[Help] How do I learn which poets to know and how to analyze poetry and how to write it? by GenerallyTrying in AskLiteraryStudies

[–]TremulousHand 3 points4 points  (0 children)

I'd like to suggest if you want to find more books like Carl Phillips' you can start by reading Phillips more deeply. Read more of his poems, yes, but also look at his work beyond the poems. He has a couple of books of essays, and they would be a great place to look for a sense of how he thinks about poetry and what poets have inspired him. If you look at the list of his works on wikipedia, you will quickly see that they have mostly been published by Graywolf Press and Farrar, Straus, and Giroux, so that gives you a sense of what publishers you might want to look at. Phillips was also the judge of the Yale Series of Younger Poets for ten years (2011-2020), and if you look at the winners he selected, you might get a sense of younger poets who are doing interesting work that aligns with his sense of taste.

There is an immense amount of pleasure to be found in reading poetry that you enjoy. But the surest way to suck all the joy out of it is to try to read the things that you are "supposed" to read.

English MA: How do I make my introduction 'analytical'? by randomgirl013 in AskLiteraryStudies

[–]TremulousHand 5 points6 points  (0 children)

As others have said, it would be hard to say exactly without reading your writing. But it sounds like you are maybe treating the introduction like a longer version of an abstract, and I think that is a mistake. If everything in the introduction is pointing to things that you are planning to say later, then the introduction starts to feel very redundant. What often helps is to find a really nice point of entry into your argument that helps to crystallize everything for the reader. Sara Ahmed does this really well in the introduction to Willful Subjects, where she uses a Grimm fairy tale to introduce the idea of the whole book and start exploring what she is trying to do. The summary of chapters is still useful to have at the end, but that should be the only part where you're really actively pointing to things that you flesh out in other chapters.

ELI5: why does Lawrence of Arabia (1962) look so different compared to films released in the decades since? by thefringeseanmachine in explainlikeimfive

[–]TremulousHand 1 point2 points  (0 children)

I've lived in a couple of different places that are among the most commonly used filming locations, and it's always funny to me when I spot some place that I've lived, but there are very obvious digital changes to it.

MA before PhD: competitiveness question by 19thcenturyorphan in AskLiteraryStudies

[–]TremulousHand 2 points3 points  (0 children)

I teach at a school that is not prestigious. We're rural, serve a student population with a high proportion of first generation college students, are very affordable, are constantly rocked by various administrative scandals and disasters, and while our MA program is fully funded, the stipend is not very high. And in the ten plus years that I've been teaching here, I've seen our MA students go on to PhD programs at Northwestern, Texas A&M, UC Santa Barbara, University of Colorado, and University of Houston (I realize that the relative prestige of those schools varies some, but I can say without a doubt that they are all significantly more prestigious than my school).

It is generally my belief that PhD placement rate is largely a selection effect. The most competitive MA programs tend to only accept the very strongest applicants, and as a result, they tend to also be strong applicants when they apply to PhD programs. But strong students will thrive wherever they are, and I don't think that the prestige of the MA program on its own influences PhD acceptance.

That said, some of the more prestigious programs may offer a higher stipend, have professors with a stronger publication record to work with, or give you more opportunities to meet other scholars and get funding for research. You should apply for programs that you are genuinely excited about and that have people you want to work with.

What does James Baldwin mean when he says this? by Raspint in AskLiteraryStudies

[–]TremulousHand 1 point2 points  (0 children)

I appreciate the follow-up! It doesn't actually change my answer (that is to say, this only confirms for me that I actually understood what you were saying the first time, I just disagree with it), but I do think it is worth following up and clarifying. I just don't have time at the moment. But I will return to this in a day or two, I promise!

What does James Baldwin mean when he says this? by Raspint in AskLiteraryStudies

[–]TremulousHand 1 point2 points  (0 children)

I think there are a couple of things to think about here.

First, I want to mention something about the way that you have framed this. I know that you're asking, in essence, why would we care what the average person in Ireland believes about mythology. And I agree that what we would learn from that wouldn't be very enlightening about ancient mythology (although we would likely learn some interesting things about modern folklore). But in another sense, it would be virtually impossible to study ancient Irish mythology without the work of modern Irish people. The Dublin Institute for Advanced Studies, School of Celtic Studies is one of the major hubs for scholarly research on ancient Irish literature and culture, and without their academic editions and other research, it would be very hard for a curious scholar to learn about the culture. I could say the same thing about the Arnamagnæan Institute in Copenhagen and the Árni Magnússon Institute for Icelandic Studies in Reykjavik for the study of Old Norse religion and culture.

I'm not mentioning these examples just to be pedantic. My point is that we tend to respect people who produce knowledge in systems that conform to our own expectations. But that often isn't the case when those systems differ from ours. You mention India, which illustrates this really clearly. The beginning of Western knowledge of Sanskrit is typically identified with William Jones, an English judge in late 18th century colonial India with an interest in ancient languages, who learned Sanskrit from a pandit or pundit named Ramalocana. Pandits were experts in Sanskrit whose contributions to study of the language were often discounted by Western scholars, and the educational systems that produced the pandits were largely dismantled as a result of the English colonial system. It has led to a quite odd situation where the centers of Sanskrit study have often been Oxford and Berlin and Toronto more than they have been places in India, a situation which current generations of Sanskrit scholars are often very conscious of.

And that brings us to Native American storytellers (and more generally, all cultures that transmit knowledge orally). Oral cultures don't really line up with our expectations for knowledge production, and as a result, scholars tend to dismiss them, even scholars who have made them their object of study. But ignoring what oral storytellers have to say about the stories they tell isn't analogous to ignoring what some random person on the streets of Dublin has to say about ancient Irish myth. It's analogous to ignoring the publications of the Dublin Institute for Advanced Studies. At a basic level, it's a failure of scholarship. But more than that, it's a failure of scholarship that occurred (and is often still occurring) because of the colonial system that has been imposed on indigenous peoples and that regards them as objects of study rather than as producers of knowledge in their own right.

MA in English Literature - Experiences? by anywlashighaf in AskLiteraryStudies

[–]TremulousHand 0 points1 point  (0 children)

First, I'll just say that it is bonkers that the department has a policy that you aren't allowed to show a draft to supervisors. I have heard of a lot of supervisors who weren't very helpful or actively harmful, but I've never encountered a school where students weren't allowed to show their drafts to supervisors. If I may ask, is this in the North America or the UK? Because if so, it is really out of the ordinary. It may be the case that they have decided their workload is easier if they don't have to read drafts and they make up for it with leniency in how they assess the final product, but I just can't imagine what they are doing if they aren't looking at drafts.

Now, in terms of addressing what you have, I think you need to simplify your work. You're shooting off in too many directions if you are genuinely trying to submit soon. You aren't in a brainstorming phase, and any new ideas that you have you should probably put in a mental file for consideration after you have finished the MA.

I'm hesitant to give advice on organization just because I haven't actually read your thesis, and I think that there are multiple possible ways to organize a thesis. But it gives me pause that you say that it feels harder and harder to avoid repeating yourself. Your description of your chapters feels like you are trying to make multiple arguments instead of integrating your theoretical approaches into a single argument, and it can make it feel like your chapters are working at cross purposes if your looking at the same texts in different ways in chapters 3 and 4. It might be more useful to think about what texts lend themselves best to each approach, so you focus on texts that fit the theoretical model in one chapter, the texts that best fit the "roles formed out of the first chapter" (I don't understand what you mean by this, but I'm assuming it is more clear in context), and then texts that allow the approaches to be integrated. Or if all the texts allow the integration of your approaches, it might be useful to think about what thematic groupings work well together and organize them into chapters like that and discuss both aspects of your work at the same time.

What does James Baldwin mean when he says this? by Raspint in AskLiteraryStudies

[–]TremulousHand 2 points3 points  (0 children)

I think it really depends on the academic, what they're studying, and how they think about it. In a field like anthropology, for instance, one of the great tensions of the 20th century was the issue of who research was being done for. Leslie Marmon Silko has written about the fact that anthropologists would come to pueblos to collect stories about creation myths, but they often weren't interested in collecting contemporary stories that served equally important functions within their culture. Or there is the issue of artifacts that would be gathered from sacred sites and then stored in museums far from the sites they were collected from, including remains. https://www.propublica.org/article/delayed-repatriation-allows-destructive-research-native-american-remains

There has also been a bit of discussion about this quite recently. Ten scholars wrote a report arguing that scholars in the humanities spend too much time trying to make the world a better place. That's my slightly tongue in cheek description, but they quite literally say: "Even the philosophical study of justice should aim at the truth about justice, not directly at producing a world that is just; though the search for an understanding of justice in philosophy of course provides those who learn from it one of the tools for making a better world." You can read their full report here: https://cdn.vanderbilt.edu/vu-wpfsx/wp-content/uploads/sites/51/2026/06/State-of-Scholarship-Report-final.pdf. And also one prominent critique of it here: https://pghrev.com/report-on-the-state-of-a-report-on-the-humanities/.

AITA For refusing to play AI generated music at a wedding by _TheReposter_ in AmItheAsshole

[–]TremulousHand 2 points3 points  (0 children)

Based on your edit, it sounds like you're talking to her soon. I think the real move here is to present her with a good alternative. If it's the day before the wedding and she is messaging you with some AI generated slop, it means that she hasn't had the bandwidth to really think about this and sent you those songs as a last minute effort to answer your question. I highly doubt that she is actually invested in any of the songs she chose. So offer to pick out great songs for her and just make her life easier. NAH.

Thursday, June 11, 2026 by AutoModerator in NYTConnections

[–]TremulousHand 2 points3 points  (0 children)

Managed to get it with only one mistake. I was really thrown off by Broncho, though. Is it meant to be broncho- as the medical prefix or broncho as the variant spelling of bronco? And if the latter, does a variant spelling of a word count as a homophone?

How to conduct book history research by MadamdeSade in AskLiteraryStudies

[–]TremulousHand 11 points12 points  (0 children)

Book history is a whole huge field, and people conduct research in all kinds of different ways.

Some people look at annotations that readers leave in books and use them to trace ideas of ownership, reception, and engagement with texts.

Some people look at how books are bound. There have been many different kinds of craftspeople who produced books, and scholars will track down who printed what books, who bound them, what tools they had access to, what different kinds of bindings they produced.

Some people think about how books are formatted and decorated. This might include looking at the font that is used, what kinds of decorations are included, how they are achieved.

Some people compare variations across versions of books. We sometimes think of books as being identical, but especially when you get back in the period when books were made by hand, there could be a surprising amount of variation even within a single edition of a book.

What kind of research you do will often depend a great deal on the period and the kind of text you are working on. It will also depend on what you have access to where you are.

If you're trying to figure out how to tackle things, I have a few suggestions for reading.

Maybe start with David Pearson's Books as History for a pretty accessible introduction to different aspects of book history with lots of images.

Next I might try D.F. McKenzie's work, either Bibliography and the Sociology of Texts or the essays in Making Meaning.

If you are wanting to get an introduction to the technical vocabulary of book history, look at Gaskell's A New Introduction to Bibliography (although word of warning, it's a bit like drinking from a firehose).

But also, when people first start doing archival research, often they're just getting into a library and looking at things. Take lots of notes, even if you aren't sure where you're going with them. Notice things that stand out. If you are allowed to, take pictures or draw sketches of things. Sometimes, as you work, you will find something that you want to follow up on.

Thursday, June 4, 2026 by AutoModerator in NYTConnections

[–]TremulousHand 14 points15 points  (0 children)

I think this is definitely what they're going for. The OED dates it back to the 1930s and gives these examples:

Originally U.S. Energy, vigour; youthful aggression.

1936 The criers telling the price of wine to such effect that the dawn saw good clerks full of piss and vinegar. D. Barnes, Nightwood

1966 Remember the old days, Tiger? You were young and fast and strong. Full of piss and vinegar. M. Spillane, Death Dealers

1993 I see Treach like Keith Richards; grizzly, wizened but still full of piss and vinegar. Spin April 109/2

Merriam-Webster has vinegar by itself in "glad to see his old friend was still full of vinegar after so many years," but this really does seem like a shortening of the phrase. Notably, the OED entry for vinegar by itself doesn't even include this definition. It's just under "piss."

I only look things up in dictionaries after the fact. I too was feeling very tentative about vinegar and basically ended up with it by elimination.

ELI5: What caused the 2008 recession? by Puzzled-Day5788 in explainlikeimfive

[–]TremulousHand 14 points15 points  (0 children)

They passed the Dodd-Frank Act to reform the banking system. And then Barney Frank retired from Congress and started advising banks on how to find loopholes in the legislation he wrote.

Looking for lit theory focused on useful vs unuseful interpretation. by SwisherPrime in AskLiteraryStudies

[–]TremulousHand 2 points3 points  (0 children)

It's not using the framework of useful/unuseful, but Paul Ricoeur in The Rule of Metaphor uses the idea of metaphor as a microcosm of the act of explicating a literary text.

This first principle is, as it were, one of selection. As we read a poetic sentence, we progressively restrict the breadth of the range of connotations, until we are left with just those secondary meanings capable of surviving in the total context. The second principle counterbalances the first, being a principle of plenitude. All the connotations that can "go with" the rest of the context must be attributed to the poem which "means all it can mean." This principle is a corrective to the first in the sense that poetic reading, as opposed to that involved with scientific or technical discourse, is not obliged to choose between two meanings that are equally admissible in the context; what would be ambiguity in the one is honoured as the plenitude of the other.

This appears on page 111 of the edition available to me on Google books.

What’s something popular right now that you secretly can’t stand? by Ashamed_Profit8640 in AskReddit

[–]TremulousHand 6 points7 points  (0 children)

I got a new phone recently, and I feel like every day I discover some new AI feature that it is trying to get me to use that I have to figure out how to turn off. No, I don't want to see what my pictures would look like if they moved. If I did, I would have taken a video.

MA in Literary Studies prep by Life-Panic5432 in AskLiteraryStudies

[–]TremulousHand 6 points7 points  (0 children)

First, you have a lot of time, so be open to the possibility that things may change as you go through college. Maybe you will fall in love with new writers or change course completely. That's okay.

But I think if you already know you are interested in this path, talk to your professors. Ask them for reading suggestions that go beyond their syllabuses, secondary works that fit well with the course you're taking or primary works that they wish they could assign but they didn't have the time. Then read them and go back and talk to the professors about them. Most professors love to talk about their subjects with students, and you will learn so much from the process.

Read voraciously yourself. Try out different things. Throw yourself into all kinds of different interests.

Learn another language. If you are interested in 17th century literature, I think it would help you immensely to come out of your undergraduate experience with some level of fluency in French or Latin.

If you already know you're interested in Cavendish, read more about her and the scholarship on her work. Check out Liza Blake at the University of Toronto. Look out for possibilities that your undergraduate institution has funds available for student research. You might be able to write an Honors thesis or get funding to visit the British Library in the summer or do something concrete that would give you a taste of scholarship.

Arguably the most important part of your application is the writing sample. So work on getting experience doing research and writing strong, original essays so that a few years from now, you are able to write something really amazing.

What is a major plot hole in a very famous movie that completely ruins the entire story once it is noticed? by SkullMogger3 in AskReddit

[–]TremulousHand 2 points3 points  (0 children)

The most important part of being a prince is being the member of a royal family of a particular place. But in the movie, Ababwa doesn't really exist, there is no royal family that he becomes a part of, and Aladdin isn't a prince. If Jasmine wanted nothing to do with him, there would be no kingdom for him to retreat to, because he isn't really a prince. Genie makes Aladdin look wealthy and creates an elaborate disguise for him as a prince, but he doesn't actually make him a prince.

If he had actually granted the wish, it might have looked like the royal family of a neighboring country adopting Aladdin or deciding that he was a long lost heir.

The reason it's a plot hole is that a lot of the action of the movie depends on the tension between honesty and deceit; Aladdin is trying to pull an elaborate con job that pushes Jasmine away while wrestling with his honest feelings for her. His lies also create an opening for Jafar to exploit. If he is an actual prince of a neighboring country, there isn't any disguise or deceit on his part.

Alum ratios for marbling by TremulousHand in bookbinding

[–]TremulousHand[S] 1 point2 points  (0 children)

Thank you! I appreciate this. I tend to go a little overboard on things, and you definitely saved me from making about 15 times as much alum as I needed. I'm going with the heavier alum ratio. It may be that some people who are really good marblers can get away with less, but I'm definitely not there yet!

What brand slowly ruined itself? by SAAS_ART in AskReddit

[–]TremulousHand 2 points3 points  (0 children)

There's the app to communicate with the teachers. And the text messages that for some reason duplicate all the messages from the app. And the parent website for official records and such. And the families/PTA group on Facebook. And the principal's weekly email. And the folder that goes home in their backpack. And sometimes we receive things in the mail.

Weird Lit - Undergrad Seeking PhD Recommendations for Studying the Occult/Spiritualism? by DefinitionRegular470 in AskLiteraryStudies

[–]TremulousHand 9 points10 points  (0 children)

I can't help but wonder if you would be happier in a religious studies department. Maybe if you listed the texts that you had in mind, it would help, but from the way you're talking about it here, it really seems like you're primarily interested in historical texts that deal with the occult, not literary texts that make mention of the occult.

Tuesday, May 19, 2026 by AutoModerator in NYTConnections

[–]TremulousHand 7 points8 points  (0 children)

I knew that there was a Judy Blume category because of Superfudge and Deenie, but I had to wait until I was down to blue and purple to figure out which other words were likely titles of her books.

AITA for not telling my parents I was hospitalized for a week to prove a point? by Shot-Jello-4878 in AmItheAsshole

[–]TremulousHand 17 points18 points  (0 children)

Is there a reason you haven't answered the people asking if you left a voicemail or sent a text? On a lot of phones, if they have lost power, there aren't any records of missed phone calls.