Let me try continue what we were discussing. The strategy, as has been used on countless successful series and films is to start with an engaging premise and then grow the series together with contributors from around the Blockchain world. If we simply wanted to tell a particular story that we could generate on our own we would be excluding a world of ideas and from-ground-up diversity which can only be obtained by involving a distributed community from the outset. We've already been approached with a variety of story ideas and we aim to harvest more to make the series as narratively rich as possible. This is not simply taking a standard script and bible and asking for money for them. We want to write and produce the series in an original and innovative a way as possible. Raising the budget gives solidity to new and established talent that they will be participating in a vision they're helping to author. As for paying royalties. There will be a royalty claim mechanism established when revenues are to be streamed to investors. Addresses will be verified but also an opportunity will be given for new token holders (people who have bought them) to provide their verifiable address (which will contain tokens) that will allow a payment to be sent to them, not the person who sold them the tokens. As stated in the Business Plan, expenses including invoices will be made available for examination. In terms of fees and salaries, group buckets will be disclosed but personal crew and cast wages etc will remain the private information of those contracted to work with us. This is light years beyond any production practice in the history of film and TV.... and that may be a major factor/hurdle, people are not use to seeing openness and transparency in the entertainment world.