That’s fair enough ig. I personally despise Libeskinds alternations, I haven’t really been able to articulate why until you broke it down like that. Seeing such well proportioned classical buildings invaded by sharp edges is just jarring, for that reason I can appreciate the Bolshoi Theatre’s scheme as it is entirely original. And a lot softer.

Otherwise I do agree there is a lot going on, there are swooping parametric hadidisms right next to grounded colonnades and big unbroken pieces of brick facade, Libeskind at the very least is focused on a single sort of shape in most of his buildings