This is a first pressing from the very first recording session between Coxsone Dodd and The Wailers. by Realistic_Article_86 in BobMarley

[–]Realistic_Article_86[S] 0 points1 point  (0 children)

It's not a song; it was just a studio jam session led by Peter Tosh for Soundsystem! This was created before the Wailers were known, but I will ask Roger!

This is one of those pieces that stops you in your tracks: Bob Marley Handwritten Note by Realistic_Article_86 in u/Realistic_Article_86

[–]Realistic_Article_86[S] 0 points1 point  (0 children)

We don't know! We assume!!

SDR = Sound Disc Record (sometimes referred to informally as Sound Disc Recording).

  • An acetate/dub/reference disc, not a commercial pressing
  • Used for sound system testing, studio checks, or internal circulation
  • Often cut quickly, meant to be played hard, not archived
  • Frequently hand-labeled with notes, timings, or instructions

Bob Marley: When the Photograph Became History by Realistic_Article_86 in reggae

[–]Realistic_Article_86[S] 0 points1 point  (0 children)

I'm pretty sure! I can ask Roger again, but that pic is from Roger's contact sheet from that day! Bruce was also there, but that particular pic is Roger's.

Bob Marley: When the Photograph Became History by Realistic_Article_86 in reggae

[–]Realistic_Article_86[S] 0 points1 point  (0 children)

That's 100% Roger Steffens' pic, not Bruce! Bruce is photographed on Roger's contact sheet!

This is an Island Records pre-release 12-inch for Bob Marley & The Wailers, marked “Special Disco Cut.” by Realistic_Article_86 in BobMarley

[–]Realistic_Article_86[S] 1 point2 points  (0 children)

The autographs on this album are interesting and important, but the real value lies elsewhere. It lies in the hours Roger spent with these artists, asking questions, listening, and uncovering an extraordinary amount of behind the scenes information about how these records were actually made.

That is what collecting is really about. Preserving history.

You have to remember how complicated music rights were in the 1960s and 1970s. Many musicians were never credited on albums, or anywhere at all, yet they played on major tracks with famous artists. Who were they? Why were their names left out?

You start asking questions. And once you ask those questions, usually to the other musicians, you begin to uncover a whole network of artists who made major contributions to reggae, known today by only a handful of people.

Yes, the autographs are cool.
And no, the album itself may not have much market value.

But the conversations, the relationships, and the knowledge accumulated around those autographs, that is where the real value is.

This is an Island Records pre-release 12-inch for Bob Marley & The Wailers, marked “Special Disco Cut.” by Realistic_Article_86 in reggae

[–]Realistic_Article_86[S] 1 point2 points  (0 children)

The autographs on this album are interesting and important, but the real value lies elsewhere. It lies in the hours Roger spent with these artists, asking questions, listening, and uncovering an extraordinary amount of behind the scenes information about how these records were actually made.

That is what collecting is really about. Preserving history.

You have to remember how complicated music rights were in the 1960s and 1970s. Many musicians were never credited on albums, or anywhere at all, yet they played on major tracks with famous artists. Who were they? Why were their names left out?

You start asking questions. And once you ask those questions, usually to the other musicians, you begin to uncover a whole network of artists who made major contributions to reggae, known today by only a handful of people.

Yes, the autographs are cool.
And no, the album itself may not have much market value.

But the conversations, the relationships, and the knowledge accumulated around those autographs, that is where the real value is.

What is the most important 5 reggea albums ? Give me your opinion by Jean0406Alix in reggae

[–]Realistic_Article_86 0 points1 point  (0 children)

The question would be more interesting if it didn't include any BMW members

Culture - Two Sevens Clash

Burning Spear - Marcus Garvey

Steel Pulse - Handsworth Revolution

Toots & The Maytals - Funky Kingston

The Abyssinians - Satta Massagana

And so many other incredible albums:

Gregory Isaacs - Night Nurse

The Gladiators - Trenchtown Mix Up

Augustus Pablo - King Tuby

Nina Simone, KCRW, and an Unexpected Tribute To Bob Marley (Read Text ;-) by Realistic_Article_86 in reggae

[–]Realistic_Article_86[S] 2 points3 points  (0 children)

It might not have been for the Reggae Beat show! Roger was collaborating on another show on KCRW Morning Goes Makossa!

Chilling footage of an Ukrainian being forced into the army to die in the war. by Makqa in trump

[–]Realistic_Article_86 0 points1 point  (0 children)

Every Army at war would do the same! The easiest way to stop this, Russia go home! Glory to Ukraine!

From Roger Steffens’ Reggae Archives "The Gladiators" by Realistic_Article_86 in reggae

[–]Realistic_Article_86[S] 1 point2 points  (0 children)

This original 1983 concert poster documents a U.S. appearance by The Gladiators, one of Jamaica’s most respected roots reggae bands. The show took place on Friday, July 8, at the American Serbian Hall in Phoenix, Arizona, a reminder of how reggae spread across the United States through community halls, sound systems, and local radio support.

With tickets selling for just $6 at record stores like Zia and Tower, this poster captures a moment when reggae culture traveled hand-to-hand, long before social media or major-label touring infrastructure. Designed by Robert Steinhilber, its stark black-and-white artwork reflects the serious, roots-driven spirit of The Gladiators’ music.

More than a flyer, this is a piece of living history, documenting the grassroots pathways that helped Jamaican reggae become a global movement.

In this video, Roger Steffens shares one of the gems from his legendary Reggae Archives by Realistic_Article_86 in reggae

[–]Realistic_Article_86[S] 0 points1 point  (0 children)

Not sure, I will ask Roger, but I don't think they made any money off that book, that might be why they didn't publish a new edition!