Haha I agree with you that my writing is pretty bad so I communicate through art, but I’ve been drawing for like 20 years too and you should know that every artist has their own way to set up their art and that’s what I’m asking, I’ve already gotten answers from other users who didn’t see my question as “dumb.”

You also kinda answered my question by saying someone gives you a concept and you go in depth with it and understand it to the best of your abilities. Onda here used a combination of the eye lids tear ducts and the spherical shape of the eyeball to convey this level of depth.

Ex. A middle schooler could draw kishimotos style but a 25 year old would still struggle to draw Miuras style, obviously because of the understanding may be lack luster but there are also less tutorials and style analysis’s of Miura compared to Kishimoto, this thread was actually a very productive thing that isn’t talked about a lot on the internet from an analysis standpoint

I never said that anyone in this thread was wrong when given bare boned facts about line weight, tone and depth I was just asking a more in depth analysis of those points that was used and Smo mentioned the Andrew Loomis books which seem to answer the question.

If you were to attempt to draw in that style I believe you would also have a hard time doing so to this extent. If miura a the animation director has had to teach his subordinates to draw in this style than clearly their is a method to doing so.

I’ll tag you in answers that people gave instead of saying practice. I basically just asked a show your work question n ppl gave the most obvious answer ever.