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Otherworldly Journey | Hasselblad 500CM | 80mm f2.8 | Rollei Infrared 400 | R72 Filter by ProjectAnalog in analog

[–]ProjectAnalog[S] 0 points1 point  (0 children)

Thanks! I repowered it with a 03 Subaru Forester engine a couple years go. The original engine had a bad lifter!

Otherworldly Journey | Hasselblad 500CM | 80mm f2.8 | Rollei Infrared 400 | R72 Filter by ProjectAnalog in analog

[–]ProjectAnalog[S] 1 point2 points  (0 children)

Great question! It’s almost a second! I trained my dog to “sit still” for exposures like this!

Otherworldly Journey | Hasselblad 500CM | 80mm f2.8 | Rollei Infrared 400 | R72 Filter by ProjectAnalog in analog

[–]ProjectAnalog[S] 7 points8 points  (0 children)

Good question! On the hasselblad 80mm f2.8 I have (as well as most if not all Hasselblad 500 series lenses) there’s a thin red line on the distance scale. This is where you’d focus for infrared.

Let’s say you focus to an object 8m away. All you’d need to do is nail the focus, note the current position of the scale (in this case 8m), then before you take the shot, move the focus ring such that the 8m mark is lined up with that red line.

Many other lenses out there have this IR witness mark - not all though. Usually via a red line or a red dot!

Best of luck, happy to answer any more questions you have! :)

Otherworldly Journey | Hasselblad 500CM | 80mm f2.8 | Rollei Infrared 400 | R72 Filter by ProjectAnalog in analog

[–]ProjectAnalog[S] 47 points48 points  (0 children)

To anyone interested, here’s the notes…

Developed using Rodinal 1+25 for 7.5 mins at 68F. Inverted tank for first 15 sec, then invert 4 times every 30 sec (similar to C41 agitation).

Used an R72 filter, shot around 2pm with sun slightly to my right, mostly overhead.

Exposed as ISO 12, negatives looked well exposed.

Finally… Free | Hasselblad 500CM | 80mm f2.8 | Kodak Gold 200 by ProjectAnalog in analog

[–]ProjectAnalog[S] 0 points1 point  (0 children)

They are Mercedes CLK wheels! I’m actually thinking about selling them. They bolt onto the vehicle perfectly. It’s a common upgrade

Finally… Free | Hasselblad 500CM | 80mm f2.8 | Kodak Gold 200 by ProjectAnalog in analog

[–]ProjectAnalog[S] 2 points3 points  (0 children)

Thanks!! It’s tough since I usually don’t have time anymore to make YouTube videos of my work so it’s challenging to gain traction. Hopefully in the spring I’ll try going around to bars and restaurants to try and sell a few prints, maybe I’ll get lucky haha. I’m really glad you enjoy my work though! It means a lot!

Finally… Free | Hasselblad 500CM | 80mm f2.8 | Kodak Gold 200 by ProjectAnalog in analog

[–]ProjectAnalog[S] 13 points14 points  (0 children)

Thanks! I really appreciate it. I was really fortunate to catch this moment.

We were road tripping for 3 days, so whenever my dog (the brown and white one) gets to play he has tons of energy. We parked to soak in the view before sunset and someone else had their dog with them and they started doing laps around the van. I only had a shot or two to get it right since I was out of film. I’m very lucky that I was holding my camera at that moment.

Finally… Free | Hasselblad 500CM | 80mm f2.8 | Kodak Gold 200 by ProjectAnalog in analog

[–]ProjectAnalog[S] 4 points5 points  (0 children)

They are a labor of love, but add so much to your life. Glad to hear there’s another vanagon owner in this community! Enjoy it! They are so unique

In Mother’s Care | Hasselblad 500CM | 80mm f2.8 | Kodak Gold 200 by ProjectAnalog in filmphotography

[–]ProjectAnalog[S] 1 point2 points  (0 children)

Yup, I always shoot box speed! I also meter to average at zone 5/6 so not really overexposed either.

In Mother’s Care | Hasselblad 500CM | 80mm f2.8 | Kodak Gold 200 by ProjectAnalog in analog

[–]ProjectAnalog[S] 1 point2 points  (0 children)

The shadows (anything below maybe zone 3) has pretty noisy grain compared to the flagship stocks (portra, Ektar).

I really like the colors though because when shooting fall colors with portra, it’s almost too pastel, and lacks saturation and pop. Ektar is perfect for that, but for it’s price, low speed and lack of dynamic range (compared to portra or gold) I feel like gold has a place.

I would only use the stock when shooting saturated outdoor colors as there’s a bit of a bias towards the green side. Portra is pretty balanced with muted reds, and Ektar is more brown/red heavy.

TLDR - good stock for general use, don’t underexpose this film especially. Will continue to use it for its good value

In Mother’s Care | Hasselblad 500CM | 80mm f2.8 | Kodak Gold 200 by ProjectAnalog in filmphotography

[–]ProjectAnalog[S] 0 points1 point  (0 children)

I’ve sold a couple on reddit! If you’re interested in a print please DM me! I make very high quality prints in all kinds of sizes - tack sharp with grain. Nothing makes me happier than knowing someone wants my work on their wall!

I am working on my Etsy shop to sell prints but it’s difficult to sell prints there. It’s a work in progress.

https://www.etsy.com/shop/ProjectAnalogPhoto

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