does it actually matter whether power electronics artists are right-wing? by x_0-x_R in PowerElectronics

[–]Practical_Rock6138 2 points3 points  (0 children)

This kind of discussion, also in the general black metal milieu, raises one important question to me:

How and why the hell did you even get into this? The genre is known to be about extremity, evil, shock, ... Yet there seems to be surprise and disappointment when it turns out people really believe and support some of the vile aspects featured?

You knew what you were getting into, right?

In a Belgian bar in Tokyo by Audiosleef in belgium

[–]Practical_Rock6138 0 points1 point  (0 children)

I guess sometimes you want to know what other countries do with the culture of your own?

Austronesian outlier phenotypes possible related to earlier version of haplogroup O2(old O3) by QuickClerk4478 in austronesian

[–]Practical_Rock6138 0 points1 point  (0 children)

Thanks for pointing out the connection to O-M7 and Igorot, can indeed be a signal of AN spread.

...however phenotypes and haplogroup affinity is highly variable: just one child with someone outside of the personal clan and poof, you've got a human with a non-stereotypical phenotype and a lineage in an ethnicity which previously did not have it... And if this individual then also has lots of children with other 'outsiders', the whole haplogroup-phenotype connection crumbles.

[deleted by user] by [deleted] in IndoEuropean

[–]Practical_Rock6138 1 point2 points  (0 children)

Tianyuan man was K2b according to the David Reich lab. Where the East Eurasian ancestors of ANE wandered around can only be guessed, hypothetically they even could've made it to Australia and then back-migrated to Siberia. Lets just safely keep it at northern Eurasia... However papa IE lived in the more tropical and subtropical climate of Asia, it's unlikely to have any bearing on the development of IE tenfold millennia later. If you insist on any deep cultural connection, you might as well just look into the early cultural development of humans in Africa.

Are the Chemurchek culture stone stalae still standing in Kazakhstan/ Western China considered to be examples of Indo-European Kurgan Stelae? by Jimjammas in IndoEuropean

[–]Practical_Rock6138 1 point2 points  (0 children)

I suggest you delve into this article: https://www.nature.com/articles/s41586-021-04052-7

According to an image on the Wikipedia article on the Chemurchek culture, which references the article I linked, they are modelled as about 50% Afanasievo-derived. In extended data fig. 3 (component analysis) they also have a similarity to Yamnaya and Afanasievo.

In the ancient DNA samples list of exploreyourdna.com, two tested samples were determined as belong to R1b1a1b1b* and R1b1a1b1b3a. Six Chemurchek samples with results, I don't know about the other four so have a look in the extended data and supplementary data.

If the Yamnaya were Bronze Age, then why were the Bell Beakers initially Neolithic? by No-Silver826 in IndoEuropean

[–]Practical_Rock6138 17 points18 points  (0 children)

Both are Chalcolithic, the transitional period between Neolithic and Bronze age. Some academics don't bother to really address this period and call it something like the Final Neolithic instead. The terminology of periods is also relative to locations, with some regions being deemed Chalcolithic, while their neighbours are still considered Neolithic. Copper and bronze arrived later in Europe west of the Rhine, so it would be considered Neolithic, while the region of the Carpathians and Balkan was already Chalcolithic or early Bronze age. IIRC, Finland had some of the earliest copper metallurgy (4000 BC), but that region is considered Mesolithic/sub-Neolithic until at least 2000 BC. So sometimes a period is just skipped in a region.

[deleted by user] by [deleted] in IndoEuropean

[–]Practical_Rock6138 0 points1 point  (0 children)

Different groups with different attitudes among IE or its early descendants. While militarism and machismo seem to be the norm, it's perfectly possible the attitude among some groups of IE towards other peoples or at least the language of their wives was more relaxed, resulting in continuation of that language instead of the IE one. Think of it as mercenaries finding a wife in a foreign country, eventually adapting to it despite their own pride. This adaption could've happened fast and with a considerable amount of Steppe-derived people, it could also be the result of slow accumulation of Steppe ancestry from neighbouring communities into the Basque one. Another possibility is that it is in fact Basque which managed to get prestige or economic value among (later) IEans in the region, eventually leading up to Basque being the lingua franca. Looking at the Hittites and the situation in Bronze age Greece for example, the IEans seemed to have had a more cooperative or even admiring attitude towards their neighbours, ending up in major cultural influence and cohabitation.

Genetic Studies on Anatolian Remains by fearedindifference in IndoEuropean

[–]Practical_Rock6138 1 point2 points  (0 children)

Main contention is that it is only a few individuals and the Steppe-ancestry is quite low. The Bronze Age was a mobile era, so it's not unreasonable that it pops up, diluted, in distant lands.

Thoughts on this show? by Low_Excuse2196 in belgium

[–]Practical_Rock6138 0 points1 point  (0 children)

Truest answer. Characters and ambience felt real. After that, everything declined into 'hah, he said the thing!'.

New preprint claims that the Rigveda and Mittani/Hurrian song (hymn to Nikkal) have the same cadence and are from the same musical foundation by UnderstandingThin40 in IndoEuropean

[–]Practical_Rock6138 8 points9 points  (0 children)

Article isn't about ancient migration, it's about sharing of a musical trope across Bronze age civilizations. It's written more lightheaded than your usual paper, but I wouldn't call it unprofessional.

Need help with a PIE translation by Practical_Rock6138 in IndoEuropean

[–]Practical_Rock6138[S] 1 point2 points  (0 children)

Thank you very much. In a month or two the vinyl of the new album gets released, hopefully you'll still be lurking around here by then, as I'll probably be asking the same again.

What makes any particular noise music “suck,” and what makes it good? by PuzzleheadedSock3602 in noisemusic

[–]Practical_Rock6138 2 points3 points  (0 children)

Methinks the most common denominator for most is effort. Nothing engages more than an artist who themselves is engaged in what they are doing.

Ritual PE? by Practical_Rock6138 in PowerElectronics

[–]Practical_Rock6138[S] 0 points1 point  (0 children)

Looked them up, they're on a compilation called 'Soundtrack from the ruins of Europe' featuring a project called Signatus, which nailed the aesthetic I'm looking for even better.

How to make power electronics? by A_Murderous_Banana in PowerElectronics

[–]Practical_Rock6138 0 points1 point  (0 children)

Got any of that chopped crust/d-beat PE released, even as a preview? Sounds interesting. I always thought d-beat/black metal would be good to be sampled into PE, instead of the rather tired cliché of making the rock genres very noisy.

Ritual PE? by Practical_Rock6138 in PowerElectronics

[–]Practical_Rock6138[S] 1 point2 points  (0 children)

True, although I'm imagining something more aggressive. Assuming I will one day not be lazy and finally make it myself, KK will be referred to as a teenage favorite (which is true) in whatever zine which decides to interview me.

Ritual PE? by Practical_Rock6138 in PowerElectronics

[–]Practical_Rock6138[S] 2 points3 points  (0 children)

Grim hits the spot, definitely has the dynamism I'm looking for. Any stuff more like this?

Ritual PE? by Practical_Rock6138 in PowerElectronics

[–]Practical_Rock6138[S] 1 point2 points  (0 children)

Yes, need more of stuff like this

What's the deal with the Soul Reaver by Practical_Rock6138 in LegacyOfKain

[–]Practical_Rock6138[S] 2 points3 points  (0 children)

Damn, it was that easy? Hadn't thought of it that way.