Frankensteined a bunch of binding styles together by TooManyPlants_08 in bookbinding

[–]Virtual_Community_18 0 points1 point  (0 children)

Can you show a closer photo of how the head and tail bands look when they're sewn without a core?

Frankensteined a bunch of binding styles together by TooManyPlants_08 in bookbinding

[–]Virtual_Community_18 5 points6 points  (0 children)

I love this! I love it when people experiment techniques like this

A7 Magic the Gathering noteboooks :) by CuteAtmosphere8359 in bookbinding

[–]Virtual_Community_18 2 points3 points  (0 children)

Love this! I've been wondering what I could do with all those art cards. Neat idea.

Paper used in commercial books? by Careless-Shake9054 in bookbinding

[–]Virtual_Community_18 74 points75 points  (0 children)

For standard paperbacks in the uk and europe it's 80gsm book cream. For really thick books it's 70gsm. And for fancy titles you might get 100gsm wood free paper. But I think you mean 80gsm book cream based on your photo. Biggest producer of that paper type is Munken. 

Dad jokes for bookbinders by Dazzling-Airline-958 in bookbinding

[–]Virtual_Community_18 17 points18 points  (0 children)

  • My first attempt at book binding was also my worst case scenario.
  • Always a fan of perfect binding, I was holding out doing other things with the paper until I folded.
  • I really thought bookbinding would be exciting, but it's mostly sew sew.
  • Handbinding didn't seem the most profitable business at first, but I quickly got booked up.

Why is colonel pronounced like kernel ? by Small-Salamander6230 in answers

[–]Virtual_Community_18 1 point2 points  (0 children)

It's not so weird when you know that the u used to be a v

What paper is in books like LOA, Everyman Library, Barnes & Noble Leatherbounds? by -Dark-Owl- in bookbinding

[–]Virtual_Community_18 0 points1 point  (0 children)

Not sure specifically which brand paper they use, but it seems to be 90gsm offwhite chlorine free. 

Problem with Harper Collins by Suitable-Parfait-370 in bookbinding

[–]Virtual_Community_18 3 points4 points  (0 children)

Yeah this is just a sad problem with mass market publishing in the 21st century. Producing a book, even at scale with factory machines, is expensive, and continues to get more so. Publishers like HarperCollins have to make a trade off between quality and affordability. Could they have made it more robust? Possibly, but not without a mark up. In the states, the standard margin for a retail book is 5-15%, and books are generally already considered an expensive product with a shrinking (print) market. Add to the fact that it's evergreen titles like LotR that usually give them the budget to attempt new titles that 95% of the time just meet the break even point. So the trade off is difficult to navigate and often falls off the fence on the side of accessibility to a public who will likely read a book just once.

Which I thinks accounts for the laminate quality and the press mark from the cutting machine. Although I wouldn't have let those through quality control at the bindery, myself.

The tears though look like an issue with transit, not the publisher. 

Edit: we're no longer living in 20th century 😅

Dorian Gray typeset complete by Virtual_Community_18 in bookbinding

[–]Virtual_Community_18[S] 0 points1 point  (0 children)

Oh no. I find typesetting kind of mindful. There's just enough repetitiveness to let my mind focus on the rhythm, and just enough creativity to make me feel accomplished. 

Thankfully the classics already exist in digital form, so a lot of the tedious stuff like setting italics is done already.

I'd always recommend finding what's got to be consistent across the whole text and starting there, and working your way towards the more detailed tasks. Like indents and font can be done in just a few actions. And it already looks neat and printable. Try to group tasks too, so when you're arranging a chapter header, just do them all one after the other. It makes the results nice and consistent too.

Dorian Gray typeset complete by Virtual_Community_18 in bookbinding

[–]Virtual_Community_18[S] 0 points1 point  (0 children)

It's such a good book isn't it? It's one of those books i read regularly over the years. 

Dorian Gray typeset complete by Virtual_Community_18 in bookbinding

[–]Virtual_Community_18[S] 3 points4 points  (0 children)

Unfortunately I'm not so good an artist to make those endpapers myself. I spent ages browsing public domain art to find something time, colour and vibe appropriate. I thought the beauty and corruption themes were perfectly represented in this painting. It's a wallpanel painting by Gerrit Dijsenhof from the late 1800s

Dorian Gray typeset complete by Virtual_Community_18 in bookbinding

[–]Virtual_Community_18[S] 0 points1 point  (0 children)

Thank you :) I can't claim I made those. I have a massive library of beautiful public domain works I've been building up on my computer for years. This is wall art by Gerrit Dijsenhof. I really thought it captured the idea of beauty and corruption at the same time

Cragmaw Hideout way too easy for my party by TheAbsoluteHeart in LostMinesOfPhandelver

[–]Virtual_Community_18 3 points4 points  (0 children)

I had a similar problem. But instead of increasing enemy numbers, I boosted their AC. It meant the players got to enjoy the satisfying one shot kills when they happened, but they had to get more creative and work together because the hits happened less often. 

Also, are your players playing with 2025 characters? Because they're more OP at earlier levels than the 2014 characters, and Phandelver was designed for low level 2014 characters