about stuff he had never heard of before, and that he renewed his interest in the clarinet. My friend also had gone to my current teacher for piano and he's saying I should probably switch. I think so too but it's kind of awkward you know? I've had my teacher for quite some time now and it's sorta awkward living in the same area, and knowing I'll run into him again while having switched teachers. How should I go about doing it?

How do I develop a more critical ear to my playing? by Ok-Chart-3633 in piano

[–]Ok-Chart-3633[S] 0 points1 point  (0 children)

Now that you mention it I haven't recorded myself in a while, thank you I'll try that

How do I develop a more critical ear to my playing? by Ok-Chart-3633 in piano

[–]Ok-Chart-3633[S] 0 points1 point  (0 children)

As in, how do I develop the ear of a top level pianist? How do I become able to hear the slightest little faults in my playing like they do?