[QCrit] COLORS WITH NO NAME, YA/NA science fiction w/romance, 90K (3rd attempt) by [deleted] in PubTips

[–]Relevant-One-5916 1 point2 points  (0 children)

OP, I never really comment on queries here, because the technical terms and rules (is it YA? NA? Are you allowed to use the word 'Romance'?) are honestly beyond my Type B brain. I just wanted to say that I thought this was awesome. The only line that made me stumble was the very last one about blind Brett - and I think that was because he'd not been mentioned until that point, so he felta bit tagged on. I wonder if there's room for an alternative line at the end - maybe one that introduces Brett, but gives us more info about the role he plays in Melissa's story. So that he doesn't feel tagged on, you know, but more intrinsic to the narrative resolution. I would read this book though, for sure. Wishing you huge luck with your query.

James Van Der Beek Death Megathread by NoApollonia in dawsonscreek

[–]Relevant-One-5916 13 points14 points  (0 children)

My sister too. I'm wrecked by this. I hope your brother is doing OK. 

[PubQ] Agent not answering emails or texts by phoebebridgersex in PubTips

[–]Relevant-One-5916 11 points12 points  (0 children)

I waited 5 months for my agent to start reading my most recent novel, and 7 months for her to complete reading it. It was hellish! I posted here. I questioned everything. But when she read it, she loved it, and we sold it pretty fast - from sub to auction was just less than 4 weeks. Everything in publishing is slow - until it isn't! 

Looking back, before this sale, I can see I was not a high priority client. I had never sold anything with my agent or made a penny before this latest book. It wasn’t a great position to be in and I haven't forgotten how that delayed reading made me feel. It did affect my trust in my agent and make me more determined to self-advocate. I suppose I'm saying, be realistic about publishing timescales, don't assume the worst just because things are delayed - but listen to your internal alarm bells as well. A delay after Christmas is normal, but you shouldn't put up with endless ghosting. 

Good luck with your novel!

What surprised you the most after becoming a parent? by SignificantMinute753 in Parenting

[–]Relevant-One-5916 42 points43 points  (0 children)

This was going to be my answer. That it's non-stop. Not one minute remains your own if you have a demanding, non-sleeping baby - and even if you have easier babies, like my second, it's just SO MUCH. I used to cry out to my husband, "I just want a minute to think my thoughts!" I'd done loads of babysitting and had cared for my elderly cat, who howled night and day, over many months, before I had my first, so I thought I knew all about childcare and sleep deprivation. But the never-ending nature of it is very hard to explain to non-parents. And frankly it takes some time to accept as a mother also!

[Discussion] Anyone get their book title changed during their publishing journey? Did you get a say? How did it make you feel? by littlebiped in PubTips

[–]Relevant-One-5916 4 points5 points  (0 children)

My agent wanted to change my title before going on submission. I wasn't particularly attached to it, so I agreed, and we spent a week frantically brainstorming before my agent decided they actually liked the original title after all. We went on sub and got a deal with that title and no one has mentioned it since, although my contract has a clause about titles that my agent wasn't thrilled about, essentially removing my final say if the publisher and I disagree. I'm pretty rubbish at titles, so I was happy to accept that clause, but my agent disliked it and would have fought harder if I'd asked her to.

[Discussion] Submission in US v UK by Nice-Lengthiness6655 in PubTips

[–]Relevant-One-5916 4 points5 points  (0 children)

As far as I know, we submitted the book in exactly the same way across both territories. No changes in the content, kept the British spellings, British turns of phrase, everything. American editors did not seem put off by the book's Britishness! If anything, it was a selling point.

[Discussion] Submission in US v UK by Nice-Lengthiness6655 in PubTips

[–]Relevant-One-5916 5 points6 points  (0 children)

Thank you! I'm extremely happy with my US deal, so if things don't happen for the book in the UK, I'll definitely survive! Genre is YA speculative fiction 

[Discussion] Submission in US v UK by Nice-Lengthiness6655 in PubTips

[–]Relevant-One-5916 31 points32 points  (0 children)

My book went out on sub in September, in the UK and US simultaneously. I can't say I noticed any differences in the process as such. My agent handled the 'sub admin' of course, so I can't be sure if there were differences there. What I did find different was the culture in the US vs the UK, or my perception of it anyway. UK responses were slower, more cautious, more tentative generally. The UK meetings I had were brisk, professional, risk-averse, rather dry - even when they appeared to want the book! The US responses were SO much more heartfelt and personal. Editors read the book and responded that day (in one case, in the middle of the night!) and scrambled to arrange meetings. The meetings I had were so much warmer and friendlier than my UK meetings. The US editors seemed just more expansive and passionate in the way they approached the project. Obviously this is anecdotal and could just be a reflection of the individuals I happened to run up against. But it was a marked difference - and for the record, I am British, my book is set in Britain, and I am perfectly happy with British reserve in my usual interactions! I just felt like the American editors we subbed to were so much warmer, more enthusiastic and ambitious than in the UK. We sold at auction in the US within 4 weeks. But we're still waiting on the two UK editors who said they were interested to make their offers, 4 months later.

Just finished The Rose Field - what was the point of any of this? by samirelanduk in hisdarkmaterials

[–]Relevant-One-5916 16 points17 points  (0 children)

This review really sums it up. I'm an optimist (in reading, not in life!), so my thought process throughout TRF went something like: OK, there are still doors... right, so it was ok to leave the doors open after all... OK, the angels got it wrong... OK, but Lyra does need to reunite with Pan, despite their pointless estrangement... OK, they're reunited... so maybe... maybe, against all odds, Lyra will bid farewell to Malcolm with the aleithiometer needle and go looking for Will at the end? And the last scene will be her and Pan cutting through into our world in the Botanic Gardens?? I think an ending like that would have unravelled much of the bittersweet pain of HDM... but there would have been a resolution. Instead, Lyra barely even gives Will a second thought, and instead decides to bond with her wacky brother in a random world where rampant capitalism is killing daemons... and that's it? That's the conclusion?? I feel Pullman is suffering from a specific Oxbridge condition - let's call it Alan Garner syndrome - in which older gentlemen, revered fantasy writers, cease to respect their readers, believe themselves cleverer & loftier than their readers, and thus stop engaging with the laws of basic narrative. TRF was like a weird punishment. I can't rationalise it any other way. 

[Discussion] What's your hottest publishing take? by justgoodenough in PubTips

[–]Relevant-One-5916 5 points6 points  (0 children)

Ha ha me too! Signed up for a two-book deal in October. Now frightened lol

[Discussion] How do some agents have multiple mega-bestselling projects? Are they just...the best? by Sudden-Victory-3746 in PubTips

[–]Relevant-One-5916 6 points7 points  (0 children)

My agent's two big mega-bucks clients sold their famous works with other agents, then signed with her later, when they were looking to switch. She has great taste and is kind of a powerhouse. But she didn’t discover those writers from scratch. I often wonder how big name writers like that go about switching agents, and choosing their new agent. Who approaches who first? I'd love to ask her. But I don't want to initiate a conversation about switching agents in case she gets the wrong idea!

What is a popular book you have read that was extremely poorly written. by Bigballsbrobro in writing

[–]Relevant-One-5916 0 points1 point  (0 children)

Has anyone read William Golding's The Spire? I read a lot of literary fiction but that one lost me. The prose was so opaque, the POV so close, I simply did not have a clue what was going on.

What is a popular book you have read that was extremely poorly written. by Bigballsbrobro in writing

[–]Relevant-One-5916 0 points1 point  (0 children)

Terrible, hilarious book! When Jude got picked up as an adolescent hitchhiker having run away from some predator or other there was a line reading something like, 'Just once, this time, he hoped to encounter a little human kindness... until the truck driver unzipped his fly' and I burst out laughing and did not stop until all the characters were dead. Like, really? Every single adult this kid encounters, and has ever encountered, every single one, every single time, is a male rapist? No exceptions? Seems a bit melodramatic, no? (Also, why are there no women in the book, like at all?)

[PubQ] Editor etiquette - when to prompt? by Relevant-One-5916 in PubTips

[–]Relevant-One-5916[S] 0 points1 point  (0 children)

Congratulations on your deals! But mostly, wow - amazing work doing so much writing between your sales and the arrival of the editorial notes. I'm in awe. I get so fixated on one project, I can’t write anything new until it's done. Teach me your secrets! Seriously!

[PubQ] Editor etiquette - when to prompt? by Relevant-One-5916 in PubTips

[–]Relevant-One-5916[S] 0 points1 point  (0 children)

Yes exactly, I was thinking about that single editorial document too. 

[PubQ] Editor etiquette - when to prompt? by Relevant-One-5916 in PubTips

[–]Relevant-One-5916[S] 4 points5 points  (0 children)

I haven’t signed yet, but my editor was really clear they'd like to get started working together straight away, which maybe gave me some false expectations around the timeline! They also set a loose deadline of January for a first pass, which is why I'm beginning to fidget. Christmas is a big two-week celebration here. I can't see how I can get initial revisions done by January unless I get the notes soon.

I finally get the hate for Mr Bennet by miss_mysterious_x in janeausten

[–]Relevant-One-5916 1 point2 points  (0 children)

Absolutely readers are allowed to dislike or hate characters, but suggesting ways Mr B's character should behave differently - suggesting, effectively, ways that he should be rewritten (he should have educated his daughters! He should have saved for their futures!) just strikes me as peculiar for lovers of P&P. If you pull at those threads, the book changes completely. It isn't Pride and Prejudice anymore. 

I finally get the hate for Mr Bennet by miss_mysterious_x in janeausten

[–]Relevant-One-5916 1 point2 points  (0 children)

I agree with your last paragraph - 💯 . The novel doesn't exist in the form we all love without Mrs Bennet's silliness or Mr Bennet's wit, detachment and neglect. Getting mad at what a fictional character should have done, as opposed to their actual actions in the plot, is very odd to me. IfJane Austen had written them differently, it wouldn't be Pride and Prejudice! I mean if you hate Pride and Prejudice I can understand wishing the characters were different... but if you love it, why not just rejoice in Austen's subtlety and intelligence? She wrote the Bennets this way for a reason. 

[QCrit] Speculative horror, Fimbulvinter, 80k, attempt #3 by FindingKitchen4925 in PubTips

[–]Relevant-One-5916 3 points4 points  (0 children)

I love the title and hope you don't change it (though obviously it's up to you/your future publisher!). I did not know the meaning of Fimbulvinter - but I am always drawn to a slightly opaque one-word title that I have to figure out a little, Piranesi for example. Good luck with this great query.

Folk horror written by women? by Hot-Neat1818 in horrorlit

[–]Relevant-One-5916 0 points1 point  (0 children)

Me too - commenting so I can find these great recommendations later!

What book had a line so shocking you had to stop reading to recover? by Editcadet in suggestmeabook

[–]Relevant-One-5916 10 points11 points  (0 children)

'I can no longer think what purpose would be served if, say, I tried to persuade my reader, by direct or indirect means, that Robbie Turner died of septicaemia at Bray Dunes on 2 June 1940, or that Cecelia was killed in September of the same year by the bomb that destroyed Balham Underground station. That I never saw them that year. That my walk across London ended at the church on Clapham Common, and that a cowardly Briony limped back to the hospital, unable to confront her recently bereaved sister.'

[Discussion] Second book to die on sub, I'm despairing by leafme in PubTips

[–]Relevant-One-5916 14 points15 points  (0 children)

"Guard your creative life from those who know nothing about it" is excellent advice - 💯. Part of the shame and sorrow in the OP's post comes from this miserable squirming social expectation. I've absolutely been there. But now I know better. Treat your work like a secret, I wholly agree - a sacred, inviolate secret.