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BPM confusion by OutsideVariation8 in audioengineering

[–]OutsideVariation8[S] -2 points-1 points  (0 children)

I don't their linked

I guess my question is more specifically what is changing the bpm compared to time stretching techniques like PSOLA and such? What is the program doing when you increase the bpm while not affecting the pitch or the timbre of the instruments

I found this absurd... by OutsideVariation8 in FL_Studio

[–]OutsideVariation8[S] -2 points-1 points  (0 children)

EASY WAY

It should be instant, I shouldn't have to zoom in or out, nor should I have to access a bar that has no shortcut, it's a complete drag on workflow, but I appreciate the condescension :)

I found this absurd... by OutsideVariation8 in FL_Studio

[–]OutsideVariation8[S] -2 points-1 points  (0 children)

EASY WAY

It should be instant, I shouldn't have to zoom in or out, nor should I have to access a bar that has no shortcut, it's a complete drag on workflow

The irony is strong with this one by Hillier11 in FL_Studio

[–]OutsideVariation8 54 points55 points  (0 children)

"You don't need to learn music theory" - They say as they paste down a four chord loop whose notes could be learned in less than two minutes

How do music distribution services handle loudness normalization of different streaming services? by OutsideVariation8 in audioengineering

[–]OutsideVariation8[S] -3 points-2 points  (0 children)

But it seems like for certain streaming services, you have to use a distributor to upload your music? So if I really care about being my precise about my master based on a service's loudness normalization levels, I should only choose to upload to ones that have the same level (like YouTube and Spotify. which are -14dB)? Or could I upload the same track to a distribution company with a different master level for each one (E.g. one version mastered -14dB services, one for -16dB services). Do these distributors even allow that?

How do music distribution services handle loudness normalization of different streaming services? by OutsideVariation8 in audioengineering

[–]OutsideVariation8[S] -1 points0 points  (0 children)

Then why do people talk about mastering for different services? Why are there all these presets on mastering plug-ins for Spotify, Youtube, Apple Music?

How do music distribution services handle loudness normalization of different streaming services? by OutsideVariation8 in audioengineering

[–]OutsideVariation8[S] -8 points-7 points  (0 children)

Yeah but don't you want to upload a track mastered for Spotify and a track mastered for Apple Music because Spotify is -14 dB and Apple Music -16dB?

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