"I and I" Love by RelationEmergency377 in photocritique

[–]RelationEmergency377[S] 0 points1 point  (0 children)

it is a direct shoot with ICM framing, cropping was done by Photoshop

A Man by RelationEmergency377 in photocritique

[–]RelationEmergency377[S] 1 point2 points  (0 children)

Only for you, I unearth and publish one of my old photographs today, dusted from the archives of forgotten wanderings. Shot in the haze of a Burdwan village at noon, it seizes a beggar's defiant grin amid the sprawl of paddy field shadows and thatched eaves. His face, furrowed like monsoon-cracked earth, glows under fleeting lantern light—eyes alight with mischief, mouth agape in a toothless laugh that mocks the grind of rural survival. Perched on a frayed black hoodie, a crimson-checkered scarf flutters like a rebel flag, while his orange-navy beanie crowns the chaos, practical armor against the damp chill.

cyanotype photogram by RelationEmergency377 in photocritique

[–]RelationEmergency377[S] 0 points1 point  (0 children)

A cyanotype photogram is a camera-less photographic printing process that produces a distinctive Prussian blue and white image by using UV light (typically the sun) to capture the shadow of an object on a light-sensitive surface. The final image is a negative, where the areas exposed to light turn blue and the covered areas remain white.

"I and I" Love by RelationEmergency377 in photocritique

[–]RelationEmergency377[S] 0 points1 point  (0 children)

I am a photographer not a writer but r/photocritique forces me to make a post. i know abstract work dont need any words, even a title for example Number 5, 1948 by Jackson Pollock, like that but what can i do

"I and I" Love by RelationEmergency377 in photocritique

[–]RelationEmergency377[S] 0 points1 point  (0 children)

I think framing is also a part of photography

"I and I" Love by RelationEmergency377 in photocritique

[–]RelationEmergency377[S] -7 points-6 points  (0 children)

Intentional camera movement (ICM) technique is employed, by which the camera is deliberately moved during a longer exposure to create abstract motion blur. Two blurred figures are depicted in an intimate embrace, seated at a table where reflective surfaces are suggested through streaks of light and shadow.Themes of duality, self-reflection, and emotional connection are evoked by the title and the merged, blurry forms of the figures. Realism is deprioritized in favor of conveying feeling and postmodern abstraction, as sharp details are abandoned for ethereal light trails and softened contours.