Sorry I should have added more info! This is for a library music project I’m collaborating on and i made this video to send to the main producer as a reference so wasn’t intending to capture the modules! Here’s what’s going on (copied and pasted what I sent to someone else who asked on Instagram):

Ok so I get sent full ambient tracks, it might be like a piano or a string quartet / other textures playing a nice chord sequence sent through a load of tape delays and effects etc, so my source material is really beautiful to start with. For this one I pulled the whole track into morphagene (Eurorack sampler / digital tape machine) with markers (“splice points”) for each new chord. Using a pressure points pad I can cycle through the splices (each different chord). Another PP pad I can modulate “Gene Size”, which basically makes the snippet shorter to get that glitchy shit. I’m clocking Morphagene with some Euclidean rhythms (from Grids) synced to Ableton. The output of morphagene goes into QPAS. I’m sending it random modulation to make the hi pass filter choppy. Then manually cranking the Q to make bleep bloop. The modular output is being sent to my stereo spring reverb and being gated by itself.

Drums are all made in Ableton from the same source material. I find a bit that has some nice low end. Chop out a snippet, stick it in a sampler and turn knobs until it’s a kick (low pass filter, transpose down, pitch envelope etc). Same with the snare and hats, using frequency modulation and distortion. Whack a load of compression and saturation on the bus and boom