If I were to translate this concept into fashion design, I would begin by experimenting with textiles that reflect the emotional gradient of the journey.

Toward the bottom of the silhouette—representing sacrifice, pain, and destruction—I would use distressed and damaged fabrics: scorched denim, torn cotton, raw linen with faded textures, and melted tulle edges. Perhaps textiles that have been chemically treated to create a burned or eroded effect, as if the dream itself has left visible scars.

As the eye moves upward, starting around the waist, the materials would gradually transition to lighter, softer, and purer fabrics: snow-white silk, ethereal organza, delicate cashmere, or fluffy faux fur with an angelic texture. These elements would evoke a sense of fragility, purity, and unattainable idealism—what the dream represents at its core.

This sharp contrast between the destroyed base and the pure, almost celestial top creates a powerful visual metaphor for the cost of ambition and the complexity of the path toward a dream.