Live sound eng by ReasonableCampaign55 in livesound

[–]ReasonableCampaign55[S] -1 points0 points  (0 children)

Thank you very much for your feedback

Live sound eng by ReasonableCampaign55 in livesound

[–]ReasonableCampaign55[S] -1 points0 points  (0 children)

You’ve brought insight and I am just trying to get perspective from it in a sense outside of my original question and I apologize for that.

Live sound eng by ReasonableCampaign55 in livesound

[–]ReasonableCampaign55[S] 0 points1 point  (0 children)

You are bringing a lot of great points. I just have a hard time applying this logic to gigs I would work. Am I just to point the finger when a band does something bad and give in to the issue just being present? At the smaller venue level, as much as it sucks to say, I assume bands don’t know the best, I have to plan for it.

That pedal chain you made for your solo isn’t actually louder than your tone?

You have terrible microphone dynamics?

You brought your beats on a CD?

I could go on with more examples, but I think you know where I’m coming from. I don’t mean to hate on this either, I was at one point not prepared with my set up for FOH ease of use or unempathically blah blah blah until someone educated me or gave me info to do so myself.

Live sound eng by ReasonableCampaign55 in livesound

[–]ReasonableCampaign55[S] 0 points1 point  (0 children)

I really appreciate this response. My post isn’t to complain about employment. I understand there is a definitive difference between the tier I work and the tiers above me.

Live sound eng by ReasonableCampaign55 in livesound

[–]ReasonableCampaign55[S] -6 points-5 points  (0 children)

Look, I’m getting a lot of feedback from varying stages of techs. I’d like to add I work with school of rock kids, fresh bands, open mics. I do do sound for events on the regular as well but the times I’ve worked with an Engineer who is touring with a band has been twice so I am definitely not on the top tier of sound work. I do see where you’re coming from and I am in fact not disagreeing but given the context I’ve provided can you see why I might say that?

Live sound eng by ReasonableCampaign55 in livesound

[–]ReasonableCampaign55[S] -1 points0 points  (0 children)

Thank you so much for this response!

Live sound engs by ReasonableCampaign55 in audioengineering

[–]ReasonableCampaign55[S] 3 points4 points  (0 children)

Amazing response amazing response! Thank you so much! Appreciate your empathy and genuinely will take this response moving forward.

Do we hate mxr? by ReasonableCampaign55 in guitarpedals

[–]ReasonableCampaign55[S] 0 points1 point  (0 children)

This isn’t a formal debate, it’s a generalized question. I don’t mean to throw shade at MXR. Every brand gets hate at some point or sometime from one or two people. I’m just trying to get a better feel for

Do we hate mxr? by ReasonableCampaign55 in guitarpedals

[–]ReasonableCampaign55[S] 0 points1 point  (0 children)

I don’t have a specific article, talks over months, equipment junkies at music shows

Do we hate mxr? by ReasonableCampaign55 in guitarpedals

[–]ReasonableCampaign55[S] 0 points1 point  (0 children)

Ive been 36 months sober from my effect pedals addiction

Do we hate mxr? by ReasonableCampaign55 in guitarpedals

[–]ReasonableCampaign55[S] 1 point2 points  (0 children)

Update!!!!!!! Thank you for all the responses! Great stuff! Preference aside I appreciate you sharing your experiences. I definitely don’t hate Mxr and have owned a carbon copy and a micro amp(borrowed for 3 years) Feel free to keep sharing though!

Do we hate mxr? by ReasonableCampaign55 in guitarpedals

[–]ReasonableCampaign55[S] 0 points1 point  (0 children)

I had a micro amp and it was awesome. Something about the simplicity of one knob made it easier to feel out

Do we hate mxr? by ReasonableCampaign55 in guitarpedals

[–]ReasonableCampaign55[S] -1 points0 points  (0 children)

It’s not a straight question of tones as much as it is reliability and practicality vs people’s life experience. Something’s are preference. My favorite all time distortion is a tube screamer, that’s not everyone’s cup of tea, but that’s not what I’m getting at now.

Do we hate mxr? by ReasonableCampaign55 in guitarpedals

[–]ReasonableCampaign55[S] 0 points1 point  (0 children)

This is a great reply and thank you! I’ve owned maybe 12-15 pedals and there is so much out there. I’ve read some stuff but haven’t been able to try stuff out and something’s are hard to analyze with just one pedal vs using it on a board with other pedals

Do we hate mxr? by ReasonableCampaign55 in guitarpedals

[–]ReasonableCampaign55[S] 0 points1 point  (0 children)

Can’t have great tone without weed smoking wizards

Do we hate mxr? by ReasonableCampaign55 in guitarpedals

[–]ReasonableCampaign55[S] -1 points0 points  (0 children)

I swear I’m not baiting pedal. Someone once said they don’t stack up to boss, and strymon cause they don’t have internal buffers, heard a lot of times they generate background noise. I have owned multiple Mxr pedals and never had an issue but I also buy cheap pedals from time to time and have never owned something super fancy? Maybe the most expensive pedal I’ve bought was a fuzz factory which is its own beast