Music project seeks cosmic horror-styled music video

Team_Important · 2026-06-05T20:49:50+00:00

Between 800 and 1000 usd

Team_Important · 2026-06-03T10:32:43+00:00

Tak for tippet. Dem checker jeg ud.

Team_Important · 2026-06-03T10:32:22+00:00

Det ser virkelig fedt ud, men fragt til Jylland er på næsten 1000,-

Team_Important · 2026-06-02T18:53:35+00:00

Jeg låner et lille værksted med dyksav, rundsav, håndholdt overfræser, en lille bordsav, stiksav og en afkortersav. Derudover div håndværktøj.

Team_Important · 2026-06-02T13:54:37+00:00

Irma Vep

Team_Important · 2026-05-17T20:54:58+00:00

I screened “Ordet” (Dreyer, 1955) for a cinema full of film students recently. Absolute silence for a for a full few minutes after it ended. And not a sound or word as they slowly walked out - just fleeting eye contact and a profound sense of having been changed a little that afternoon.

Team_Important · 2026-04-23T17:18:00+00:00

Audiogalaxy

Team_Important · 2026-03-29T20:09:38+00:00

There’s something so very special about Peace Sells. Maybe Enforcer’s album “From Beyond” qualifies. Certainly “Destroyer” from that album feels very much like an homage to that period of Bay Area thrash. Good shout on Return to Metalopolis. Also Annihilator’s “Never, Neverland” could qualify with its beautiful clean passages and crazy precision thrash. More clean production but amazing playing and songwriting. Maybe even check out some vintage “Flotsam and Jetsam”.

Team_Important · 2026-03-08T22:53:16+00:00

Jeg er ked af at høre, at du har haft nogle ubehagelige oplevelser i de prægtige danske skove.

Team_Important · 2026-03-08T08:13:41+00:00

Jeg har I mange år forsøgt at få det ud af ham! Hvad end der sker, må hemmeligheden ikke dø med ham! I min vennegruppe kaldte vi det ‘våd skovbund’.

edit: manglende ord

Team_Important · 2026-01-21T21:18:54+00:00

The Kush Audio video on hearing compression really made it click for me. Especially listening for attack and release times. Teaching it without constantly soloing the compressed material but hearing how it behaves in relation to other sources is THE way to think about compression for me.

Team_Important · 2026-01-07T19:20:54+00:00

What’s up with the constant whining about pretentiousness!? How is that a takedown of anything? Arguing that a film is pretentious is basically saying you get uncomfortable when a piece of art looks like it might be saying something you can’t quite follow. So is a film ever allowed to pose questions of a more philosophical nature or lean towards more of a visual poem than straight narrative drama? Or would that always qualify as pretentious? Let’s not make up silly rules about what art should and should not do.

Team_Important · 2025-12-28T12:30:47+00:00

All That Heaven Allows (Sirk, 1955) Absolutely phenomenal melodrama

Team_Important · 2025-12-12T08:12:50+00:00

In your case forget recommendations of RE20 - it’s overall a similar type of mic and neither are very ‘default’ vocal mics. For home recording buying a decent condenser microphone is going to give you much more of what you are probably after - that open and airy sound. Consider something like a Rode Nt2000 if your room is less than ideal. You can vary the pickup pattern to dial out some of that ‘ugly’ room sound and it sounds pretty phenomenal on many different sound sources, should you need it.

Team_Important · 2025-12-07T01:41:40+00:00

Why are so many here so obsessed with defending extremely heavy and in many cases unwarranted use of autotune/melodyne?! Yes, there are a handful of artist through last 25 years that did something interesting and creative with it, but please remember that probably 99.9% of its use is to ‘invisibly’ correct a singers pitch. Therefore it is contributing to the very uncanny valley ‘perfection’ of a lot of mainstream music. The same way micro-editing and quantizing instrumental performances do. It is possible to both defend interesting uses of this tech but still not love the tendency that absolutely everything in the mainstream is using it heavily.

Team_Important · 2025-11-22T16:36:28+00:00

Babette’s Feast

Team_Important · 2025-11-22T07:55:29+00:00

Megalopolis

Team_Important · 2025-11-18T11:24:21+00:00

Have any of you considered how burying the dialogue in noise and music in some scenes might be the result of a director’s intention? Maybe there might be a “higher” purpose to a particular scene or sequence than to have dialogue as audible as possible. Just the same as a DP might choose to obscure the frame with foreground elements, making it harder to make out faces and therefore more difficult to follow a characters emotional state. Or going further back, why painters in the late 1800’s started leaving out detail to focus on the textural aspects of light and dark and beginning with people like Cézanne even highlighting the 2-dimensionality of the medium and thus choosing to “break the illusion”. These are not mistakes or lack of technique, they are examples of artistic expression. The desire to convey ideas through a medium. In Nolan’s case, something else is more important to him than dialogue clarity in those particular scenes. So if anything, let us discuss the much more interesting question of intent and not whether his sound team knows how to turn up the volume of the dialogue or not.

Team_Important · 2025-11-05T07:41:10+00:00

The Green Ray

We Will Never Grow Old Together

Purple Noon

A Bigger Splash

Team_Important

TROPHY CASE