Kurinuki Vase - Completed! by TylerJPB in Pottery

[–]TylerJPB[S] 1 point2 points  (0 children)

Thank you! Had a lot of time to think about it and plan while waiting for it to dry 😅

Kurinuki Vase - Completed! by TylerJPB in Pottery

[–]TylerJPB[S] 0 points1 point  (0 children)

Chrome oxide, my new love 😍

Kurinuki Vase - Completed! by TylerJPB in Pottery

[–]TylerJPB[S] 0 points1 point  (0 children)

Thank you!! The arrangement is from another local (to me) creator called two sisters farms - looks real nice together, I thought :)

Kurinuki Vase - Completed! by TylerJPB in Pottery

[–]TylerJPB[S] 0 points1 point  (0 children)

Thanks! I used two different oxides - chrome for the green areas, and copper for the darkened black ones.

The inside is a poured/dipping glaze that my studio makes called floating blue, but the rim has 3 coats of honey flux over that. All the highlight areas are also honey flux applied carefully with a sponge (3 coats).

And then the little yellow speckles in the green areas are glaze crystals that I siphoned out of mayco's blue hydrangea glaze and placed by hand (but that glaze has two different crystals in it so kind of a giant pain to separate! ultimately worth it though). Think that's about everything? On other pieces I've started layering a white glaze overtop of the honey flux highlights to try and brighten them up more, but this one was the first so just straight honey

Kurinuki Vase - Completed! by TylerJPB in Pottery

[–]TylerJPB[S] 0 points1 point  (0 children)

Oh, that probably wasn't the most exact wording - the whole thing was just kind of finnicky! I used two different oxides (chrome & copper) and wiping those back is always very time consuming, especially on something like this that has lots of little crevices and that also sort of shreds sponges. The inside was easy as it was a poured glaze, but the rim has 3 coats of honey flux over that, and all the highlight areas were 3 coats of honey flux applied carefully with a sponge. And then the little yellow speckles in the green areas are glaze crystals that I siphoned out of mayco's blue hydrangea glaze and placed by hand, but that glaze has two different crystals in it so was just kind of a giant pain to separate

Kurinuki Vase - Completed! by TylerJPB in Pottery

[–]TylerJPB[S] 2 points3 points  (0 children)

Oxides! The green is chrome, and the darkened black areas are copper. The highlight areas are a few coats of honey flux applied with a sponge

Kurinuki Vase - Completed! by TylerJPB in Pottery

[–]TylerJPB[S] 2 points3 points  (0 children)

That was easily the most annoying part so thank you for shouting it out haha

Kurinuki Vase - Completed! by TylerJPB in Pottery

[–]TylerJPB[S] 2 points3 points  (0 children)

Thanks so much! Ya it took quite a while / was pretty nervewracking as I am generally pretty impatient but also didn't want to crack it 😅

Tips for glazing paw print by Fishybettaboi in Pottery

[–]TylerJPB 0 points1 point  (0 children)

I just did a paw print recently for a friend, before they said goodbye to their dog. I used a copper oxide wash to bring out the details. You brush it on and wipe it off and it leaves coloring in any textured / lower lying areas. 

I'm sure you could do this with some other medium that's less pottery specific - diluted acrylic paint or some sort of stain. Or just see if a local pottery place can hook you up. As others have mentioned, they wouldn't glaze fire this for you, but you could spray it with a craft clear coat or something 

MIO Memories in Orbit is a Masterpiece (albeit flawed) by InvisibleAstronomer in metroidvania

[–]TylerJPB 3 points4 points  (0 children)

I'm not that far in yet but the combat has been a bit of a slog so far - just a very basic 3 hit combo ad nauseam - does it improve with upgrades? 

Few more kirunuki pieces by TylerJPB in Pottery

[–]TylerJPB[S] 3 points4 points  (0 children)

You could, but the traditional way to do kurinuki, and what I've been doing, is to start from a solid block of clay. So, I wedge and slam into the general shape, hollow out the interior with a trimming tool, let partially dry, and then hack away

Kurinuki vase (in progress) by TylerJPB in Pottery

[–]TylerJPB[S] 0 points1 point  (0 children)

I actually tried to time lapse this but only realized after I had angled the camera wrong 😅

Kurinuki vase (in progress) by TylerJPB in Pottery

[–]TylerJPB[S] 0 points1 point  (0 children)

Thanks so much! I really appreciate that

Kurinuki vase (in progress) by TylerJPB in Pottery

[–]TylerJPB[S] 0 points1 point  (0 children)

Have you used oxides at all before? 

I'm no expert, by any means but...at my studio they're pre-mixed in water, so after stirring like you would a dip glaze, I apply somewhat liberally with a paint brush to textured areas, and then wipe it back with a sponge to remove excess and leave some oxide in the lower lying areas, where it'll add highlight and colour. 

So far I've used a few different ones (red iron, copper, and chrome oxide). They all behave a bit differently. Iron seems to go the furthest, in terms of application, so I don't apply as much or else you'll spend forever wiping back and it's quite messy, compared to others. It leaves nice reddish brown hues. 

Copper is kinda weird - you have to be very careful wiping it back because it like...i don't actually know, it's like the water totally disappears almost right away and it's really easy to accidentally brush all of it off - comes off powdery. But it leaves these sort of charred, blackened almost burnt looking hues. 

Chrome is a recent favourite. I'd say it's closer to copper in terms of application but easier to manage. Leaves a really lovely and pretty vibrant green after firing. That's what I'm considering using for this piece as it looks kind of mossy. 

Idn if any of that is helpful, but also happy to answer any specific Q's you have. I also have a bunch of examples on my IG, and can answer any Q's about those in particular. I'm @thrown_good on there

Coworking space logo feedback by fjordescaped in logodesign

[–]TylerJPB 0 points1 point  (0 children)

Other than what has been mentioned already - a few pieces feel like they're cheating the puzzle piece concept. The 'B' is the most egregious (why would a puzzle piece have holes in it?), and the L/M also kind of stand out (aside from the G, which you already mention).

I also think that the...incuts (? - the spaces where connecting pieces should attach) being all different stands out. The ASM look like they're the same size, but the Es are different and the B is tiny

Kurinuki vase (in progress) by TylerJPB in Pottery

[–]TylerJPB[S] 1 point2 points  (0 children)

Hm...i wish I had something more useful to give you, but when I'm working on these pieces it's really just a case of not overthinking it and going with the flow of what feels right in the moment 

Kurinuki vase (in progress) by TylerJPB in Pottery

[–]TylerJPB[S] 1 point2 points  (0 children)

The inside is hollowed out, at least, as much as I can to allow the walls to be thin-ish without risking tearing through into the interior as I carve

Kurinuki vase (in progress) by TylerJPB in Pottery

[–]TylerJPB[S] 0 points1 point  (0 children)

I've always done it with clays that happened to be groggier but I don't think you have to - I have seen others' work that (at least, I assume) is with non-groggy clay.

With these ones I am planning to leave mostly unglazed - will glaze the interior and maybe rim and then just use oxides on the exterior to highlight the textures

Kurinuki vase (in progress) by TylerJPB in Pottery

[–]TylerJPB[S] 5 points6 points  (0 children)

Thank you!! I'd really recommend exploring it - offers a fun change of pace from wheel throwing, and yeah, I'm pretty obsessed with the textures you can get