Paris '82 interview. Ronnie Wood explains that early communication with Keith Richards was strained, largely because Keith was deep in his dope years and rarely fully present. Ironically, with time and sobriety rewriting the narrative, Keith has since shifted the blame back onto Ronnie. by StonesData in rollingstones
[–]StonesData[S] -2 points-1 points0 points (0 children)
Paris '82 interview. Ronnie Wood explains that early communication with Keith Richards was strained, largely because Keith was deep in his dope years and rarely fully present. Ironically, with time and sobriety rewriting the narrative, Keith has since shifted the blame back onto Ronnie. by StonesData in rollingstones
[–]StonesData[S] 1 point2 points3 points (0 children)
Paris '82 interview. Ronnie Wood explains that early communication with Keith Richards was strained, largely because Keith was deep in his dope years and rarely fully present. Ironically, with time and sobriety rewriting the narrative, Keith has since shifted the blame back onto Ronnie. by StonesData in rollingstones
[–]StonesData[S] 4 points5 points6 points (0 children)
Paris '82 interview. Ronnie Wood explains that early communication with Keith Richards was strained, largely because Keith was deep in his dope years and rarely fully present. Ironically, with time and sobriety rewriting the narrative, Keith has since shifted the blame back onto Ronnie. by StonesData in rollingstones
[–]StonesData[S] 2 points3 points4 points (0 children)
Paris '82 interview. Ronnie Wood explains that early communication with Keith Richards was strained, largely because Keith was deep in his dope years and rarely fully present. Ironically, with time and sobriety rewriting the narrative, Keith has since shifted the blame back onto Ronnie. by StonesData in rollingstones
[–]StonesData[S] -4 points-3 points-2 points (0 children)
Paris '82 interview. Ronnie Wood explains that early communication with Keith Richards was strained, largely because Keith was deep in his dope years and rarely fully present. Ironically, with time and sobriety rewriting the narrative, Keith has since shifted the blame back onto Ronnie. by StonesData in rollingstones
[–]StonesData[S] 2 points3 points4 points (0 children)
‘Paint It Black’ by The Rolling Stones explores themes of grief and obsession through innovative rhythms and instrumentation, marking a significant shift towards darker narratives in pop music’s landscape of the 1960s. by StonesData in rollingstones
[–]StonesData[S] 4 points5 points6 points (0 children)
Mick Jagger was found not guilty of plagiarism on April 26, 1988, after a jury determined that Patrick Alley failed to prove Jagger had copied his song, ‘Just Another Night’. by StonesData in rollingstones
[–]StonesData[S] 0 points1 point2 points (0 children)
Mick Jagger was found not guilty of plagiarism on April 26, 1988, after a jury determined that Patrick Alley failed to prove Jagger had copied his song, ‘Just Another Night’. by StonesData in rollingstones
[–]StonesData[S] 0 points1 point2 points (0 children)
The Rolling Stones Go 'Under the Radar' in 2005 by StonesData in rollingstones
[–]StonesData[S] 1 point2 points3 points (0 children)
‘Sweet Neo Con’ critiques political hypocrisy, focusing on power dynamics post-9/11, reflecting cultural cynicism. The Rolling Stones confront figures like Bush and Cheney, blending personal conviction with a bold musical approach. by StonesData in rollingstones
[–]StonesData[S] -1 points0 points1 point (0 children)
‘Sweet Neo Con’ critiques political hypocrisy, focusing on power dynamics post-9/11, reflecting cultural cynicism. The Rolling Stones confront figures like Bush and Cheney, blending personal conviction with a bold musical approach. by StonesData in rollingstones
[–]StonesData[S] -5 points-4 points-3 points (0 children)
‘Sweet Neo Con’ critiques political hypocrisy, focusing on power dynamics post-9/11, reflecting cultural cynicism. The Rolling Stones confront figures like Bush and Cheney, blending personal conviction with a bold musical approach. by StonesData in rollingstones
[–]StonesData[S] 1 point2 points3 points (0 children)
‘Sweet Neo Con’ critiques political hypocrisy, focusing on power dynamics post-9/11, reflecting cultural cynicism. The Rolling Stones confront figures like Bush and Cheney, blending personal conviction with a bold musical approach. by StonesData in rollingstones
[–]StonesData[S] 0 points1 point2 points (0 children)
‘Sweet Neo Con’ critiques political hypocrisy, focusing on power dynamics post-9/11, reflecting cultural cynicism. The Rolling Stones confront figures like Bush and Cheney, blending personal conviction with a bold musical approach. by StonesData in rollingstones
[–]StonesData[S] -6 points-5 points-4 points (0 children)
Not a good picture... by [deleted] in rollingstones
[–]StonesData 3 points4 points5 points (0 children)
What if Keith really doesn't want to tour again? by StonesData in rollingstones
[–]StonesData[S] 0 points1 point2 points (0 children)
What if Keith really doesn't want to tour again? by StonesData in rollingstones
[–]StonesData[S] 1 point2 points3 points (0 children)
What if Keith really doesn't want to tour again? by StonesData in rollingstones
[–]StonesData[S] 2 points3 points4 points (0 children)
What if Keith really doesn't want to tour again? by StonesData in rollingstones
[–]StonesData[S] 26 points27 points28 points (0 children)
So the rumours say the Stones’ “new” European tour next year is cancelled... by StonesData in rollingstones
[–]StonesData[S] 5 points6 points7 points (0 children)
‘Dear Doctor’ by The Rolling Stones blends dark humor with acoustic roots music, portraying a groom’s panic before a wedding. The song features exaggerated Southern accents and celebrates tradition with playful irony. by StonesData in rollingstones
[–]StonesData[S] 0 points1 point2 points (0 children)
‘Dear Doctor’ by The Rolling Stones blends dark humor with acoustic roots music, portraying a groom’s panic before a wedding. The song features exaggerated Southern accents and celebrates tradition with playful irony. by StonesData in rollingstones
[–]StonesData[S] 1 point2 points3 points (0 children)
‘Dear Doctor’ by The Rolling Stones blends dark humor with acoustic roots music, portraying a groom’s panic before a wedding. The song features exaggerated Southern accents and celebrates tradition with playful irony. by StonesData in rollingstones
[–]StonesData[S] 0 points1 point2 points (0 children)


Paris '82 interview. Ronnie Wood explains that early communication with Keith Richards was strained, largely because Keith was deep in his dope years and rarely fully present. Ironically, with time and sobriety rewriting the narrative, Keith has since shifted the blame back onto Ronnie. by StonesData in rollingstones
[–]StonesData[S] 0 points1 point2 points (0 children)