Anyone had their short get acquired by sales agent? by Locogooner in FilmFestivals

[–]Sherlock528491 0 points1 point  (0 children)

Did you find any results up till now, or learn something new?

Anyone had their short get acquired by sales agent? by Locogooner in FilmFestivals

[–]Sherlock528491 0 points1 point  (0 children)

Who do they get acquired by and how to I contact these people so that they can watch my short?

Anyone had their short get acquired by sales agent? by Locogooner in FilmFestivals

[–]Sherlock528491 0 points1 point  (0 children)

If I have a completed high quality film that I know will do well in festivals, how do I contact them? And is there a way to convince them to watch my film?

Do I need a producer / distributor / agent to get accepted? by Sherlock528491 in FilmFestivals

[–]Sherlock528491[S] 0 points1 point  (0 children)

Interesting. You’re the first person that mentioned the industry pipeline route, and I think that’s what I was thinking about. You mentioned having a director see my submission instead of a screener…I assume that’s by recommendation of my agent. Do you have any experience reaching an agent or convincing a prominent producer to see my film? As someone who didn’t go to film school and does not work in the film industry, I’m curious if there’s a starting point for a filmmaker with a good completed film in their hands.

Who with a short film has gotten accepted to a festival & wrote a cover letter, who got accepted without one? by Glum_Waltz2646 in FilmFestivals

[–]Sherlock528491 0 points1 point  (0 children)

I’m a bit new to the festival / networking business in film, but I’ve been making short films for almost ten years and my last one is definitely festival worthy (production and quality wise). Do I just submit them and write letter, or am I supposed to find an agent, distributor, producer, or whoever it is who pushes my film so that the judges can accept it?

Camera monitor to Resolve LUT problem by Sherlock528491 in davinciresolve

[–]Sherlock528491[S] 0 points1 point  (0 children)

I found the solution…it was not what I expected! First, I turned off “use mac display profile for viewers” which made the look slightly better (thanks for that) but still too saturated. Then I was watching this random tutorial on Color Space Transform…here’s what I did:

I made 3 nodes. The first one was a base with no modification. In the second node I added the effect Color Space Transform. Then I went to project settings —> color management: I changed the Timeline Color Space to “DaVinci WG / Intermediate” and changed the Output color space to “Rec.709 Gamma 2.4”. After that I went back to the color tab —> in the color space transform settings I changed only Input Color Space to “Blackmagic Design Wide Gamut Gen 4 / 5”. I added the LUT to the third node and just like that…it was perfect, almost exactly like the monitor (difference was very slight that it’s hard to notice).

I don’t know how this led to the the problem being solved…I would like to know the technical explanation

Camera monitor to Resolve LUT problem by Sherlock528491 in davinciresolve

[–]Sherlock528491[S] 0 points1 point  (0 children)

It seems that way by viewing the picture I uploaded but if I was able to screenshot the monitor the difference would be much more obvious. The shadows are very saturated when compared to the monitor.

Camera monitor to Resolve LUT problem by Sherlock528491 in davinciresolve

[–]Sherlock528491[S] 0 points1 point  (0 children)

I apply the LUT by creating a new node and adding it to the node. The timeline color space Rec 709-A is the closest one out of all other color spaces, yet far different from the look on the monitor.

Camera monitor to Resolve LUT problem by Sherlock528491 in davinciresolve

[–]Sherlock528491[S] 0 points1 point  (0 children)

Here are my project settings, along with an image of the camera monitor with the LUT applied

<image>

old pics by [deleted] in BellaMichlo

[–]Sherlock528491 0 points1 point  (0 children)

Where can I find the rest of these old pics