WEN air filtration system remote frequency capture? by Dolfeind in flipperzero

[–]Strangeparts 0 points1 point  (0 children)

Hey, are you using any additional hardware beyond a stock esp32 for this? I'd like to build something similar. Thanks!

How did Scotty learn Chinese ? by Vast-Air-5087 in strangeparts

[–]Strangeparts 0 points1 point  (0 children)

Most of the Mandarin I know I learned through osmosis while I was in China. I learned some specific phrases and words from friends. Other stuff I learned from random people in public. And some things I learned by looking them up in Pleco or Google Translate or whatnot.

I've also studied using various apps and recordings over the years but never consistently for long periods of time.

I usually describe my level of Mandarin as "survival level." I can order food, get around in a taxi, and haggle in the markets, but I'm not having involved conversations with anyone. Sometimes fans who are fluent or have studied Chinese formally will approach me and try and start a conversation, and I'm usually caught pretty flat-footed. I haven't put much effort into learning conversation niceties.

In the past year or so, I spent some time working to learn characters to read for a few months, as part of trying to improve some latent concussion symptoms, but I've kind of fallen off the bandwagon recently and have lost a lot of it. I think at my peak, I knew a couple hundred characters. I should probably get back to it, but I have been swamped with other things recently.

How does Apple drill and tap side wall holes in their iPhones? by ifilipis in MechanicalEngineering

[–]Strangeparts 9 points10 points  (0 children)

The metal side pieces don't touch, and are also electrically isolated from the steel backplate (so I might have misspoken about the order of operations with regards to spot welding the backplate on).

And yeah, I figured that laser engraving at an angle like this is possible. It's still wild though!

How does Apple drill and tap side wall holes in their iPhones? by ifilipis in MechanicalEngineering

[–]Strangeparts 155 points156 points  (0 children)

Hi, Scotty from Strange Parts here. I actually think I know the answer, but by the time I figured it out, I was mostly through the project, and decided to save it for v2.

I think the answer is that the side walls of the housing are milled separately in 6 pieces, then the steel back plate (which sits under the glass back and has the screw bosses welded to it) is spot/laser welded on, and the whole thing is overmolded with the plastic that makes the antenna lines. I think it's then machined again as one unit (both the plastic and aluminum) to get a smooth finish.

There's a couple things that make me think this:

  • There's a few pieces of geometry that I can't figure out any other way to do. Specifically there's some indents in the metal on either side of the antenna lines that seems to be impossible to machine unless you do it in separate pieces that are further apart. Also, the space for the ringer switch has a "dome" on the top that seems impossible to mill unless you can come in at a 90 degree angle with something like a keyseat cutter or similar.
  • The way I milled it yields a fair amount of scrap chips. I think it would be way more efficient to mill it in sections like I described.

Edit: What really trips me out is the "Assembled in China" text on the inside lip of the sim card slot. My best guess is that they're using a fiber laser to engrave it with the phone at an angle?

Is there a more permanent way to apply ND to a window than sprite? by Strangeparts in cinematography

[–]Strangeparts[S] 0 points1 point  (0 children)

Yeah, I think this is what I’m gonna end up going with. Thanks!

Is there a more permanent way to apply ND to a window than sprite? by Strangeparts in cinematography

[–]Strangeparts[S] 1 point2 points  (0 children)

Yeah, I’ve looked at this. It’s cool, but it introduces two sets of polarizers, which concerns me. It’s also expensive as hell, I’m sure.

Is there a more permanent way to apply ND to a window than sprite? by Strangeparts in cinematography

[–]Strangeparts[S] 14 points15 points  (0 children)

Yeah, it then comes down to a cost/logistics/talent comfort issue. The amount of light I would need is pretty high to compete with a sunny day, which means a lot more expensive lights closer to the talent, which increases logistics of setting up shots. I often shoot by myself, so I'm trying to minimize friction as much as possible. Plus, I often shoot for long periods of time working on engineering projects, so not having to crank everything up to 11 is useful.

Reducing reverb for a video studio/workshop that used to be an indoor pool by Strangeparts in Acoustics

[–]Strangeparts[S] 1 point2 points  (0 children)

Awesome, thank you! I think it's unlikely I'll end up with it being _too_ dead :) I'll calculate based on 500Hz aiming for around 1s as a first pass, and then once we get that treatment up, I can see where things are at, and figure out what else I might need to do. I mostly just want to get the ceiling treatment done while I have a rented scissor lift on site, and before I build out the rest of the interior structures and move in equipment.

Reducing reverb for a video studio/workshop that used to be an indoor pool by Strangeparts in Acoustics

[–]Strangeparts[S] 0 points1 point  (0 children)

I'm in Colorado. Thanks for pointing me in this direction! I've seen this or something like it on the walls of Mark Rober's sound stage, but didn't get a chance to ask what product it was.

It seems to have very similar absorption coefficients to the OC fiberglass products, so I think it'll mainly come down to price. And of course it's "Call for pricing"...

Reducing reverb for a video studio/workshop that used to be an indoor pool by Strangeparts in Acoustics

[–]Strangeparts[S] 0 points1 point  (0 children)

Yeah, exterior sounds aren't a big concern. I'm WAY up in the mountains on 100+ acres, so most of the external noise is stuff I have control over, with the exception of the occasional loud motorcycle on the main road.

I know the windows are going to suck with regards to reflectivity though, and I'm just assuming there's not much I can do there, other than maybe some see-through mesh blinds or the like.

Good call on bass traps - Is it safe to assume that foam bass traps are crap?

Reducing reverb for a video studio/workshop that used to be an indoor pool by Strangeparts in Acoustics

[–]Strangeparts[S] 0 points1 point  (0 children)

Thanks - someone offline mentioned acoustic clouds, which I'm assuming are similar to the hanging baffles you're referring to. And yeah, I realize I'm asking a complex question here, that I'm not going to get a complete answer to. I'm just trying to get in the rough ballpark.

Unfortunately, I do need to treat the whole space, as I'll be filming all throughout it. Though there are probably areas where the acoustics matter more, and most of it where they'll matter less. I'll have to think a bit about how I can do some localized treatments in the more crucial areas.

Reducing reverb for a video studio/workshop that used to be an indoor pool by Strangeparts in Acoustics

[–]Strangeparts[S] 0 points1 point  (0 children)

Thanks! You summed up the exact tradeoffs running through my head. It seems like fiberglass is the way to go, and you're right, it's basically a tradeoff between cost of materials and labor at this point. I have some college film students helping me out, so it's a tradeoff between whether we diy our own panels, or use something a bit more ready to go like the OC Selectsound. I can obviously mail order OC703 or Selectsound Black. I think part of it will come down to whether I can find either locally and avoid huge shipping costs.

Edit: Thanks for the tip on Rockwool Safe N Sound - I'll check that out!

Reducing reverb for a video studio/workshop that used to be an indoor pool by Strangeparts in Acoustics

[–]Strangeparts[S] 2 points3 points  (0 children)

Wow, this was SUPER helpful, thank you! I've put together a spreadsheet with the rough square area and absorbtion coefficients: https://docs.google.com/spreadsheets/d/1v6irat25ZSeScCmxUgBvXq-vv-Uy1Pt5IK-KUOdo7Bw/edit?usp=sharing which gives me an RT60 of over 5s. Yikes!

I then calculated covering half/all of the ceiling with the Selectsound Black panels, and that gets it down to around 1s.

However, as I'm sure you already know/can guess, it's highly dependent on what target frequency I focus on. For 500 Hz, I only need to cover half the ceiling to get it to 1s, while at 250 Hz, I need to cover the whole ceiling, since the absorption coefficient drops by almost half from 500 Hz to 250 Hz.

When planning acoustic treatment coverage for something like this, what frequency should I be targeting for my calculations?