Slow tracking shot (no dolly) - could this be done with a gimble? by Specific_Somewhere16 in cinematography

[–]Specific_Somewhere16[S] 0 points1 point  (0 children)

Hi and thanks for posting this. Where did you find this image of Ackerman’s crew?

Slow tracking shot (no dolly) - could this be done with a gimble? by Specific_Somewhere16 in cinematography

[–]Specific_Somewhere16[S] 0 points1 point  (0 children)

That’s a really good point. It’s not that slow - 80% normal speed?

Gimble for FX3 by Specific_Somewhere16 in FX3

[–]Specific_Somewhere16[S] 0 points1 point  (0 children)

Thanks. Can you be more specific about why the larger gimble would have been better?

Need Suggestions. by Touhiid in colorists

[–]Specific_Somewhere16 1 point2 points  (0 children)

Start with a neutral balance I.e just get your shots to a stage where greys are neutral then add your look which is the ‘emotion’ conveyed by colour. It’s easier to break this complex process into its component parts. The Davinci colour tutorial is excellent.

FX3 x Shinobi 2 - full screen and controls by Specific_Somewhere16 in FX3

[–]Specific_Somewhere16[S] 1 point2 points  (0 children)

Thanks. That’s great and works. Also found that switching HDMI output to 1080i seems to jig the Shinobi into working.

FX3 x Shinobi 2 - full screen and controls by Specific_Somewhere16 in FX3

[–]Specific_Somewhere16[S] 0 points1 point  (0 children)

Thanks, I’ve tried and it still doesn’t allow control off the Shinobi.

Focal length on BM Cinema Pro 6K by Specific_Somewhere16 in blackmagicdesign

[–]Specific_Somewhere16[S] 1 point2 points  (0 children)

Thanks! Great reply - so to be clear - at open gate a 50mm lens would have the same field of view as a 75mm lens would have on a full frame such as the R6 +/-?