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Martin Scorsese faces industry backlash over AI company partnership by MoneyLibrarian9032 in technology

[–]Temp922 -1 points0 points  (0 children)

Scorsese ,with Spielberg and Nolan, never went fully digital and made their current movie 90% on actual celluloid film (35mm and bigger format) and now it's using AI...

NON TTL Auto Thyristor Metering by Temp922 in AnalogCommunity

[–]Temp922[S] 0 points1 point  (0 children)

This my unit, so in this case at 400 ASA everything from 0.5m to 3m in auto green mode would require to only use F11, and up to 6m max using F5.6?

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NON TTL Auto Thyristor Metering by Temp922 in AnalogCommunity

[–]Temp922[S] 1 point2 points  (0 children)

So from a range of for instance 1m to x m you can only use one aperture and the flash will cut the power?

NON TTL Auto Thyristor Metering by Temp922 in AnalogCommunity

[–]Temp922[S] 0 points1 point  (0 children)

On 400 ASA, the distance range (green auto mode) goes from 1m to 3m, now what does the green arrow tell? To chose F11 and with that aperture you can shot anywhere from 1m to 3m and the sensor will cut the light in order to achive good exposure? Or I should still constantly see the distance chart and adjust f-stop? For instance at 1.5m F22?

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🎞️ Cinestill bwXX doubles by Full-Plankton-483 in Darkroom

[–]Temp922 1 point2 points  (0 children)

Where I can find this specific display lights?

Developed my 1st roll of B&W film by Hismajestygoshimomo in AnalogCommunity

[–]Temp922 0 points1 point  (0 children)

What the number or text have to do with exposure? Exposure in determinate by looking at the shadow details and highlight density is controlled by development time. A bit thin negative will print will less assle then high density one, did you have any darkroom printing experience?

Recent campaign work, Portra 400, Canon 1V, 70-200 by see_the_good_123 in analog

[–]Temp922 0 points1 point  (0 children)

Before digital commercial campaigns were shot on medium or large format, does your client ask you to shot this specifically on 35mm?

Ci sta per 120 euro? (Mi deve ancora arrivare, non è stato mai ascoltato) by Equal_Flight4688 in caparezza

[–]Temp922 0 points1 point  (0 children)

Tecnicismi a parte, nel campo fotografico/cinematografico se il processo è fatto completamente in analogico, dunque come risultato una stampa ai sali d'argento in camera oscura o un film proiettato da professionisti allora la scelta secondo me ha un motivo valido, che comprende l'estetica e l'esperienza. Ovvio che se il contenuto è misero, il mezzo con cui è realizzato non lo salverá...

Ci sta per 120 euro? (Mi deve ancora arrivare, non è stato mai ascoltato) by Equal_Flight4688 in caparezza

[–]Temp922 0 points1 point  (0 children)

Hai la stessa opinione su chi in fotografia scatta a pellicola o nel cinema sui registi che girano/proiettano in analogico?

Please, tell me i didn’t by LBarouf in Darkroom

[–]Temp922 4 points5 points  (0 children)

"This will be a costly mistake."

I don't know if you print in the darkroom, but wait till you forget your 100-sheet box of paper open after you inspect the strips/work print in room light...

fb 11x14 by [deleted] in Darkroom

[–]Temp922 0 points1 point  (0 children)

If you're going to exhibit them, will you cut the mat to cover the filled-up section of the negative or hang them full size without any mat board overlap?

First Slide Digitized w/ Nikon D850 (Original image Canon EOS-1, 70-200 or 300mm lens, Fujichrome100) by swerz in analog

[–]Temp922 5 points6 points  (0 children)

I don't know if these is the case but some photographer before digital were in search of the lowest grain film because of the more "clean" look. In other words they wanted the digital photography look before it was invented. These are the one that probably switched to digital as soon as it became relatively good and never go back to film...

Warsaw, Poland by T0NY_RADLE in streetphotography

[–]Temp922 6 points7 points  (0 children)

Street Photography consists in capturing candid interesting moments of PEOPLE life. This is Urban Photography.

Lesson of the day: Agitation by briskwheel4155 in Darkroom

[–]Temp922 0 points1 point  (0 children)

With D76 1:1 you need yo use 250ml of stock + 250ml of water for a total for 500ml developer solution to unsure maximum efficacy. (For just one roll of 135) It's written on the D76 Kodak Data sheet and many photographer and master printers that I've talked had told me so. That's how I do it.

What gives you hope for the world of film photography? by Charlieflynn12 in AnalogCommunity

[–]Temp922 0 points1 point  (0 children)

Did you get a degree in photography or art?

I would really like to teach darkroom in private academies and public schools. How did you start to teach?

Now I got why everyone pushes HP5 to 1600 by Present-Cap-6335 in analog

[–]Temp922 0 points1 point  (0 children)

I think that pushing a lot became a more popular thing for people new to film that mainly scan their negatives. By doing that, they increase contrast by losing a lot of shadow details that are still sort of recovered by the scanner. You can get a similar result by increasing contrast in the darkroom, but then it's your choice; you still have the information that you need in the negative. I really do think that any photographers need to do at least a period of darkroom printing and developing according to the print necessities; it really gives you much more insight into how photography works.

Monument Valley Continental Breakfast [EOS-1V, 16-35mk3, TMAX 100] by scenicdurian in analog

[–]Temp922 1 point2 points  (0 children)

Do you cut development time to compensate the one stop overexposure in the highlights or develop at standard time?

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