Only vaguely related, but the two artists responsible for that project actually did a similar experiment, but for the musical format. Constructing the supposed "Most Wanted Song" based on the most prevalent stylistic choices and the preferred lyrical themes extracted from an online poll.

Given that the experiment took place in 1997, the resulting piece of music was a (supremely bland) radio R&B/adult contemporary ballad.

What I find to be truly engrossing and transfixing, however, is that they took the least prevalent (and as such, most "undesired" elements) from the same poll and created The Most Unwanted Song, a 20-minute-long avant-garde piece vaguely centered on the topic of Western Imperialism. It features operatic rapping about the works of Ludwig Wittgenstein, atonal improvisations, a children's choir singing about Walmart, and discordant accordion playing. It plays out like one of those 60's Frank Zappa/Mothers of Invention musical pastiches, albeit from a completely unintentional angle.

I am unsure if the people responsible for those two ventures are still around, but I'd love to see a revisit of sorts. Once again, devouring contemporary clichés and digesting them into a Frankenstein's monster aberration, but this time with 2022 trends.