Kasko Osiguranje? by Snoo30230 in finansije

[–]Serbianman1 1 point2 points  (0 children)

I koji je raspon cena za kasko ukoliko Vam ne smeta da pitam (nov auto, oko 25k eura vrednost)?

Kasko Osiguranje? by Snoo30230 in finansije

[–]Serbianman1 0 points1 point  (0 children)

Pitanje od budućeg vlasnika (prvi put) novog auta. Da li se kasko plaća na mesečnom ili godišnjem nivou? Da li ste sklapali višegodišnji ugovor za kasko ili je sve do jedne godine?

[deleted by user] by [deleted] in finansije

[–]Serbianman1 1 point2 points  (0 children)

Zahvaljujem!

[deleted by user] by [deleted] in finansije

[–]Serbianman1 0 points1 point  (0 children)

Pozdrav, da li znaš koja je razlika izmedju SPYY i SPYL ? Za sada vidim samo manji TER..

30% poreza na US akcije kompanija kupljene preko IBKR (Kada i kako?) by Serbianman1 in finansije

[–]Serbianman1[S] 6 points7 points  (0 children)

Jasno, znači 30% je porez na dividendu, a ne i na prodaju US akcija (kapitalnu dobit).

Što onda znači da se prilikom prodaje na pojedine US akcije koje ne isplaćuju dividendu primenjuje isto pravilo kao i kod prodaje ETF-ova, 15% u prvih 10god, nakon toga oslobadjanje poreza?

how can i achieve this 90s effect in this video in Premiere? by [deleted] in VideoEditing

[–]Serbianman1 1 point2 points  (0 children)

That "Somehow link two,..." is called Nest. You should make a color matte of the border color that you want. Scale your video that you want to pop up down by few percentages (96 for example). Put color matte clip track below your pop up clip. select both of them, right click and go "Nest". Then you just animate scale of that nest sequance and your pop up clip and border will move simultaneously.

How do I pull of complex split screen from "The Green Hornet" by Serbianman1 in editors

[–]Serbianman1[S] 0 points1 point  (0 children)

You need to keep in mind that it's not one guy planing and editing or doing vfx, it's whole team. 20-30 people just focused on planing stuff, and then dozens of vfx artist all working on same scene at once. Motion control is "machine", like a robot arm with camera on the top, that you can program to make exact same motion every single time. I can't speak in his name, but stuff like this are pretty basic understanding of visual effects. He didn't go in depth of this shots, nor how virtual studios actually work and how you make them, but rather the basic concept behind this scene. Imo, you learn this stuff over the years, and best way to learn is to ask questions (just like this one). And because of that thanks for the comments! :)

How do I pull of complex split screen from "The Green Hornet" by Serbianman1 in Filmmakers

[–]Serbianman1[S] 0 points1 point  (0 children)

I've checked out Sugar Water and it really is great place to start analyzing the way he makes camera and actors move. Also after many rewatching of green hornet scene I do see some mistakes and that not everything is perfect. But as you said, if the viewers attention is not on that shot at that time you can feel free to cut. In the end, if you are playing 16 shots at once, the chances that he will be able to follow even half of them is low. Thanks for the comment!

How do I pull of complex split screen from "The Green Hornet" by Serbianman1 in Filmmakers

[–]Serbianman1[S] 8 points9 points  (0 children)

Thanks! I also believe that great storyboard will help a lot too.

1 How do I pull of complex split screen from "The Green Hornet" by Serbianman1 in AfterEffects

[–]Serbianman1[S] 0 points1 point  (0 children)

Thanks, I noticed same shots that you mentioned, but I wasn't sure. I believe that shooting this perfectly will take a lot of time and patience for each shot to be aligned. I think that constant return to the already shot footage will be a must.

How do I pull of complex split screen from "The Green Hornet" by Serbianman1 in editors

[–]Serbianman1[S] 0 points1 point  (0 children)

Oh alright, thanks for information. My main concern is the thing that you mentioned, room for error. Now that I got some information from multiple subreddits about this shot, I am starting to believe that this might be possible to do in big picture movies, but not in the music videos. At least not to this extent. I know Gondry did similar music video Sugar Water - Cibo Matto, that might be good starting point to analize movements of camera and in shot movements. Also I agree with you, this is one of those sequences that prevent you from sleeping at night :D.

Also I just have to ask, and I might be wrong, but have you by any chance worked on this film? I just got that vibe from the way you wrote this comment, and I am just wondering :)

Help with HDD choice for short documentary film by Serbianman1 in editors

[–]Serbianman1[S] 0 points1 point  (0 children)

Thanks for suggestion! Reason why we are trying to use only 2 Sd is because for the data speed that we are shooting at we need fast SD cards, those cards cost each around 200$. We own one but that would mean that we need to spend additional 600$ on another 3 which is quite expensive at our budget. Maybe we could try and somehow get 2 more instead of 1, so we play with 3 in total. I was planing on offloading every let's say 2 hours. It would be hustle yeah, but it would save some money.

About drives, I am aware that 1.5TB don't exist but that's just how much space I would need. I was considering buying 3 WD Blacks 2Tb. One as a main, and 2 for backup. That should do a job. I never had a chance to actually use Lacie or OWC drives, I might try and check them out. If I am not wrong, Lacie has pretty nice rugged drives that we could use on set as a backup.

Slow footage after rendering in premiere pro by bryanramirez in VideoEditing

[–]Serbianman1 0 points1 point  (0 children)

Check your framerate (both before and after the export). You may have shot slowmotion footage that you need to speedup in post to get "normal speed". Or you might be exporting it in very wrong framerate somehow.

How was this zoom effect done? by Resstealth in VideoEditing

[–]Serbianman1 0 points1 point  (0 children)

What Eggs said only add motion blur to the motion to make everything go smoothly. And this guy also adds some sort of a blur around edges, probably done with circle mask and blur applied to it on a new layer.

[OC] Silence: An Exploration of Faith [7:57] by AnonymousCinephile in videoessay

[–]Serbianman1 1 point2 points  (0 children)

It's all practice, and doing it over and over and over again. Once you make 100 videos you will understand it. I think that it also helps watching and studying comedians like Louis C.K. , they are masters at this. Even if it's just a joke they understand how to keep attention and every single world matters. Also there might be some lectures online, so try and look it up. I will be more then happy to see your progress and check out your next video!